Amoebaean singing

Amoebaean singing is a type of singing competition originating in Ancient Greece. In it, a first party sings according to a topic and verse structure of their choosing. A second singer then responds with the same verse structure and on a related topic. This repeats until one side concedes or a third party can determine the winner.

History

The form is believed to have been used by Greek shepherds to entertain themselves. Later, it would evolve into a judged competition, consisting of multiple rounds of singing between competitors. Competitors would be judged more favorably if they could continue a theme through multiple rounds.^[1]

The poet Theocritus relied heavily on Amoebaean singing, with it becoming his and his successors' "hallmark", according to David M. Halperin.^[1]

Usage

Amoebaean singing can be seen in Theocritus' Idyll 5: The Goatherd and the Shepherd, in an exchange between the goatherd Comatas and the shepherd Lacon.^[1]^[2]

Comatas
The Muses bear me greater love than Daphnis ere did see;
And well they may, fort’other day they had two goats for me.

Lacon
But Apollo loves me all as well, and an offering too have I,
A fine fat ram a-batt’ning; for Apollo’s feast draws nigh.

References

^ ^a ^b ^c Pearce, J. B. (March 1993). "Theocritus and Oral Tradition" (PDF). Oral Tradition. 8 (1): 63–64. Archived (PDF) from the original on 2021-09-07. Retrieved 2021-09-07.
^ "THEOCRITUS, IDYLLS 5-11". Theoi. Archived from the original on 6 November 2009. Retrieved 2009-10-26.

This music-related article is a stub. You can help Wikipedia by expanding it.

[JB-1] Pearce, J. B. (March 1993). "Theocritus and Oral Tradition" (PDF). Oral Tradition. 8 (1): 63–64. Archived (PDF) from the original on 2021-09-07. Retrieved 2021-09-07.

[2] "THEOCRITUS, IDYLLS 5-11". Theoi. Archived from the original on 6 November 2009. Retrieved 2009-10-26.

[1]

[2]