List of compositions by Giuseppe Verdi: Difference between revisions
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''' [[Opera]] ''' |
''' [[Opera]] ''' |
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*Oberto, Conte di San Bonifacio (17.11.1839 Teatro alla Scala, Milan). Opera in 2 acts, Temistocle Solera. |
*Oberto, Conte di San Bonifacio (17.11.1839 Teatro alla Scala, Milan). Opera in 2 acts, [[Temistocle Solera]]. |
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*Un giorno di regno (5.9.1840 Teatro alla Scala, Milan) [Il finto Stanislao]. Melodramma giocoso in 2 acts, Felice Romani, after the comedy Le Faux Stanislas by Alexandre Vincent Pineu-Duval. |
*Un giorno di regno (5.9.1840 Teatro alla Scala, Milan) [Il finto Stanislao]. Melodramma giocoso in 2 acts, [[Felice Romani]], after the comedy Le Faux Stanislas by [[Alexandre Vincent Pineu-Duval]]. |
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*Nabucodonosor (9.3.1842 Teatro alla Scala, Milan) ([[Nabucco]]). Opera in 4 parts, Temistocle Solera, after the play Nabucodonosor by Anicet-Bourgeois and Francis Cornue. |
*Nabucodonosor (9.3.1842 Teatro alla Scala, Milan) ([[Nabucco]]). Opera in 4 parts, [[Temistocle Solera]], after the play Nabucodonosor by [[Anicet-Bourgeois]] and [[Francis Cornue]]. |
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*I lombardi alla prima crociata (11.2.1843 Teatro alla Scala, Milan). Opera in 4 acts, Temistocle Solera, after the poem of the same name by Tommaso Grossi. |
*I lombardi alla prima crociata (11.2.1843 Teatro alla Scala, Milan). Opera in 4 acts, [[Temistocle Solera]], after the poem of the same name by [[Tommaso Grossi]]. |
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*[[Ernani]] (9.3.1844 Teatro la Fenice, Venice). Opera in 4 acts, Francesco Maria Piave, after the play Hernani by [[Victor Hugo]]. |
*[[Ernani]] (9.3.1844 Teatro la Fenice, Venice). Opera in 4 acts, [[Francesco Maria Piave]], after the play Hernani by [[Victor Hugo]]. |
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*I due Foscari (3.11.1844 Teatro Argentina, Rome). Opera in 3 acts, Francesco Maria Piave, after Lord Byron's play The Two Foscari. |
*I due Foscari (3.11.1844 Teatro Argentina, Rome). Opera in 3 acts, [[Francesco Maria Piave]], after Lord Byron's play The Two Foscari. |
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*Giovanna d'Arco (15.2.1845 Teatro alla Scala, Milan). Opera in a prologue & 3 acts, Temistocle Solera, after Schiller's drama Die Jungfrau von Orleans. |
*Giovanna d'Arco (15.2.1845 Teatro alla Scala, Milan). Opera in a prologue & 3 acts, [[Temistocle Solera]], after [[Friedrich Schiller]]'s drama Die Jungfrau von Orleans. |
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*Alzira (12.8.1845 Teatro San Carlo, Naples). Opera in a prologue and 2 acts, Salvatore Cammarano, after Voltaire's tragedy Alzire, ou les Américains. |
*Alzira (12.8.1845 Teatro San Carlo, Naples). Opera in a prologue and 2 acts, [[Salvatore Cammarano]], after [[Voltaire]]'s tragedy Alzire, ou les Américains. |
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*[[Attila]] (17.3.1846 Teatro la Fenice, Venice). Opera in a prologue & 3 acts, Temistocle Solera (and Francesco Maria Piave), after the play Attila, König der Hunnen by Zacharias Werner. |
*[[Attila]] (17.3.1846 Teatro la Fenice, Venice). Opera in a prologue & 3 acts, [[Temistocle Solera]] (and [[Francesco Maria Piave]]), after the play Attila, König der Hunnen by Zacharias Werner. |
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*[[Macbeth]] (14.3.1847 Teatro della Pergola, Florence). Opera in 4 acts, Francesco Maria Piave, after Shakespeare's play. |
*[[Macbeth]] (14.3.1847 Teatro della Pergola, Florence). Opera in 4 acts, [[Francesco Maria Piave]], after Shakespeare's play. |
