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The Opera Portal

Opera is an art form in which singers and musicians perform a dramatic work (called an opera) which combines a text (called a libretto) and a musical score. Opera is part of the Western classical music tradition. Opera incorporates many of the elements of spoken theatre, such as acting, scenery and costumes and sometimes includes dance. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble.

Opera started in Italy at the end of the 16th century (with Jacopo Peri's lost Dafne, produced in Florence around 1597), and was championed by Claudio Monteverdi with works such as L'Orfeo. It soon spread through the rest of Europe: Schütz in Germany, Lully in France, and Purcell in England all helped to establish their national traditions in the 17th century. However, in the 18th century, Italian opera continued to dominate most of Europe, except France, attracting foreign composers such as Handel. Opera seria was the most prestigious form of Italian opera, until Gluck reacted against its artificiality with his "reform" operas in the 1760s. Today the most renowned figure of late 18th century opera is Mozart, who began with opera seria but is most famous for his Italian comic operas, especially The Marriage of Figaro, Don Giovanni, and Così fan tutte, as well as The Magic Flute, a landmark in the German tradition.

The first third of the 19th century saw the highpoint of the bel canto style, with Rossini, Donizetti and Bellini all creating works that are still performed today. It also saw the advent of Grand Opera typified by the works of Meyerbeer. The mid to late 19th century is considered by some a golden age of opera, led by Wagner in Germany and Verdi in Italy. This 'golden age' developed through the verismo era in Italy and contemporary French opera through to Puccini and Strauss in the early 20th century. During the 19th century, parallel operatic traditions emerged in Central and Eastern Europe, particularly in Russia and Bohemia. The 20th century saw many experiments with modern styles, such as atonality and serialism (Schoenberg and Berg), Neo-Classicism (Stravinsky), and Minimalism (Philip Glass and John Adams). With the rise of recording technology, singers such as Enrico Caruso became known to audiences beyond the circle of opera fans. Operas were also performed on (and written for) radio and television.

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L'Orfeo (SV 318), sometimes called L'Orfeo, favola in musica, is an early Baroque opera by Claudio Monteverdi, with a text by Alessandro Striggio. It is based on the Greek legend of Orpheus, and tells the story of his descent to Hades and his fruitless attempt to bring his dead bride Eurydice back to the living world. Written in 1607 for a court performance during the annual Carnival at Mantua, L'Orfeo is one of the earliest music dramas still regularly performed. Within the musical theatre at the beginning of the 17th century the traditional intermedio—a musical sequence between the acts of a straight play—was evolving into the form of a complete musical drama or "opera". Monteverdi's L'Orfeo moved this process out of its experimental era, and provided the first fully developed example within the new genre. After its initial performance the work was staged again in Mantua, and possibly in other Italian centres in the next few years. After the composer's death in 1643 the opera remained unperformed, and was largely forgotten until a revival of interest in the late 19th century led to a spate of modern editions and performances. At first these tended to be unstaged versions within institutes and music societies, but following the first modern dramatised performance in Paris, in 1911, the work was seen increasingly in theatres. In 2007 the quatercentenary of the premiere was celebrated by performances throughout the world.

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Dinorah

Credit: Henri Télory. Restoration by Adam Cuerden

Poster for the premiere of Meyerbeer's opera Le pardon de Ploërmel (later renamed Dinorah), presented by the Opéra-Comique in Paris on 4 April 1859. Set near the rural town of Ploërmel, the opera is based on two Breton tales by Émile Souvestre.

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In this month

1 July 1995 – Powder Her Face, an opera by Thomas Adès and based on the scandalous life of Margaret, Duchess of Argyll, had its world premiere at the Cheltenham Music Festival.
5 July 1953 - Titta Ruffo, considered one of the greatest Italian baritones of his generation, died in Florence at the age of 76.
6 July 1845 – Soprano Ángela Peralta, a leading figure in the operatic life of 19th century Mexico, was born in Mexico City.
11 July 1937 - George Gershwin, the composer of Porgy and Bess, died in Los Angeles at the age of 38.
13 July 1924 – The Italian tenor Carlo Bergonzi, admired for his warm timbre and elegant phrasing, was born in Vidalenzo, near Parma.
17 July 1852 – Salvadore Cammarano, who wrote the libretto for Donizetti's Lucia di Lammermoor, died in his native Naples at the age of 51.
22 July 1847 – Verdi's opera I masnadieri had its world premiere at Her Majesty's Theatre in London. The performance was conducted by Verdi himself, with Jenny Lind (pictured) singing the role of Amalia.
30 July 1793 – The Teatro Nacional de São Carlos in Lisbon, Portugal's leading opera house, was opened by Queen Maria I.

