Portal:Rock music

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The Rock Music Portal

Rock is a broad genre of popular music that originated as "rock and roll" in the United States in the late 1940s and early 1950s, developing into a range of different styles from the mid-1960s, particularly in the United States and the United Kingdom. It has its roots in 1940s and 1950s rock and roll, a style that drew directly from the genres of blues, rhythm and blues, and from country music. Rock also drew strongly from genres such as electric blues and folk, and incorporated influences from jazz and other musical styles. For instrumentation, rock is centered on the electric guitar, usually as part of a rock group with electric bass guitar, drums, and one or more singers. Usually, rock is song-based music with a ⁴
₄ time signature using a verse–chorus form, but the genre has become extremely diverse. Like pop music, lyrics often stress romantic love but also address a wide variety of other themes that are frequently social or political. Rock was the most popular genre of music in the U.S. and much of the Western world from the 1950s to the 2010s.

Rock musicians in the mid-1960s began to advance the album ahead of the single as the dominant form of recorded music expression and consumption, with the Beatles at the forefront of this development. Their contributions lent the genre a cultural legitimacy in the mainstream and initiated a rock-informed album era in the music industry for the next several decades. By the late 1960s "classic rock" period, a few distinct rock music subgenres had emerged, including hybrids like blues rock, folk rock, country rock, Southern rock, raga rock, and jazz rock, which contributed to the development of psychedelic rock, influenced by the countercultural psychedelic and hippie scene. New genres that emerged included progressive rock, which extended artistic elements, and glam rock, which highlighted showmanship and visual style. In the second half of the 1970s, punk rock reacted by producing stripped-down, energetic social and political critiques. Punk was an influence in the 1980s on new wave, post-punk and eventually alternative rock.

From the 1990s, alternative rock began to dominate rock music and break into the mainstream in the form of grunge, Britpop, and indie rock. Further fusion subgenres have since emerged, including pop-punk, electronic rock, rap rock, and rap metal. Some movements were conscious attempts to revisit rock's history, including the garage rock/post-punk revival in the 2000s. Since the 2010s, rock has lost its position as the pre-eminent popular music genre in world culture, but remains commercially successful. The increased influence of hip-hop and electronic dance music can be seen in rock music, notably in the techno-pop scene of the early 2010s and the pop-punk-hip-hop revival of the 2020s. (Full article...)

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The following are images from various rock music-related articles on Wikipedia.

Image 1Golden Earring receives a gold record in 1970. (from Hard rock)
Image 2Elvis Presley in a promotion shot for Jailhouse Rock in 1957 (from Rock and roll)
Image 3Little Richard in 1957 (from Rock and roll)
Image 4Led Zeppelin live at Chicago Stadium, January 1975 (from Hard rock)
Image 5Drum notation for a backbeat (from Hard rock)
Image 6Nirvana were at the forefront of the 1990s grunge era. (from Hard rock)
Image 7The Who on stage in 1975 (from Hard rock)
Image 8Big Joe Turner and Pete Johnson's record "Roll 'Em Pete" is regarded as a precursor to rock and roll. (from Rock and roll)
Image 9Kiss onstage in Boston in 2004 (from Hard rock)
Image 10Chuck Berry in 1957 (from Rock and roll)
Image 11Buddy Holly and his band, the Crickets (from Rock and roll)
Image 12Foo Fighters performing an acoustic show in 2007 (from Hard rock)
Image 13Sign commemorating the role of Alan Freed and Cleveland, Ohio, in the origins of rock and roll (from Rock and roll)
Image 14Aerosmith performing at Quilmes Rock in Buenos Aires, Argentina on April 15, 2007 (from Hard rock)
Image 15"There's No Romance in Rock and Roll" made the cover of True Life Romance in 1956. (from Rock and roll)
Image 16Baker, Bruce and Clapton of Cream, whose blues rock improvisation was a major factor in the development of the genre (from Hard rock)
Image 17Rush on stage in Milan, Italy, 2004 (from Hard rock)
Image 18Bill Haley and his Comets performing in the 1954 Universal International film Round Up of Rhythm (from Rock and roll)
Image 19Tommy Steele, one of the first British rock and rollers, performing in Stockholm in 1957 (from Rock and roll)
Image 20Wolfmother, 2007 (from Hard rock)
Image 21Poison, seen here in 2008, were among the most successful acts of the 1980s glam metal era. (from Hard rock)
Image 22Original member Izzy Stradlin' on stage with Guns N' Roses in 2006 (from Hard rock)

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Metallica is an American heavy metal band. It was formed in 1981 in Los Angeles by vocalist and guitarist James Hetfield and drummer Lars Ulrich, and has been based in San Francisco for most of its career. The band's fast tempos, instrumentals and aggressive musicianship made them one of the founding "big four" bands of thrash metal, alongside Megadeth, Anthrax and Slayer. Metallica's current lineup comprises founding members and primary songwriters Hetfield and Ulrich, longtime lead guitarist Kirk Hammett and bassist Robert Trujillo. Guitarist Dave Mustaine, who formed Megadeth after being fired from Metallica, and bassists Ron McGovney, Cliff Burton and Jason Newsted are former members of the band.