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*I masnadieri. (22.7.1847 Her Majesty's Theatre, London). Opera in 4 acts, Andrea Maffei, after Schiller's drama Die Räuber |
*I masnadieri. (22.7.1847 Her Majesty's Theatre, London). Opera in 4 acts, [[Andrea Maffei]], after [[Friedrich Schiller]]'s drama Die Räuber |
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*Jérusalem [rev of I lombardi] (26.11.1847 Académie Royale de Musique, Paris). Opera in 4 acts, Alphonse Royer & Gustave Vaëz. |
*Jérusalem [rev of I lombardi] (26.11.1847 Académie Royale de Musique, Paris). Opera in 4 acts, [[Alphonse Royer]] & [[Gustave Vaëz]]. |
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*Il corsaro (25.10.1848 Teatro Grande, Trieste). Opera in 3 acts, Francesco Maria Piave, after |
*Il corsaro (25.10.1848 Teatro Grande, Trieste). Opera in 3 acts, [[Francesco Maria Piave]], after [[George Gordon Byron]]'s poem The Corsair. |
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*La battaglia di Legnano (27.1.1849 Teatro Argentina, Rome). Opera in 4 acts, Salvatore Cammarano, after the play La Battaille de Toulouse by Joseph Méry. |
*La battaglia di Legnano (27.1.1849 Teatro Argentina, Rome). Opera in 4 acts, [[Salvatore Cammarano]], after the play La Battaille de Toulouse by [[Joseph Méry]]. |
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*[[Luisa Miller]] (8.12.1849 Teatro San Carlo, Naples). Opera in 3 acts, Salvatore Cammarano, after Schiller's drama Kabale und Liebe. |
*[[Luisa Miller]] (8.12.1849 Teatro San Carlo, Naples). Opera in 3 acts, [[Salvatore Cammarano]], after [[Friedrich Schiller]]'s drama Kabale und Liebe. |
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*Stiffelio (16.11.1850 Teatro Grande, Trieste). Opera in 3 acts, Francesco Maria Piave, after the play Le Pasteur, ou L'Évangile et le Foyer by Émile Souvestre and Eugène Bourgeois. |
*Stiffelio (16.11.1850 Teatro Grande, Trieste). Opera in 3 acts, [[Francesco Maria Piave]], after the play Le Pasteur, ou L'Évangile et le Foyer by [[Émile Souvestre]] and [[Eugène Bourgeois]]. |
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*[[Rigoletto]] (11.3.1851 Teatro la Fenice, Venice). Opera in 3 acts, Francesco Maria Piave, after the drama Le Roi s'amuse by Victor Hugo. |
*[[Rigoletto]] (11.3.1851 Teatro la Fenice, Venice). Opera in 3 acts, [[Francesco Maria Piave]], after the drama Le Roi s'amuse by [[Victor Hugo]]. |
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*[[Il Trovatore]] (19.1.1853 Teatro Apollo, Rome). Opera in 4 acts, Salvatore Cammarano (and Leone Emanuele Bardare), after the play El Trovador by Antonio García Gutiérrez. |
*[[Il Trovatore]] (19.1.1853 Teatro Apollo, Rome). Opera in 4 acts, [[Salvatore Cammarano]] (and Leone Emanuele Bardare), after the play El Trovador by [[Antonio García Gutiérrez]]. |
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*[[La traviata]] (6.3.1853 Teatro la Fenice, Venice). Opera in 4 parts, Francesco Maria Piave, after the play La Dame aux camélias by Alexandre Dumas fils. |
*[[La traviata]] (6.3.1853 Teatro la Fenice, Venice). Opera in 4 parts, [[Francesco Maria Piave]], after the play La Dame aux camélias by Alexandre Dumas fils. |
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*Les vêpres siciliennes (13.6.1855 Académie Impériale de Musique, Paris). Grand opera in 5 acts, |
*Les vêpres siciliennes (13.6.1855 Académie Impériale de Musique, Paris). Grand opera in 5 acts, [[Eugène Scribe]] & [[Charles Duveyrier]], after their libretto Le Duc d'Albe |
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*Giovanna de Guzman (I vespri siciliani) [rev of Les vêpres siciliennes] (26.12.1855 Teatro Regio, Parma). Scribe & Eugenio Caimi. |
*Giovanna de Guzman (I vespri siciliani) [rev of Les vêpres siciliennes] (26.12.1855 Teatro Regio, Parma). [[Eugène Scribe]] & Eugenio Caimi. |
