Jump to content

List of compositions by Franz Schubert (1821)

From Wikipedia, the free encyclopedia

Franz Schubert's compositions of 1821 are mostly in the Deutsch catalogue (D) range D 708A–732,[1] and include:

Table

[edit]

Legend

[edit]
Legend to the table
column content
1 D '51 Deutsch number in the first version of the Deutsch catalogue (1951)[2]
2 D utd most recent (utd = up to date) Deutsch catalogue number;[3] the basic collation of the list is according to these numbers – whether or not the possibility to adjust the sorting according to the content of other columns is available depends on the device with which the table is displayed.
3 Op.
pbl
Opus number (Op.; p indicates Post. = posthumous) and date of first publication (pbl; between brackets; when there is more than one date the earlier dates indicate partial publications). The column sorts to Opus number, then (earliest of) the publication date(s)
4 AGA Alte Gesamt-Ausgabe = Franz Schubert's Werke: Kritisch durchgesehene Gesammtausgabe. Indicates genre/instrumentation:[4]
5 NSA NGA/NSA/NSE = New Schubert Edition, also indicates genre/instrumentation:[5]
6 Name unique name, with, if available, a link to the relevant encyclopedia article; sorts by name with initial definite ("Der", "Die", "Das", ...) or indefinite ("Ein", "A", ...) articles, and numbers, moved after the expression they qualify: e.g. "Die Hoffnung, ..." sorts as "Hoffnung, Die, ..." – "Thirty Minuets ..." sorts as "Minuets, 30, ...".
7 Key / incipit incipit mostly for songs[6] (linking to lyrics and their translation, for instance at The LiederNet Archive, when available),[7] other compositions by key, except for Schubert's stage works: type of composition in brackets.
8 Date (presumed) date of composition, or, for copies and arrangements, date of Schubert's autograph. Sorts to earliest possible date of completion, unlike the chronology of the Deutsch catalogue that generally collates according to earliest date associated with the composition: e.g. Schubert started the composition of his 3rd String Quartet on 19 November 1812 and completed it on 21 February 1813 – in the Deutsch catalogue the composition is grouped with other compositions from 1812: when using the sort function of the 8th column the composition is grouped with compositions completed in 1813
9 Additional info may include:
  • Information about the text (lyrics,[6][7] libretto) of vocal compositions: e.g., "Text by [text author]", "Text: [standard lyrics]", "... from [literary work]"; "other settings: D ..." indicates Schubert's other settings of the same text; for fields starting with "Text ..." this column sorts by text author (last name, first name—or pen name when such name is more established), then incipit of the lyrics (alternatively, when the incipit is rarely used, title of the work)
  • Information about the authenticity of the composition: the work is without doubt Schubert's unless when marked as "Doubtful", "Spurious?" or "Spurious" (in the last case columns 3–8 give no further information about the composition)
  • Forces needed for performance ("For ..."):
    • may be omitted when the type of composition makes the instrumentation clear (e.g. String Quartet → two violins, viola and cello), and, for vocal music, when the setting is for voice and piano
    • "s", "a", "t" and "b" refer to a single soprano, alto, tenor and bass singer respectively, while "S", "A", "T" and "B" to choral parts for the same types of singers (see SATB).
  • Specifications regarding movements (e.g. "Allegro – Minuet – Rondo") or sections (e.g. "No. 1 ...")
  • Information about the completeness of the extant work: the work is considered complete as extant unless when marked "Sketch", "Incomplete", "Unfinished", "Fragment" or "Lost"
  • Information about versions (e.g. "Two versions: ...")

