File:Bosch laatste oordeel drieluik wenen.jpg
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Summary
Hieronymus Bosch: The Last Judgment
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Artist |
artist QS:P170,Q130531 |
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Title |
The Last Judgment
label QS:Lit,"Giudizio universale"
label QS:Lfr,"Le Jugement Dernier"
label QS:Lca,"El Judici Final"
label QS:Lde,"Das Jüngste Gericht"
label QS:Lpt,"O Juízo Final"
label QS:Lzh,"最后的审判"
label QS:Lda,"Den dommedag"
label QS:Lsl,"Poslednja sodba"
label QS:Lja,"最後の審判"
label QS:Lsv,"Den yttersta domen"
label QS:Lpl,"Sąd Ostateczny"
label QS:Lnl,"Het Laatste Oordeel"
label QS:Les,"El Juicio Final"
label QS:Lsu,"Viimeinen tuomio"
label QS:Len,"The Last Judgment"
label QS:Leo,"La Lasta Juĝo"
label QS:Lmk,"Страшниот Суд"
label QS:Lru,"Страшный суд" |
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Object type |
triptych / painting ![]() |
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Genre |
religious art ![]() |
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Description | ||||||||||||||||||||||||||||
Date |
after 1504 date QS:P,+1504-00-00T00:00:00Z/7,P1319,+1504-00-00T00:00:00Z/9 / circa ![]() |
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Medium |
oil on panel medium QS:P186,Q296955;P186,Q106857709,P518,Q861259 |
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Dimensions |
height: 163.7 cm (64.4 in); width: 247 cm (97.2 in) dimensions QS:P2048,163.7U174728 dimensions QS:P2049,247U174728 |
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Collection |
institution QS:P195,Q414219 |
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Current location |
Gemäldegalerie |
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Accession number |
GG-579-581 |
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Place of creation | 's-Hertogenbosch | |||||||||||||||||||||||||||
Object history |
By 1659 date QS:P,+1659-00-00T00:00:00Z/7,P1326,+1659-00-00T00:00:00Z/9 : Leopold Wilhelm, Archduke of Austria (1614-1662)
By the end of the 18th century: Graf Lamberg-Spritzenstein |
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References |
AnonymousUnknown author, Gemäldegalerie der Akademie der bildenden Künste Wien, as Hieronymus Bosch, Weltgerichtstriptychon - Innenseite, between 1504 and 1508 date QS:P,+1504-00-00T00:00:00Z/8,P1319,+1504-00-00T00:00:00Z/9,P1326,+1508-00-00T00:00:00Z/9 , Öltempera auf Holz, 164 × 247 cm (64.5 × 97.2 in).
AnonymousUnknown author, Royal Institute for Cultural Heritage Photolibrary, object number 40002057, as Hieronymus Bosch, Triptyque du Jugement Dernier, from circa 1504date QS:P,+1504-00-00T00:00:00Z/9,P1480,Q5727902 until circa 1508date QS:P,+1508-00-00T00:00:00Z/9,P1480,Q5727902 , 164 × 127 cm (64.5 × 50 in) (central panel), 163.7 × 60 cm (64.4 × 23.6 in) (wings).AnonymousUnknown author, Bildindex der Kunst und Architektur, object 00076878, as Hieronymus Bosch, Weltgerichts-Triptychon, circa 1500 date QS:P,+1500-00-00T00:00:00Z/9,P1480,Q5727902 , 164 × 127 cm (64.5 × 50 in)Fierens-Gevaert, [Hippolyte] (1912) ‘Jérôme Bosch’, Les Primitifs Flamands. Volume II, Bruxelles: G. van Oest & Cie., p. 173, 178, no image, as Jugement Dernier. Fourcaud, L. de (January 1912–February 1912) ‘Hieronymus van Aken, dit Jérôme Bosch (vers 1460 † 1516). I-II’, La Revue de l'Art Ancien et Moderne, vol. XXXI, p. 172, with image in black and white on p. 175, as After Hieronymus Bosch, Le Paradis, le Jugement dernier, l'Enfer. Friedländer, Max J. (1969) Early Netherlandisch Painting. Volume V. Geertgen tot Sint Jans and Jerome Bosch, Leyden: A.W. Slijthof, Brussels: La Connaissance, p. 84, as Altarpiece, The Last Judgment. Koldeweij, Jos, Paul Vandenbroeck, Bernard Vermet (2001) Hieronymus Bosch. The Complete Paintings and Drawings, Ghent/Amsterdam: Ludion, ISBN 0-8109-9064-4, p. 88, as Last Judgment. date QS:P,+1482-00-00T00:00:00Z/9,P1480,Q5727902 or later, 163.7 × 247 cm (64.4 × 97.2 in), geopend: Paradijs, Laatste Oordeel, Hel, with color image.Marijnissen, Roger H. ([1987]) Hieronymus Bosch. Het volledige oeuvre, Haarlem: Gottmer/Brecht, ISBN 90-2300-651-8, p. 214, as Het Laatste Oordeel. |
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Authority file | ||||||||||||||||||||||||||||
