File:TiLLOLOY.1917.Comité des Étudiants Américains de l'École des Beaux-Arts Paris.WWI post card art.numbered 36747.signed SOLD.Wittig collection.item 57.obverse.scan.01 (cropped).jpg
![File:TiLLOLOY.1917.Comité des Étudiants Américains de l'École des Beaux-Arts Paris.WWI post card art.numbered 36747.signed SOLD.Wittig collection.item 57.obverse.scan.01 (cropped).jpg](http://upload.wikimedia.org/wikipedia/en/thumb/e/ef/TiLLOLOY.1917.Comit%C3%A9_des_%C3%89tudiants_Am%C3%A9ricains_de_l%27%C3%89cole_des_Beaux-Arts_Paris.WWI_post_card_art.numbered_36747.signed_SOLD.Wittig_collection.item_57.obverse.scan.01_%28cropped%29.jpg/399px-thumbnail.jpg?20170815063307)
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Summary
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TiLLOLOY.1917.Comité des Étudiants Américains de l'École des Beaux-Arts Paris.WWI post card art.numbered 36747.signed SOLD.Wittig collection.item 57.reverse.scan.02.jpg. War ruins in Tilloloy (within artillery range of the German lines; don't think it was enemy-occupied in WW1). This seems to be a view (angled to the right) from inside the back wing of the Chateau Tilloloy, facing towards another structure on the property; apparently a church. The rear of the chateau faces onto a sort of "quadrangle" with other buildings on the left & right sides. This painting seems to match photographs of the location; both for architectural details of the structures, and for war-damage. Impressionist/Impressionistic watercolour. Signed "SOLD". No exact-name match artist has been found. Of the near/partial/etc. name-matches, the most likely (thus far) is Frederic (Fredric) A. "King" Soldwedel (1886-1957); an American artist, notably active in California, whose biographical information states that he "studied in France". The soft-edged impressionist watercolour matches his style, & the (abbreviated?) signature is close to the few examples seen on his known works available online. In researching Comité postcards, I have encountered a total of 6 cards signed "SOLD"; each card appears to be a landscape watercolour of war ruins. Presumably they are all by the same artist. Dates are hard to read from the other images but at least some seemed to be "1916". No images of the card-backs; no information about the card numbers. . . The 5 other "SOLD" cards are the ones in the 5-card group photo. Uploads of slightly more detailed images of the other "SOLD"-signed cards are pending. Will add more information later. Painted on a standard Comité des Étudiants Américains de l'École des Beaux-Arts Paris postcard blank, printed on the reverse with: 'The Comité des Étudiants Américains de l'École des Beaux-Arts Paris guarantee the authenticity of this post card' (signed R. TRU(B/D/?)ON?) & the standard graphic design. Front with:"TiLLOLOY | ||
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Licensing
[edit]![]() | This image is in the public domain in the United States because it was first published outside the United States prior to January 1, 1929. Other jurisdictions have other rules. Also note that this image may not be in the public domain in the 9th Circuit if it was first published on or after July 1, 1909 in noncompliance with US formalities, unless the author is known to have died in 1953 or earlier (more than 70 years ago) or the work was created in 1903 or earlier (more than 120 years ago.)[1] | ![]() |
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current | 06:33, 15 August 2017 | ![]() | 4,736 × 7,120 (7.66 MB) | PawełMM (talk | contribs) | == Summary == TiLLOLOY.1917.Comité des Étudiants Américains de l'École des Beaux-Arts Paris.WWI post card art.numbered 36747.signed SOLD.Wittig collection.item 57.reverse.scan.02.jpg. War ruins in Tilloloy (within artillery range of the Germa... |
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File usage
- Files lacking an author
- Images published abroad that are in the public domain in the United States
- World War I artists
- France in World War I
- United States in World War I
- 1917 in France
- 1917 in art
- Comité des Étudiants Américains de l'École des Beaux-Arts Paris
- Communes of Somme (department)
- Châteaux in Somme (department)