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*[[Simon Boccanegra]] (12.3.1857 Teatro la Fenice, Venice). Opera in a prologue and 3 acts, Francesco Maria Piave (and Giuseppe Montanelli), after the play Simon Bocanegra by Antonio García Gutiérrez. |
*[[Simon Boccanegra]] (12.3.1857 Teatro la Fenice, Venice). Opera in a prologue and 3 acts, [[Francesco Maria Piave]] (and Giuseppe Montanelli), after the play Simon Bocanegra by [[Antonio García Gutiérrez]]. |
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*Aroldo [rev of Stiffelio] (16.8.1857 Teatro Nuovo, Rimini). Opera in 4 parts, Francesco Maria Piave |
*Aroldo [rev of Stiffelio] (16.8.1857 Teatro Nuovo, Rimini). Opera in 4 parts, [[Francesco Maria Piave]] |
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*[[Un ballo in maschera]] (17.2.1859 Teatro Apollo, Rome) Opera in 3 acts, Antonio Somma, after Scribe's libretto Gustave III. |
*[[Un ballo in maschera]] (17.2.1859 Teatro Apollo, Rome) Opera in 3 acts, [[Antonio Somma]], after [[Eugène Scribe]]'s libretto Gustave III. |
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*[[La forza del destino]] (10.11.1862 Bol'shoy Kamennïy Teatr, St. Petersburg). Opera in 4 acts, Francesco Maria Piave, (and Andrea Maffei) after the play Don Alvaro, o La Fuerza del sino by Angel de Saavedra, Duke of Rivas, and Schiller's drama Wallensteins Lager. |
*[[La forza del destino]] (10.11.1862 Bol'shoy Kamennïy Teatr, St. Petersburg). Opera in 4 acts, [[Francesco Maria Piave]], (and [[Andrea Maffei]]) after the play Don Alvaro, o La Fuerza del sino by Angel de Saavedra, Duke of Rivas, and Schiller's drama Wallensteins Lager. |
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*Macbeth [rev] (19.4.1865 Théâtre Lyrique, Paris). |
*Macbeth [rev] (19.4.1865 Théâtre Lyrique, Paris). |
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*Don Carlos (11.3.1867 Académie Impériale de Musique, Paris) Grand opera in 5 acts, Joseph Méry & Camille du Locle, after Schiller's dramatic poem Don Carlos, Infant von Spanien |
*Don Carlos (11.3.1867 Académie Impériale de Musique, Paris) Grand opera in 5 acts, [[Joseph Méry]] & [[Camille du Locle]], after [[Friedrich Schiller]]'s dramatic poem Don Carlos, Infant von Spanien |
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*La forza del destino [rev] (27.2.1869 Teatro alla Scala, Milan). Libretto additions by Antonio Ghislanzoni |
*La forza del destino [rev] (27.2.1869 Teatro alla Scala, Milan). Libretto additions by [[Antonio Ghislanzoni]] |
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*Aida (24.12.1871 Opera House, Cairo). Opera in 4 acts, Antonio Ghislanzoni, from a scenario by Auguste Mariette. |
*Aida (24.12.1871 Opera House, Cairo). Opera in 4 acts, [[Antonio Ghislanzoni]], from a scenario by [[Auguste Mariette]]. |
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*Don Carlo [rev of Don Carlos] (1872, Naples). Translation by Achille de Lauzières, with additions by Antonio Ghislanzoni. |
*Don Carlo [rev of Don Carlos] (1872, Naples). Translation by [[Achille de Lauzières]], with additions by [[Antonio Ghislanzoni]]. |
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*Simon Boccanegra [rev] (24.3.1881 Teatro alla Scala, Milan). Libretto additions and changes by Arrigo |
*Simon Boccanegra [rev] (24.3.1881 Teatro alla Scala, Milan). Libretto additions and changes by [[Arrigo Boito]]. |
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*La force du destin [rev of La forza del destino] (14.3.1883, Antwerp). Libretto translated and adapted by Charles Nuitter & Camille du Locle. |
*La force du destin [rev of La forza del destino] (14.3.1883, Antwerp). Libretto translated and adapted by [[Charles Nuitter & Camille du Locle]]. |
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*Don Carlo [rev 2 of Don Carlos] (10.1.1884 Teatro alla Scala, Milan). Opera in 4 acts. |
*Don Carlo [rev 2 of Don Carlos] (10.1.1884 Teatro alla Scala, Milan). Opera in 4 acts. |
