Freewave Lucifer Fck Fck Fck
Freewave Lucifer F<ck F^ck F>ck | ||||
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Studio album by | ||||
Released | July 29, 2022 | |||
Genre | Dance-rock | |||
Length | 33:53 | |||
Label | Polyvinyl | |||
Producer | Kevin Barnes | |||
of Montreal chronology | ||||
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Freewave Lucifer F<ck F^ck F>ck is the eighteenth studio album by American indie rock band of Montreal, released on July 29, 2022, through Polyvinyl Record Co. It received generally positive reviews from critics.
Background
[edit]The sense of isolation caused by the COVID-19 pandemic was an inspiration for the record,[1] which takes a cut-up technique approach to its lyrics and titles.[2]
Critical reception
[edit]Aggregate scores | |
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Source | Rating |
Metacritic | 68/100[1] |
Review scores | |
Source | Rating |
AllMusic | ![]() ![]() ![]() ![]() ![]() |
Pitchfork | 6.8/10[2] |
PopMatters | 5/10[4] |
Under the Radar | ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() |
Freewave Lucifer F<ck F^ck F>ck received a score of 68 out of 100 on review aggregator Metacritic based on five critics' reviews, indicating "generally favorable" reception.[1] Reviewing the album for Pitchfork, Jude Noel described it as "another snapshot of the band in a state of manic deconstruction, retooling 2020's hooky, '80s-inspired Ur Fun into a labyrinthine dance-rock collage" as well as "unabashedly geeky, restless, and stuffed with enough Barnesian minutiae to satisfy even the most dedicated fan".[2] Marcy Donelson of AllMusic remarked that the album "organizes its patchwork segments into a more digestible seven tracks, even if they do play out like a continuous DJ mix somewhere around the midway point", also calling it "a shape-shifting and ultimately surprisingly (if not entirely) listenable and cathartic sequence of tracks".[3]
Scott Dransfield of Under the Radar wrote, "imagine, if you will, a newly consistent cannabis high, crossed with pandemic paranoia, with a dash of overindulgent avant-garde art consumption and the ADHD spectrum, and you might get close to the mindset that produced Freewave Lucifer F<ck F^ck F>ck".[5] Ryan Dillon of Glide Magazine summed the album up as a "7-track expedition that has the Georgia-bred artist experimenting with dark tones and new textures".[6] PopMatters' Chris Conaton found it to be "not the sort of record that is going to appeal to a wide audience. Even among Of Montreal fans, it's likely listeners who enjoyed the esoteric experimentation of albums like Paralytic Stalks and White Is Relic/Irrealis Mood will be fully into this one".[4]
Track listing
[edit]No. | Title | Length |
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1. | "Marijuana's a Working Woman" | 5:27 |
2. | "Ofrenda-Flanger-Ego-à Gogo" | 3:21 |
3. | "Blab Sabbath Lathe of Maiden" | 5:48 |
4. | "Après Thee Dèclassè" | 5:19 |
5. | "Modern Art Bewilders" | 4:04 |
6. | "Nightsift" | 4:40 |
7. | "Hmmm" | 5:14 |
Total length: | 33:53 |
References
[edit]- ^ a b c "Freewave Lucifer F<ck F^ck F>ck by of Montreal Reviews and Tracks". Metacritic. Retrieved November 4, 2023.
- ^ a b c Noel, Jude (August 1, 2022). "Of Montreal: Freewave Lucifer F<ck F^ck F>ck Album Review". Pitchfork. Retrieved November 4, 2023.
- ^ a b Donelson, Marcy (August 23, 2022). "Of Montreal – Freewave Lucifer Album Review". AllMusic. Retrieved November 4, 2023.
- ^ a b Conaton, Chris (August 23, 2022). "Of Montreal's Pandemic-Fueled Freewave Lucifer Is a Challenging Listen". PopMatters. Retrieved November 4, 2023.
- ^ a b Conaton, Chris (August 23, 2022). "Of Montreal: Freewave Lucifer F<ck F^ck F>ck (Polyvinyl) – review". Under the Radar. Retrieved November 4, 2023.
- ^ Dillon, Ryan (July 27, 2022). "Of Montreal Continue Domination Of Left Field Pop Via Freewave Lucifer F>ck F^ck F<ck (Album Review)". Glide Magazine. Retrieved November 4, 2023.