Portal:Rock music

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The Rock Music Portal

Rock is a broad genre of popular music that originated as "rock and roll" in the United States in the late 1940s and early 1950s, developing into a range of different styles from the mid-1960s, particularly in the United States and the United Kingdom. It has its roots in 1940s and 1950s rock and roll, a style that drew directly from the genres of blues, rhythm and blues, and from country music. Rock also drew strongly from genres such as electric blues and folk, and incorporated influences from jazz and other musical styles. For instrumentation, rock is centered on the electric guitar, usually as part of a rock group with electric bass guitar, drums, and one or more singers. Usually, rock is song-based music with a ⁴
₄ time signature using a verse–chorus form, but the genre has become extremely diverse. Like pop music, lyrics often stress romantic love but also address a wide variety of other themes that are frequently social or political. Rock was the most popular genre of music in the U.S. and much of the Western world from the 1950s to the 2010s.

Rock musicians in the mid-1960s began to advance the album ahead of the single as the dominant form of recorded music expression and consumption, with the Beatles at the forefront of this development. Their contributions lent the genre a cultural legitimacy in the mainstream and initiated a rock-informed album era in the music industry for the next several decades. By the late 1960s "classic rock" period, a few distinct rock music subgenres had emerged, including hybrids like blues rock, folk rock, country rock, Southern rock, raga rock, and jazz rock, which contributed to the development of psychedelic rock, influenced by the countercultural psychedelic and hippie scene. New genres that emerged included progressive rock, which extended artistic elements, and glam rock, which highlighted showmanship and visual style. In the second half of the 1970s, punk rock reacted by producing stripped-down, energetic social and political critiques. Punk was an influence in the 1980s on new wave, post-punk and eventually alternative rock.

From the 1990s, alternative rock began to dominate rock music and break into the mainstream in the form of grunge, Britpop, and indie rock. Further fusion subgenres have since emerged, including pop-punk, electronic rock, rap rock, and rap metal. Some movements were conscious attempts to revisit rock's history, including the garage rock/post-punk revival in the 2000s. Since the 2010s, rock has lost its position as the pre-eminent popular music genre in world culture, but remains commercially successful. The increased influence of hip-hop and electronic dance music can be seen in rock music, notably in the techno-pop scene of the early 2010s and the pop-punk-hip-hop revival of the 2020s. (Full article...)

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The following are images from various rock music-related articles on Wikipedia.

Image 1Drum notation for a backbeat (from Hard rock)
Image 2Led Zeppelin live at Chicago Stadium, January 1975 (from Hard rock)
Image 3Poison, seen here in 2008, were among the most successful acts of the 1980s glam metal era. (from Hard rock)
Image 4Wolfmother, 2007 (from Hard rock)
Image 5Baker, Bruce and Clapton of Cream, whose blues rock improvisation was a major factor in the development of the genre (from Hard rock)
Image 6Big Joe Turner and Pete Johnson's record "Roll 'Em Pete" is regarded as a precursor to rock and roll. (from Rock and roll)
Image 7Original member Izzy Stradlin' on stage with Guns N' Roses in 2006 (from Hard rock)
Image 8Sign commemorating the role of Alan Freed and Cleveland, Ohio, in the origins of rock and roll (from Rock and roll)
Image 9Rush on stage in Milan, Italy, 2004 (from Hard rock)
Image 10Golden Earring receives a gold record in 1970. (from Hard rock)
Image 11Chuck Berry in 1957 (from Rock and roll)
Image 12Kiss onstage in Boston in 2004 (from Hard rock)
Image 13Aerosmith performing at Quilmes Rock in Buenos Aires, Argentina on April 15, 2007 (from Hard rock)
Image 14Tommy Steele, one of the first British rock and rollers, performing in Stockholm in 1957 (from Rock and roll)
Image 15"There's No Romance in Rock and Roll" made the cover of True Life Romance in 1956. (from Rock and roll)
Image 16Little Richard in 1957 (from Rock and roll)
Image 17Nirvana were at the forefront of the 1990s grunge era. (from Hard rock)
Image 18Buddy Holly and his band, the Crickets (from Rock and roll)
Image 19The Who on stage in 1975 (from Hard rock)
Image 20Bill Haley and his Comets performing in the 1954 Universal International film Round Up of Rhythm (from Rock and roll)
Image 21Foo Fighters performing an acoustic show in 2007 (from Hard rock)
Image 22Elvis Presley in a promotion shot for Jailhouse Rock in 1957 (from Rock and roll)