Source/Photographer | www.galeries.nl : Home : Info | |||||||||||||||||||||||||||
Other versions |
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Date/Time | Thumbnail | Dimensions | User | Comment | |
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current | 19:38, 24 July 2012 | ![]() | 1,272 × 696 (312 KB) | Vincent Steenberg | higher resolution |
11:38, 20 August 2008 | ![]() | 612 × 400 (66 KB) | Onderwijsgek | {{Information |Description=Het Laatste Oordeel, Wenen |Source=[http://www.galeries.nl/kunstwerkz.asp?idnr=34936&sessionti=414319949 www.galeries.nl] |Date=<1516 |Author=Jeroen Bosch |Permission=PD-old |other_versions=No }} {{Creator:Hieronymus Bosch}} [ |
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JPEG file comment | BOSCH, Hieronymus
(b. ca. 1450, 's-Hertogenbosch, d. 1516, 's-Hertogenbosch) Last Judgement Triptych 1504-08 Mixed technique on panel, 163 x 128 cm (central panel), 167 x 60 cm (each wing) Akademie der bildenden Künste, Vienna The central panel of the triptych represents the Last Judgment and the Seven Deadly Sins. The interior view of the left wing depicts the Fall of the Rebel Angels, Creation of Eve, Fall of Man and Expulsion, while the interior view of the right wing shows Hell and the Prince of Darkness. The inclusion of the Fall of Adam and Eve in a representation of the Last Judgment is unusual; the other two panels of the Vienna triptych depart even more from traditional iconography. Generally Heaven was allotted the chief role in the eschatological drama. As in the <A onclick="return OpenOther('/html/w/weyden/rogier/08beaune/00beaun1.html')" HREF="/html/w/weyden/rogier/08beaune/00beaun1.html">altarpiece by Roger van der Weyden,</A> it is the act of judgment which is stressed; the judged are relegated to positions of secondary importance, and the felicity of the saved is described as fully as the pains of the lost. In Bosch's version, however, the divine court appears small and insignificant at the top of the central panel, and very few souls are numbered among the elect. The majority of mankind has been engulfed in the universal cataclysm which rages throughout the deep, murky landscape below. This vast panoramic nightmare represents the earth in her final death throes, destroyed not by water as Dürer and Leonardo were to envision it, but by the fire foretold in a thirteenth-century hymn, the sombre Dies Irae: "Day of Wrath, that day when the world dissolves in glowing ashes". Bosch was probably also influenced by the account of the last days given in the Revelation of St John, a book which enjoyed renewed popularity in the late fifteenth century, when it was illustrated by Dürer in his famous <A onclick="return OpenOther('/html/d/durer/2/12/2apocaly/index.html')" HREF="/html/d/durer/2/12/2apocaly/index.html">Apocalypse woodcuts</A> of 1497-98. The wide valley dominating the central panel may represent the Valley of Jehoshaphat, which, on the basis of several Old Testament references (Joel 4:2,12), was traditionally thought to be the site of the Last Judgment, with the walls of the earthly Jerusalem blazing in the background. In any event, earth has become indistinguishable from Hell, depicted on the right wing, out of which the army of Satan swarms to attack the damned; the eternity of torment has begun. The Hell scene in the Prado Tabletop had paired off each punishment with one of the Deadly Sins. In the Last Judgment it would be difficult to identify the punishments with specific sins. The avaricious are boiled in the great cauldron just visible beneath one of the buildings in the central panel. Around the corner, a fat glutton is forced to drink from a barrel held by two devils; the source of his dubious refreshment can be seen squatting in the window overhead. The lascivious woman on the roof above suffers the attentions of a lizard-like monster slithering across her loins, while being serenaded by two musical demons. On the cliffs to the right, across the river, blacksmith-devils hammer other victims on anvils, and one is being shod like a horse; these unfortunate souls are guilty of the sin of anger.
Author: BOSCH, Hieronymus Title: Last Judgement Triptych Time-line: 1451-1500 School: Netherlandish Form: painting Type: religious |
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