Metallica first found commercial success with the release of its third album, Master of Puppets (1986), which is cited as one of the heaviest metal albums and the band's best work. The band's next album, ...And Justice for All (1988), gave Metallica its first Grammy Award nomination. Its fifth album, Metallica (1991), was a turning point for the band that saw them transition from their thrash roots; it appealed to a more mainstream audience, achieving substantial commercial success and selling more than 16 million copies in the United States to date, making it the best-selling album of the SoundScan era. After experimenting with different genres and directions in subsequent releases, Metallica returned to its thrash metal roots with its ninth album, Death Magnetic (2008), which drew similar praise to that of the band's earlier albums. The band's eleventh and most recent album, 72 Seasons, was released in 2023.

In 2000, Metallica led the case against the peer-to-peer file sharing service Napster, in which the band and several other artists filed lawsuits against the service for sharing their copyright-protected material without consent, eventually reaching a settlement. Metallica was the subject of the acclaimed 2004 documentary film Metallica: Some Kind of Monster, which documented the troubled production of the band's eighth album, St. Anger (2003), and the internal struggles within the band at the time. In 2009, Metallica was inducted into the Rock and Roll Hall of Fame. The band co-wrote the screenplay for and starred alongside Dane DeHaan in the 2013 concert film Metallica: Through the Never, in which the band performed live against a fictional thriller storyline.

Metallica has released eleven studio albums, four live albums (including two performances with the San Francisco Symphony), twelve video albums, one cover album, two extended plays, 37 singles and 39 music videos. The band has won ten Grammy Awards from 26 nominations and had six consecutive studio albums – from Metallica through Hardwired... to Self-Destruct (2016) – debut at number one on the Billboard 200. Metallica ranks as one of the most commercially successful bands of all time, having sold more than 125 million albums worldwide as of 2018^[update]. Metallica has been listed as one of the greatest artists of all time by magazines such as Rolling Stone, which ranked the band in 61st place on its list of 100 greatest artists of all time. As of 2017^[update], Metallica is the third-best-selling music artist since Nielsen SoundScan began tracking sales in 1991, selling 58 million albums in the United States. (Full article...)

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Philip David Ochs (/ˈoʊks/; December 19, 1940 – April 9, 1976) was an American songwriter and protest singer (or, as he preferred, a topical singer). Ochs was known for his sharp wit, sardonic humor, political activism, often alliterative lyrics, and distinctive voice. He wrote hundreds of songs from the 1960s to early 1970s and released eight albums.

Ochs performed at many political events during the 1960s counterculture era, including anti-Vietnam War and civil rights rallies, student events, and organized labor events over the course of his career, in addition to many concert appearances at such venues as New York City's Town Hall and Carnegie Hall. Politically, Ochs described himself as a "left social democrat" who became an "early revolutionary" after the protests at the 1968 Democratic National Convention in Chicago led to a police riot, which had a profound effect on his state of mind.

After years of prolific writing in the 1960s, Ochs's mental stability declined in the 1970s. He had a number of mental health problems, including depression, bipolar disorder and alcoholism, and died by suicide in 1976.

Ochs's influences included Woody Guthrie, Pete Seeger, Buddy Holly, Elvis Presley, Bob Gibson, Faron Young, and Merle Haggard. His best-known songs include "I Ain't Marching Anymore", "When I'm Gone", "Changes", "Crucifixion", "Draft Dodger Rag", "Love Me, I'm a Liberal", "Outside of a Small Circle of Friends", "Power and the Glory", "There but for Fortune", "The War Is Over", and "No More Songs". (Full article...)

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Agharta is a 1975 live double album by American jazz trumpeter, composer, and bandleader Miles Davis. By the time he recorded the album, Davis was 48 years old and had alienated many in the jazz community while attracting younger rock audiences with his radical electric fusion music. After experimenting with different line-ups, he established a stable live band in 1973 and toured constantly for the next two years, despite physical pain from worsening health and emotional instability brought on by substance abuse. During a three-week tour of Japan in 1975, the trumpeter performed two concerts at the Festival Hall in Osaka on February 1; the afternoon show produced Agharta, and the evening show was released as Pangaea the following year.