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Modest Petrovich Mussorgsky (21 March 1839 – 28 March 1881), one of the Russian composers known as the Five, was an innovator of Russian music. He strove to achieve a uniquely Russian musical identity, often in deliberate defiance of the established conventions of classical music from Western culture. Many of his major works were inspired by Russian history, Russian folklore, and other nationalist themes, including the opera Boris Godunov, the orchestral tone poem Night on Bald Mountain, and the piano suite Pictures at an Exhibition. However, while Mussorgsky's music can be vivid and nationalistic, it does not always glorify the powerful and is sometimes antimilitaristic, such as in The Field-Marshal. For many years Mussorgsky's works were mainly known in versions revised or completed by other composers. Many of his most important compositions have recently come into their own in their original forms, and some of the original scores are now also available.

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I can think of but two people who honestly can be said to possess vocal mastery: they are Caruso and John McCormack. Those who have only heard the latter do little Irish tunes, have no idea of what he is capable. I have heard him sing Mozart as no one else I know of can.

— Geraldine Farrar

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1800 – Le trompeur trompé: Dieu du bonheur, Dieu plein du charmes...

A polacca from Le trompeur trompé, an 1800 opéra comique by Pierre Gaveaux and François Bernard-Valville. Performed on historical instruments, with Montserrat Alavedra as Agathe.

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Did you know?

...that music from Joaquin Turina's opera Margot (libretto cover pictured) about a Parisian courtesan has become a popular piece during the processions of Holy Week in Seville?
...that in Roger Scruton's musical vision of the eccentric love-life of Violet Gordon-Woodhouse, a leading lady is sung by a baritone?
...that The sacred duck was seen widely across Germany until the Third Reich silenced it?

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WikiProjects

Parent projects

WikiProject Arts • WikiProject Music • WikiProject Theatre

Main project

WikiProject Opera

Descendant projects

WikiProject Richard Wagner • WikiProject Gilbert and Sullivan

Similar projects

WikiProject Classical music • WikiProject Composers

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Main topics

Opera history: Origins of opera • Italian opera • Opera in German • French opera • Opera in English • Polish opera • Russian opera • Hungarian opera • Armenian opera • Opera in Latin America

Opera genres: Azione teatrale · Ballad opera · Comédie en vaudevilles · Comédie mêlée d'ariettes · Dramma giocoso · Dramma per musica · Farsa · Festa teatrale · Género chico · Grand Opera · Music Drama · Opéra-ballet · Opera buffa · Opéra bouffe · Opéra bouffon · Opéra comique · Opéra féerie · Opera semiseria · Opera seria · Operetta · Pastorale héroïque · Romantische Oper · Savoy opera · Semi-opera · Singspiel · Spieloper · Tragédie en musique · Verismo · Zarzuela · Zeitoper

Opera terms: Aria · Aria di sorbetto · Arioso · Bel canto · Breeches role · Burletta · Cabaletta · Cadenza · Cantabile · Castrato · Cavatina · Chest voice · Claque · Coloratura · Comprimario · Convenienze · Coup de glotte · Da capo aria · Diva · Entr'acte · Fach · Falsetto · Fioritura · Gesamtkunstwerk · Head voice · Intermezzo · Kammersänger · Leitmotif · Legato · Libretto · Literaturoper · Mad scene · Maestro · Melodrama · Melodramma · Monodrama · Messa di voce · Opera house · Passaggio · Portamento · Prima donna · Prompter · Recitative · Regietheater · Répétiteur · Sitzprobe · Spinto · Sprechgesang · Squillo · Stagione · Surtitles · Tessitura · Timbre · Vibrato

Opera voices: Baritenor · Baritone · Bass · Bass-baritone · Coloratura soprano · Contralto · Countertenor · Dramatic soprano · Haute-contre · Lyric soprano · Mezzo-soprano · Soprano · Soubrette · Spinto soprano · Tenor · Tenore contraltino · Tenore di grazia

Opera lists: Opera topics • List of operas by composer • Important operas • Major opera composers • Opera librettists • Opera houses • Opera companies • Opera festivals • Opera directors • Operetta composers • Orphean operas • Zarzuela composers • Opera genres • Operas set in the Crusades • The Record of Singing • Bayreuth canon

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This is a list of recognized content, updated weekly by JL-Bot (talk · contribs) (typically on Saturdays). There is no need to edit the list yourself. If an article is missing from the list, make sure it is tagged (e.g. {{WikiProject Opera}}) or categorized correctly and wait for the next update. See WP:RECOG for configuration options.