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The Who are an English rock band formed in London in 1964. Their classic lineup (1964–1978) consisted of lead vocalist Roger Daltrey, guitarist Pete Townshend, bassist John Entwistle and drummer Keith Moon. They are considered one of the most influential rock bands of the 20th century. Their contributions to rock music include the development of the Marshall stack, large public address systems, the use of synthesizers, Entwistle's and Moon's influential playing styles, Townshend's feedback and power chord guitar technique, and the development of the rock opera. They are cited as an influence by many hard rock, punk, power pop and mod bands. The Who were inducted into the Rock and Roll Hall of Fame in 1990.

The Who evolved from an earlier group, the Detours, and established themselves as part of the pop art and mod movements, featuring auto-destructive art by destroying guitars and drums on stage. Their first single as the Who, "I Can't Explain" (1965), reached the UK top ten, and was followed by a string of hit singles including "My Generation" (1965), "Substitute" and "Happy Jack" (both 1966). In 1967, they performed at the Monterey Pop Festival and released "I Can See for Miles", their only US top-ten single. The group's 1969 concept album Tommy included the single "Pinball Wizard" and was a critical and commercial success.

Further festival appearances at Woodstock and the Isle of Wight, along with the concert album Live at Leeds (1970), established their reputation as a respected rock act. The success put pressure on lead songwriter Townshend, and the follow-up to Tommy, Lifehouse, was abandoned. Songs from the project made up the album Who's Next (1971), including the hits "Won't Get Fooled Again", "Baba O'Riley", and "Behind Blue Eyes". The group released another concept album, Quadrophenia (1973), as a celebration of their mod roots, and oversaw the film adaptation of Tommy (1975). They continued to tour to large audiences before semi-retiring from live performances at the end of 1976. The release of Who Are You (1978) was overshadowed by Moon's death shortly after.

Kenney Jones replaced Moon and the group resumed touring, and released a film adaptation of Quadrophenia and the retrospective documentary The Kids Are Alright (both 1979). After Townshend became weary of the group, they split in 1983. The Who occasionally re-formed for live appearances such as Live Aid in 1985, a 25th-anniversary tour in 1989 and a tour of Quadrophenia in 1996–1997. A full reunion began in 1999, with drummer Zak Starkey. After Entwistle's death in 2002, plans for a new album were delayed until 2006, with Endless Wire. Since Entwistle's death, the Who have continued to perform and tour, most commonly with Starkey on drums, Pino Palladino on bass, and Pete's brother Simon Townshend on second guitar and backing vocals. In 2019, the group released the album Who and toured with a symphony orchestra. (Full article...)

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Gwen Stefani performing "The Real Thing" in Duluth, Georgia, United States.

Gwen Renée Stefani (/stəˈfɑːni/ stə-FAH-nee; born October 3, 1969) is an American singer-songwriter. She is a co-founder, lead vocalist, and the primary songwriter of the band No Doubt, whose singles include "Just a Girl", "Spiderwebs", and "Don't Speak", from their 1995 breakthrough studio album Tragic Kingdom, as well as "Hey Baby" and "It's My Life" from later albums.

During the band's hiatus, Stefani embarked on a solo pop career in 2004 by releasing her debut studio album Love. Angel. Music. Baby. Inspired by pop music from the 1980s, the album was a critical and commercial success. It spawned six singles, including "What You Waiting For?", "Rich Girl", "Hollaback Girl", and "Cool". "Hollaback Girl" reached number one on the Billboard Hot 100 chart while also becoming the first US download to sell one million copies. In 2006, Stefani released her second studio album, The Sweet Escape. Among the singles were "Wind It Up" and "The Sweet Escape", the latter of which was number three on the Billboard Hot 100 year-end chart of 2007. Her third solo album, This Is What the Truth Feels Like (2016), was her first solo album to reach number one on the Billboard 200 chart. Her fourth solo album and first full-length Christmas album, You Make It Feel Like Christmas, was released in 2017 and charted 19 tracks on Billboard's Holiday Digital Song Sales component chart in the United States. Stefani has released several singles with husband Blake Shelton, including "Nobody but You" (2020), which reached number 18 in the US.