List

[edit]
Compositions by Franz Schubert listed in the Deutsch catalogue for 1821
D
'51
D
utd
Op.
pbl
AGA NSA Name Key / incipit Date Additional info
615 708A V, 6 No. 10 Symphony, D 708A D major 1821 or
later
Sketches of four movements
709 709 (1891) XVI
No. 31
III, 4
No. 47
Frühlingsgesang, D 709 Schmücket die Locken mit duftigen Kränzen March 1822
or earlier
Text by Schober (other setting, partly reusing music of this setting: D 740); For ttbb
710 710 (1849) XVI
No. 15
III, 3 No. 26 Im Gegenwärtigen Vergangenes Ros und Lilie morgentaulich March 1821? Text by Goethe; For ttbb and piano
711 711 13,2
(1822)
(1970)
XX, 5
No. 294
IV, 1a &
b No. 11
Lob der Tränen Laue Lüfte, Blumendüfte 1818–1821? Text by Schlegel, A. W.; Two versions: 2nd, in AGA, is Op. 13 No. 2
712 712 (1842) XX, 6
No. 389
IV, 13 Die gefangenen Sänger Hörst du von den Nachtigallen January
1821
Text by Schlegel, A. W.
713 713 87,1
(1827)
(1895)
XX, 6
No. 390
IV, 4 Der Unglückliche Die Nacht bricht an January
1821
Text by Pichler; Two versions: 2nd is Op. 87 No. 1
714
704
714 167p
(1858)
(1891)
XVI
No. 3 &
No. 45
III, 1 Gesang der Geister über den Wassern, D 714 Des Menschen Seele gleicht dem Wasser Dec. 1820–
Feb. 1821
Text by Goethe (other settings: D 484, 538 and 705); For ttttbbbb, two violas, two cellos and double bass; Two versions: 1st, a sketch, was D 704 – 2nd is Op. posth. 167
715 715 (1845) XX, 6
No. 391
IV, 13 Versunken Voll Locken kraus ein Haupt so rund February
1821
Text by Goethe
716 716 (1832) XX, 6
No. 393
IV, 13 Grenzen der Menschheit Wenn der uralte heilige Vater March 1821 Text by Goethe; For b and piano
717 717 31
(1825)
XX, 6
No. 397
IV, 2a Suleika II Ach um deine feuchten Schwingen March? 1821 Text by Willemer
718 718 (1824) XI No. 8 VII/2, 4 Variation on a Waltz by Anton Diabelli C minor March 1821 For piano; No. 38 in Vaterländischer Künstlerverein Vol. II
719 719 14,2
(1822)
XX, 6
No. 392
IV, 1a Geheimes Über meines Liebchens Äugeln March 1821 Text by Goethe
720 720 14,1
(1822)
XX, 6
No. 396
IV, 1a &
b No. 13
Suleika I Was bedeutet die Bewegung? March 1821 Text by Willemer; Two versions; 2nd, in AGA, is Op. 14 No. 1
721 721 (1895) XX, 10
No. 600
IV, 13 Mahomets Gesang, D 721 Seht den Felsenquell March 1821 Text by Goethe (other setting: D 549); For b and piano; Fragment
722 722 (1889) XII
No. 19
VII/2, 6 German Dance, D 722 G major 8/3/1821 For piano
723 723 (1893) XV, 7
No. 15
II, 18 Duet and Aria for Hérold's Das Zauberglöckchen Nein, nein, nein, nein, das ist zu viel – Der Tag entflieht, der Abend glüht Apr.–May
1821[8]
Text by Théaulon, transl. by Treitschke;Duet for tb and aria for t (both with orchestra)
724 724 11,2
(1822)
XVI
No. 5
III, 3 No. 27 Die Nachtigall Bescheiden verborgen im buschigten Gang 22/4/1821
or earlier
Text by Unger [Wikisource:de]; For ttbb and piano
725 725 (1929) III, 2b
Anh. No. 5
Duet, D 725 Linde Lüfte wehen, or: Linde Weste wehen April 1821 Fragment for mezzo-soprano, tenor and piano
726 726 (1870) XX, 6
No. 394
IV, 3 Mignon I, D 726 Heiß mich nicht reden April 1821 Text by Goethe, from Wilhelm Meister's Apprenticeship (other setting: D 877 No. 2)
727 727 (1850) XX, 6
No. 395
IV, 3 Mignon II, D 727 So laßt mich scheinen, bis ich werde April 1821 Text by Goethe, from Wilhelm Meister's Apprenticeship (other settings: D 469 and 877 No. 3)
728 728 (1895) XX, 10
No. 601
IV, 13 Johanna Sebus Der Damm zerreißt April 1821 Text by Goethe; Fragment
729 729 (1894)
(1934)
V, 6 No. 7
& Anh 1
Symphony No. 7 E major August
1821
Adagio, Allegro – Andante – Scherzo – Allegro giusto; Sketches; First editions are completions by others (piano reduction in 1894)
730 730 (1926) I, 9
No. 8
Tantum ergo, D 730 B major 16/8/1821 Text by Aquinas (other settings: D 460, 461, 739, 750, 962 and Anh. I/17); For satbSATB and orchestra
731 731 173p,4
(1821)
XX, 6
No. 399
IV, 5 Der Blumen Schmerz Wie tönt es mir so schaurig September
1821
Text by Majláth; Publ. as Op. posth. 173 No. 4 in 1867
732
683
732 (1833)
(1834)
(1867)
(1882)
(1892)
XV, 4
No. 8
(Ov.)

XV, 5
No. 9
II, 6a–c
IV, 14
Alfonso und Estrella (Opera in three acts) 20/9/1821–
27/2/1822
Text by Schober; For two sopranos, two tenors, bass, two baritones, SATB and orchestra (piano reduction in 1882 publ.); Overture (also used as overture to D 797, publ. 1867, piano reductions: D 759A and 773) – Act I: Nos. 1–10 (No. 8 publ. 1833 with piano reduction) – Act II: Nos. 11–22 (No. 11 was also D 683 and some of its music reappears in No. 19 of D 911, No. 13 publ. 1834 with piano reduction) – Act III: Nos. 23–34

References

[edit]

Sources

[edit]

Multi-volume editions, websites and catalogues

Other