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1899 poster of Mme. M. Sissieretta Jones
Adolphe-Joseph-Louis Alizard from Le Charivari
Advertisement for the music score of La Bohème, 1895
Aida poster colors fixed
Al quartiere latino, bozzetto di Adolf Hohenstein per La Bohème (1896) - Archivio Storico Ricordi ICON000086 - Restoration
Albert Pierre-René Maignan - Jules Massenet - Ariane
Albert Reiss LOC ggbain-25651
Alexandre Charles Lecocq - Giuseppe Verdi - La forza del destino
Alexandre Fragonard - Scène de L'orage (Barbier de Séville)
Alexandre Lacauchie - Gilbert Duprez as Gaston in Verdi's Jérusalem
Alfredo Edel - Jules Massenet - Le mage
Alice Neilsen's production of Victor Herbert's The Fortune Teller
Amilcare Ponchielli (before 1886) - Archivio Storico Ricordi FOTO000794 - Restoration
Amédée Forestier - Illustrated London News - Gilbert and Sullivan - Ruddygore (Ruddigore)
Anna Fernqvist, rollporträtt - SMV - H1 122 - Restoration
Atelier Nadar - Fly scene from Offenbach's Orphée aux enfers with Jeanne Granier as Eurydice and Eugène Vauthier as Jupiter, 1887 revival, wide-angle shot
Atelier Nadar - Galli-Marié in Bizet's Carmen
Atelier Nadar - Jacques Isnardon, Vaudeville
Auguste François-Marie Gorguet - poster for the première performance of Édouard Lalo's Le roi d'Ys (1888)
Barbier, Jules, Nadar, Gallica
Boris Kustodiev - Portrait of Fyodor Chaliapin - Google Art Project
Carl Nielsen c. 1908 - Restoration
Carloz Schwabe - Vincent d'Indy's Fervaal
Cavalleria Rusticana - Alfio and Turiddu embrace
Cavalleria Rusticana - Santuzza and Turiddu outside the church
Charles Gounod (1890) by Nadar
Charles Motte - Rossini et Georges IV - la soirée de Brighton
Charles-Antoine Cambon - La Esmeralda, Act 3, Scene 2 set
Charles-Antoine Cambon - La Esmeralda, Act III, Scene 1 set design (Version 2)
Charles-Antoine Cambon - Set design for Act V, Scene 2 of Fromental Halévy's La reine de Chypre
Charles-Antoine Cambon - Set design for the première of Rossini's Robert Bruce, Act III, Scene 3
Cherubini, Luigi - Medea - Restoration
Christine Nilsson Nadar
Colette and Maurice Ravel's L'enfant et les sortilèges, 1st scene
Colette and Maurice Ravel's L'enfant et les sortilèges, 2nd scene
Collina presso Nagasaki, bozzetto di Alexandre Bailly, Marcel Jambon per Madama Butterfly (1906) - Archivio Storico Ricordi ICON000079 - Restoration
Composer Rossini G 1865 by Carjat - Restoration
Célestin Nanteuil - Jules Massenet - Don César de Bazan
Dudley Hardy - Poster for His Majesty
Edmond Cavé 1844 Ingres - NY Met Museum of Art
Elliott & Fry - photograph W. S. Gilbert
Ethel Smyth
Eugène Du Faget - Costume designs for Guillaume Tell - 1-3. Laure Cinti-Damoreau as Mathilde, Adolphe Nourrit as Arnold Melchtal, and Nicolas Levasseur as Walter Furst
Eugène Du Faget - Costume designs for Les Huguenots - 2. Julie Dorus-Gras as Marguerite, Adolphe Nourrit as Raoul, and Cornélie Falcon as Valentine
Eugène Grasset - Jules Massenet - Werther
Falka - Weir Collection
Falstaff 3
Fausta Labia, porträtt - SMV - H5 028 - Restoration
François-Joseph Bélanger - Set design for Gluck's Alceste
Fromental Halévy, L'Éclair score cover - Restoration
Georges Rochegrosse - Henry Février - Henri Cain and Louis Payen after Victorien Sardou - Gismonda