Stefani has won three Grammy Awards. As a solo artist, she has received an American Music Award, a Brit Award, a World Music Award, and two Billboard Music Awards. She received a star on the Hollywood Walk of Fame in 2023. In 2003, she debuted her clothing line L.A.M.B. and expanded her collection with the 2005 Harajuku Lovers line inspired by Japanese culture and fashion. Billboard magazine ranked Stefani the 54th most successful artist and 37th most successful Hot 100 artist of the 2000–2009 decade. VH1 ranked her 13th on their "100 Greatest Women in Music" list in 2012. Including her work with No Doubt, Stefani has sold more than 60 million records worldwide. (Full article...)

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Lions is the sixth studio album by American rock band the Black Crowes. It was released in 2001 as their first album on V2 Records following their departure from Columbia, and is their only studio album to feature guitarist Audley Freed. Lions was recorded in New York City in January and February of that year, and was produced by Don Was. Bass guitar duties were shared by Rich Robinson and Was, as Greg Rzab had left the band and was not replaced until the tour that followed the release of the album.

The album debuted on the Billboard 200 at its peak position of 20, selling more than 53,000 copies in its first week. Lions received mixed reviews; although the overall sound of the album generally garnered praise, a frequent complaint was the lack of "memorable" songs. The critics who rated Lions lowest considered it a poor imitation of the band's influences, such as Led Zeppelin.

The band supported Lions with two North American tours (one with Oasis co-headlining), and a short tour of Europe and Japan in between. Soundboard recordings of several concerts were available for download to those who owned the album. Following the tour, the band went on hiatus until 2005. (Full article...)

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"Objects in the Rear View Mirror May Appear Closer Than They Are" is a song composed and written by Jim Steinman, and recorded by Meat Loaf. The song was released in 1994 as the third single from the album Bat Out of Hell II: Back into Hell and it reached number 38 on US's Billboard Hot 100, and number 26 in the UK Top 40. With its chart success, this song became the hit with the longest un-bracketed title at fifty-two characters as of 2007^[update]. The title is derived from the safety warning on car side mirrors in the US, "Objects in mirror are closer than they appear".

Parts of the melody were adapted from Steinman's earlier tune "Surf's Up", which appears on Steinman's solo album Bad for Good. Steinman later reused the melody, with new lyrics by Michael Kunze, for "Die Unstillbare Gier", a song in the Tanz der Vampire productions, and for "Confession of a Vampire" in the ill-fated US version (Dance of the Vampires). (Full article...)

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Credit: Carlos Delgado CC-BY-SA

Paweł Mąciwoda, bassist of German rock band Scorpions, in Madrid, Spain in 2014.

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Did you know (auto-generated)

... that heavy metal led Ossian D'Ambrosio to druidism?
... that the Liverpool Echo described British rock and roll star Tommy Steele as "quite unable to sing and play the guitar at the same time" when reviewing his first album?
... that heavy metal band Judas Priest took their name from Bob Dylan's song "The Ballad of Frankie Lee and Judas Priest"?
... that Skálmöld & Sinfóníuhljómsveit Íslands documents a symphony orchestra playing heavy metal music?
... that before charting on the UK Albums Chart with Are We There Yet?, the indie rock musician James Marriott had made a career of mocking other YouTubers' music?
... that raw material waste from the West influenced a generation of rock music in China?

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Psychedelic rock is a rock music genre that is inspired, influenced, or representative of psychedelic culture, which is centered on perception-altering hallucinogenic drugs. The music incorporated new electronic sound effects and recording techniques, extended instrumental solos, and improvisation. Many psychedelic groups differ in style, and the label is often applied spuriously.

Originating in the mid-1960s among British and American musicians, the sound of psychedelic rock invokes three core effects of LSD: depersonalization, dechronicization (the bending of time), and dynamization (when fixed, ordinary objects dissolve into moving, dancing structures), all of which detach the user from everyday reality. Musically, the effects may be represented via novelty studio tricks, electronic or non-Western instrumentation, disjunctive song structures, and extended instrumental segments. Some of the earlier 1960s psychedelic rock musicians were based in folk, jazz, and the blues, while others showcased an explicit Indian classical influence called "raga rock". In the 1960s, there existed two main variants of the genre: the more whimsical, surrealist British psychedelia and the harder American West Coast "acid rock". While "acid rock" is sometimes deployed interchangeably with the term "psychedelic rock", it also refers more specifically to the heavier, harder, and more extreme ends of the genre. (Full article...)