Davis led a septet at the concert; saxophonist Sonny Fortune, and guitarist Pete Cosey were given space to improvise against a dense backdrop of riffs, electronic effects, cross-beats, and funk grooves from the rhythm section – drummer Al Foster, bassist Michael Henderson, guitarist Reggie Lucas, and percussionist James Mtume. Davis controlled their rhythmic and musical direction with hand and head gestures, phrases played on his wah-wah processed trumpet, and drones from an accompanying electronic organ. The evolving nature of the performance led to the widespread misunderstanding that it had no compositional basis, while its dark, angry, and somber musical qualities were seen as a reflection of the bandleader's emotional and spiritual state at the time.

Agharta was first released in Japan by CBS/Sony in August 1975 just before Davis temporarily retired due to increasingly poor health and exhaustion. At the record label's suggestion, it was titled after the legendary subterranean city. Davis enlisted Japanese artist Tadanori Yokoo to design its artwork, which depicted the cityscape of an advanced civilization with elements inspired by Eastern subterranean myths, Afrofuturism, and ufology. An alternate cover was produced for its 1976 release in North America by Columbia Records.

A highly divisive record, Agharta further challenged Davis' jazz audience and was widely panned by contemporary critics; reviewers found the music discordant and complained of Cosey's loud guitar sounds and Davis' sparse trumpet playing. It was reevaluated positively in subsequent years, however, as a generation of younger musicians was influenced by the band's abrasive music and cathartic playing, particularly Cosey's effects-laden free improvisations. Agharta has since been viewed as an important jazz-rock record, a dramatically dynamic group performance, and the culmination of Davis' electric period spanning the late 1960s and mid-1970s. (Full article...)

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"Lola" is a song by the English rock band the Kinks, written by frontman Ray Davies for their 1970 album Lola Versus Powerman and the Moneygoround, Part One. The song details a romantic encounter in a Soho bar between a young man and the eponymous Lola, who is possibly a trans woman or cross-dresser. In the song, the narrator describes his confusion towards Lola, who "walked like a woman but talked like a man", yet he remains infatuated with her.

The song was released as a single in the United Kingdom on 12 June 1970, while in the United States it was released on 28 June 1970. Commercially, "Lola" reached number two on the UK Singles Chart and number nine on the Billboard Hot 100. The track has since become one of the Kinks' most popular songs and was ranked number 386 on Rolling Stone's 2021 edition of its "The 500 Greatest Songs of All Time" list. "Lola" was also ranked number 473 on NME's own "The 500 Greatest Songs Of All Time" list.

Since its release, "Lola" has appeared on multiple compilation and live albums. In 1980, a live version of the song from the album One for the Road was released as a single in the US and some European countries, becoming a minor hit. In the Netherlands it reached number 1, just as in 1970 with the studio version. Other versions include an instrumental on the band's 1971 movie soundtrack album Percy and live renditions from 1972's Everybody's in Show-Biz and 1996's To the Bone. The Lola character also appears in the lyrics of the band's 1981 song "Destroyer". (Full article...)

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Credit: Rowland Scherman

Joan Baez and Bob Dylan at a civil rights march on Washington, D.C., 28 August 1963.

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Did you know (auto-generated)

... that heavy metal band Judas Priest took their name from Bob Dylan's song "The Ballad of Frankie Lee and Judas Priest"?
... that Skálmöld & Sinfóníuhljómsveit Íslands documents a symphony orchestra playing heavy metal music?
... that the British rock musician Hannah Grae went viral online with an anti-sexual harassment parody of Aqua's "Barbie Girl"?
... that before charting on the UK Albums Chart with Are We There Yet?, the indie rock musician James Marriott had made a career of mocking other YouTubers' music?
... that the heavy metal band Cradle of Filth released a T-shirt that was so offensive that several people were arrested for wearing it?
... that the Liverpool Echo described British rock and roll star Tommy Steele as "quite unable to sing and play the guitar at the same time" when reviewing his first album?

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Chamber pop (also called baroque pop and sometimes conflated with orchestral pop or symphonic pop) is a music genre that combines rock music with the intricate use of strings, horns, piano, and vocal harmonies, and other components drawn from the orchestral and lounge pop of the 1960s, with an emphasis on melody and texture. (Full article...)