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Ludwig Ganghofer

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Ludwig Ganghofer
Born(1855-07-07)7 July 1855
Kaufbeuren, Kingdom of Bavaria
Died24 July 1920(1920-07-24) (aged 65)
Tegernsee, Bavaria,
Germany
Occupationnovelist, playwright
Alma materLeipzig University
GenreHomeland novel, historical novel, novella
Notable worksDer Klosterjäger
Die Martinsklause
Schloß Hubertus
Der Ochsenkrieg
Signature

Ludwig Ganghofer (7 July 1855 – 24 July 1920) was a German writer. He has been called the "most-adapted author in the history of German cinema", as many of his novels were turned into films.[1]

Biography

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Ganghofer was born in Kaufbeuren, Bavaria, the son of forestry official August Ganghofer (1827–1900). His younger sister Ida (1863–1944) married the geologist and geographer Albrecht Penck in 1886. The geomorphologist Walther Penck was Ganghofer's nephew. He graduated from gymnasium secondary school in 1873 and subsequently worked as a fitter in Augsburg engine works. In 1875, he entered Munich Polytechnic as a student of mechanical engineering, but eventually changed his major to history of literature and philosophy, which subjects he studied in Munich, Berlin and Leipzig. In 1879, he was awarded a doctorate from the Leipzig University.

Ganghofer wrote his first play "Der Herrgottschnitzer von Ammergau" (The Crucifix Carver of Ammergau) in 1880 for the Munich Gärtnerplatz Theatre, where it was given 19 performances. But his breakthrough was a guest performance of this play in Berlin, where it was staged more than 100 times. Subsequently, Ganghofer worked as dramaturge at the Ringtheater in Vienna (1881), as a freelance writer for the family paper Die Gartenlaube and as a feuilleton editor of the Neues Wiener Tagblatt (1886–1891). In Vienna, Ganghofer was a frequent guest at the salon in the Palais Todesco, where he met with artists like Hugo von Hofmannsthal and Johann Strauss. From 1891, he worked mainly as a writer of Alpine novels, inspired by the sojourns at his hunting lodge near Leutasch in Tyrol; but he also produced e.g. Hugo von Hofmannsthal's play "Der Tor und der Tod". He also founded the Munich Literary Society.

His work as a voluntary war correspondent from 1915 and 1917 is less known. During those years, he wrote – besides propagandistic war reports e.g. "Reise zur deutschen Front" (Travel to the German frontlines) – a large number of patriotic war poems, which were published in collections like "Eiserne Zither" (Iron Zither) and "Neue Kriegslieder" (New War Songs). Being a personal friend of Emperor Wilhelm II and his favourite poet, Ganghofer's war reports frequently lauded the emperor, his Chief of General Staff Paul von Hindenburg and their conduct of the war. Until shortly before the German capitulation, he continued to publish calls not to give up fighting. He was seriously wounded in the war and was awarded the Iron Cross. In 1917 he and his friend Ludwig Thoma joined the far-right German Fatherland Party which was dissolved in the Revolution of 1918–19, and his political activities ceased. Heavily criticised by colleagues like Karl Kraus, readings of his militaristic works provided him with an above average income.

After the end of the war, Ganghofer returned to his profession as a writer. He dedicated his last work "Das Land der Bayern in Farbenphotographie" (The country of Bavaria in coloured photography) to "His Majesty King Ludwig III of Bavaria in deepest reverence". Shortly afterwards, Ganghofer died in Tegernsee.

Ganghofer's works, in particular his novels, are still published today. By 2004, it is estimated that more than 30 million copies of his works had been sold. Besides, among German authors Ganghofer's works have been some of the most frequently adapted as films, starting with silent films in the 1910s and 1920s, and continuing during the Heimatfilm era after World War II. His works, which describe the life of simple, competent, honest people, are often seen as kitsch – not least because most of them are staged against the background of an idyllic Bavarian Alps scenery.

Selected works

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Selected adaptations as films

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References

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  1. ^ Johannes von Moltke (6 September 2005). No Place Like Home: Locations of Heimat in German Cinema. University of California Press. p. 30. ISBN 978-0-520-93859-5. Retrieved 30 January 2023.
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