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*Don Carlo [rev 3 of Don Carlos] (29.12.1886, Modena). Opera in 4 acts. |
*Don Carlo [rev 3 of Don Carlos] (29.12.1886, Modena). Opera in 4 acts. |
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*[[Otello]] (5.2.1887 Teatro alla Scala, Milan). Opera in 4 acts, Arrigo |
*[[Otello]] (5.2.1887 Teatro alla Scala, Milan). Opera in 4 acts, [[Arrigo Boito]], after [[William Shakespeare]]'s [[Othello]]. |
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*Falstaff (9.2.1893 Teatro alla Scala, Milan). Opera in 3 acts, Arrigo |
*Falstaff (9.2.1893 Teatro alla Scala, Milan). Opera in 3 acts, [[Arrigo Boito]], after [[William Shakespeare]]'s Falstaff and Henry IV, (1 & 2). |
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''' Other Works ''' |
''' Other Works ''' |
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*Inno delle Nazioni (1862, London) |
*Inno delle Nazioni (1862, London) |
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*String Quartet in e (1873) |
*String Quartet in e (1873) |
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*Requiem (22.5.1874, Church of San Marco, Milan): mass in memory of Alessandro Manzoni, for four solo voices, chorus, and orchestra |
*Requiem (22.5.1874, Church of San Marco, Milan): mass in memory of [[Alessandro Manzoni]], for four solo voices, chorus, and orchestra |
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*Pater noster (1873): for 5-part chorus |
*Pater noster (1873): for 5-part chorus |
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*Ave Maria (1880): for soprano and strings |
*Ave Maria (1880): for soprano and strings |
Revision as of 11:52, 18 March 2002
Giuseppe Verdi's compositions
- Oberto, Conte di San Bonifacio (17.11.1839 Teatro alla Scala, Milan). Opera in 2 acts, Temistocle Solera.
- Un giorno di regno (5.9.1840 Teatro alla Scala, Milan) [Il finto Stanislao]. Melodramma giocoso in 2 acts, Felice Romani, after the comedy Le Faux Stanislas by Alexandre Vincent Pineu-Duval.
- Nabucodonosor (9.3.1842 Teatro alla Scala, Milan) (Nabucco). Opera in 4 parts, Temistocle Solera, after the play Nabucodonosor by Anicet-Bourgeois and Francis Cornue.
- I lombardi alla prima crociata (11.2.1843 Teatro alla Scala, Milan). Opera in 4 acts, Temistocle Solera, after the poem of the same name by Tommaso Grossi.
- Ernani (9.3.1844 Teatro la Fenice, Venice). Opera in 4 acts, Francesco Maria Piave, after the play Hernani by Victor Hugo.
- I due Foscari (3.11.1844 Teatro Argentina, Rome). Opera in 3 acts, Francesco Maria Piave, after Lord Byron's play The Two Foscari.
- Giovanna d'Arco (15.2.1845 Teatro alla Scala, Milan). Opera in a prologue & 3 acts, Temistocle Solera, after Friedrich Schiller's drama Die Jungfrau von Orleans.
- Alzira (12.8.1845 Teatro San Carlo, Naples). Opera in a prologue and 2 acts, Salvatore Cammarano, after Voltaire's tragedy Alzire, ou les Américains.
- Attila (17.3.1846 Teatro la Fenice, Venice). Opera in a prologue & 3 acts, Temistocle Solera (and Francesco Maria Piave), after the play Attila, König der Hunnen by Zacharias Werner.
- Macbeth (14.3.1847 Teatro della Pergola, Florence). Opera in 4 acts, Francesco Maria Piave, after Shakespeare's play.
- I masnadieri. (22.7.1847 Her Majesty's Theatre, London). Opera in 4 acts, Andrea Maffei, after Friedrich Schiller's drama Die Räuber
- Jérusalem [rev of I lombardi] (26.11.1847 Académie Royale de Musique, Paris). Opera in 4 acts, Alphonse Royer & Gustave Vaëz.
- Il corsaro (25.10.1848 Teatro Grande, Trieste). Opera in 3 acts, Francesco Maria Piave, after George Gordon Byron's poem The Corsair.
- La battaglia di Legnano (27.1.1849 Teatro Argentina, Rome). Opera in 4 acts, Salvatore Cammarano, after the play La Battaille de Toulouse by Joseph Méry.
- Luisa Miller (8.12.1849 Teatro San Carlo, Naples). Opera in 3 acts, Salvatore Cammarano, after Friedrich Schiller's drama Kabale und Liebe.
