Greta Moray

Greta Moray
Born	(1940-04-16) 16 April 1940 Czechoslovakia
Nationality	Canadian
Known for	art historian, educator

Greta Moray (born 16 April 1940‏) is a Canadian art historian, educator and writer. Her career has spanned three decades. She is best known for her substantial book and writings on Emily Carr.

Early years

Moray was born in Czechoslovakia, and emigrated to England. She studied in France, receiving a diploma from the Institute of Language and French Culture in Lyon. In England, she received a M.A. from Oxford University, and a Postgrad Diploma from the Courtauld Institute of Art. In 1970 she emigrated to Canada, settling in Toronto. She received her Ph.D. in the History of Art from the University of Toronto (1993) with a thesis on "Northwest Coast Native Culture and the Early Indian Paintings of Emily Carr, 1899-1913".

Career

Moray taught art history in the School of Fine Art and Music (SOFAM) of the University of Guelph from 1989 to 2005 and retired as a Professor Emerita of the University. During these years and afterwards, she wrote or contributed essays to catalogues of exhibitions or books and lectured on the art of Canadian women artists such as Mary Pratt (1989), Suzy Lake (1992), Natalka Husar (2010), Margaret Priest (2011), Landon Mackenzie (2014), Lilias Torrance Newton (2021) and most notably Emily Carr.

She devoted twenty years to researching Carr's career and relationship with the First Nations of British Columbia. Her major monograph on Carr was Unsettling Encounters: First Nations Imagery and the Art of Emily Carr (2006) which is said to have respectfully responded to aboriginal memories and perspectives as well as to race relations and the colonial and patriarchal history of British Columbia and Canada. It is considered to be outstanding, by peers such as the curators and writers on Carr such as Charles C. Hill and Ian M. Thom.

Since the time of its publication, Moray has weighed on issues such as Canadian Identity and Modernism and Emily Carr and is often called to write about them as in Beyond Wilderness : The Group of Seven, Canadian Identity and Contemporary Art (2007). In the textbook The Visual Arts in Canada: The Twentieth Century (2010), she wrote the chapter on "Emily Carr, Modernism, Cultural Identity, and Ethnocultural Art History". In From the forest to the sea: Emily Carr in British Columbia edited by Sarah Milroy and Ian Dejardin (2014), she wrote the chapter on "The modern moment: Emily Carr's Kitwancool Totems". In Embracing Canada: landscapes from Krieghoff to the Group of Seven (2015), she wrote the chapter on "Emily Carr and the visionary British Columbia landscape". In Canada and Impressionism: new horizons, 1880-1930 (2019), she wrote the chapter on "Painting Canada: from Impressionism to Modernism". Here, she focused upon the groundwork of modernism in Canada and how a following generation of artists, among them Carr, would take up new possibilities. She found such possibilities to be expressed in the "modernist anti-modernism" attitudes of the Group of Seven.

Besides her writing on Carr, she has written an e-book on Harold Town: life & work.

Awards and honours

• 2007, Winner - Clio Award (British Columbia), Canadian Historical Association;