- Stiffelio (16.11.1850 Teatro Grande, Trieste). Opera in 3 acts, Francesco Maria Piave, after the play Le Pasteur, ou L'Évangile et le Foyer by Émile Souvestre and Eugène Bourgeois.
- Rigoletto (11.3.1851 Teatro la Fenice, Venice). Opera in 3 acts, Francesco Maria Piave, after the drama Le Roi s'amuse by Victor Hugo.
- Il Trovatore (19.1.1853 Teatro Apollo, Rome). Opera in 4 acts, Salvatore Cammarano (and Leone Emanuele Bardare), after the play El Trovador by Antonio García Gutiérrez.
- La traviata (6.3.1853 Teatro la Fenice, Venice). Opera in 4 parts, Francesco Maria Piave, after the play La Dame aux camélias by Alexandre Dumas fils.
- Les vêpres siciliennes (13.6.1855 Académie Impériale de Musique, Paris). Grand opera in 5 acts, Eugène Scribe & Charles Duveyrier, after their libretto Le Duc d'Albe
- Giovanna de Guzman (I vespri siciliani) [rev of Les vêpres siciliennes] (26.12.1855 Teatro Regio, Parma). Eugène Scribe & Eugenio Caimi.
- Simon Boccanegra (12.3.1857 Teatro la Fenice, Venice). Opera in a prologue and 3 acts, Francesco Maria Piave (and Giuseppe Montanelli), after the play Simon Bocanegra by Antonio García Gutiérrez.
- Aroldo [rev of Stiffelio] (16.8.1857 Teatro Nuovo, Rimini). Opera in 4 parts, Francesco Maria Piave
- Un ballo in maschera (17.2.1859 Teatro Apollo, Rome) Opera in 3 acts, Antonio Somma, after Eugène Scribe's libretto Gustave III.
- La forza del destino (10.11.1862 Bol'shoy Kamennïy Teatr, St. Petersburg). Opera in 4 acts, Francesco Maria Piave, (and Andrea Maffei) after the play Don Alvaro, o La Fuerza del sino by Angel de Saavedra, Duke of Rivas, and Schiller's drama Wallensteins Lager.
- Macbeth [rev] (19.4.1865 Théâtre Lyrique, Paris).
- Don Carlos (11.3.1867 Académie Impériale de Musique, Paris) Grand opera in 5 acts, Joseph Méry & Camille du Locle, after Friedrich Schiller's dramatic poem Don Carlos, Infant von Spanien
- La forza del destino [rev] (27.2.1869 Teatro alla Scala, Milan). Libretto additions by Antonio Ghislanzoni
- Aida (24.12.1871 Opera House, Cairo). Opera in 4 acts, Antonio Ghislanzoni, from a scenario by Auguste Mariette.
- Don Carlo [rev of Don Carlos] (1872, Naples). Translation by Achille de Lauzières, with additions by Antonio Ghislanzoni.
- Simon Boccanegra [rev] (24.3.1881 Teatro alla Scala, Milan). Libretto additions and changes by Arrigo Boito.
- La force du destin [rev of La forza del destino] (14.3.1883, Antwerp). Libretto translated and adapted by Charles Nuitter & Camille du Locle.
- Don Carlo [rev 2 of Don Carlos] (10.1.1884 Teatro alla Scala, Milan). Opera in 4 acts.
- Don Carlo [rev 3 of Don Carlos] (29.12.1886, Modena). Opera in 4 acts.
- Otello (5.2.1887 Teatro alla Scala, Milan). Opera in 4 acts, Arrigo Boito, after William Shakespeare's Othello.
- Falstaff (9.2.1893 Teatro alla Scala, Milan). Opera in 3 acts, Arrigo Boito, after William Shakespeare's Falstaff and Henry IV, (1 & 2).
Other Works
- Inno delle Nazioni (1862, London)
- String Quartet in e (1873)
- Requiem (22.5.1874, Church of San Marco, Milan): mass in memory of Alessandro Manzoni, for four solo voices, chorus, and orchestra
- Pater noster (1873): for 5-part chorus
- Ave Maria (1880): for soprano and strings
- Quattro Pezzi sacri (7.4.1898, Grande Opéra, Paris):
- Ave Maria: for mixed chorus
- Stabat Mater: for mixed chorus
- Laudi alla Vergine Maria: for female chorus
- Te Deum: for double chorus and orchestra