Georges Rochegrosse - Jules Massenet - Roma
Georges Rochegrosse - Poster for Gabriel Fauré's Pénélope (1913)
Georges Rochegrosse - Poster for the prèmiere of Claude Debussy and Maurice Maeterlinck's Pelléas et Mélisande
Georges Rochegrosse's poster for Jules Massenet's Don Quichotte
Geraldine Ulmar in Gilbert and Sullivan's The Mikado - photograph only
Giacomo Puccini (1924) - Archivio Storico Ricordi FOTO003293 - Restoration
Gilbert Duprez & Rosine Stoltz in Donizetti's La Favorite
Giuseppe Barberis - Carlo Cornaglia - Giuseppe Verdi's Don Carlo at La Scala
Giuseppe Verdi, Giovanna d'Arco, Vocal Score - Restoration
Giuseppe Verdi, La traviata title page - Restoration
Giuseppe Verdi, Lombardi alla prima crociata. Libretto, 1843 - Restoration
Giuseppe Verdi, Rigoletto, Vocal score illustration by Roberto Focosi - Restoration
Giuseppe Verdi, Simon Boccanegra first edition libretto for the 1881 revision of the opera - Restoration
Giuseppe Verdi, Un Ballo in maschera, Vocal score frontispiece - restoration
H. M. Brock - Gilbert and Sullivan - D'Oyly Carte Opera Company Ruddigore revival 1921
H. M. Brock - Poster for Iolanthe
H.J. Whitlock - Photograph of Arthur Sullivan
Haydée, ou Le secret Act II - Philippe Chaperon
Hector Berlioz, Béatrice et Bénédict score title page - Restoration
Hector Berlioz, La Prise de Troie score cover - Restoration
Hector Berlioz, Les Troyens vocal score cover - Restoration
Hector Berlioz, Les Troyens à Carthage vocal score cover - Restoration
Henri C. R. Presseq - Camille Erlanger - Le juif polonais
Henry Atwell Thomas - Franz von Suppé - Fatinitza
Il signor Tambourossini - Delaroche
Il trovatore by Luigi Morgari
Illustrated London News - Giuseppe Verdi's Attila at Her Majesty's Theatre, London
Iolanthe piano transcriptions by Ernst Perabo
Ivor Novello
Jacques Offenbach - A. Jannin - Robinson Crusoé
Jacques Offenbach by Nadar
Jean de Paleologu - Jules Massenet - Sapho
Jeremiah Gurney - Photograph of Euphrosyne Parepa-Rosa
Johann Strauss II by Fritz Luckhardt
John Phillip Sousa - De Wolf Hopper - El Capitan1
Joseph Albert - Ludwig und Malwine Schnorr von Carolsfeld - Tristan und Isolde, 1865f
Jules Massenet - Le Cid 2e Acte, 3e Tableau - L'Illustration
Jules Massenet - Le Cid 3e Acte, 6e Tableau - L'Illustration
Jules Massenet by Eugène Pirou
La Juive Act 1 set 1835 - Restoration
Le comte Ory - Dubois & chez Martinet - Final scene
Lilly Walleni in Daria at Kungliga Operan 1907 - SMV - NV059
Louis Guéymard as Robert le Diable by Gustave Courbet - The Metropolitan Museum of Art 436015 (cropped)
Lucy Arbell as Queen Amahelli in Massenet's Bacchus, wide view
Lucy Arbell in Massenet's Thérèse
Lucy Arbell photographed by Paul Nadar
Luigi Verardi after Dominico Ferri - Gaetano Donizetti - Carrefour de St Jean et Paul. Dans l'Opéra Marino Faliero
Luigi Verardi after Dominico Ferri - Vincenzo Bellini - Théatre Royal Italien. Salle d'armes dans l'Opéra I Puritani
M. Browne - Herbert Railton - Sydney Grundy - Arthur Sullivan - Haddon Hall
Mademoiselle Maupin de l'Opéra (Julie d'Aubigny)
Mademoiselle Priola de l'Opéra Comique, rôle de Javotte dans "Le Roi l'a dit" de Delibes
Magna Lykseth in Tristan och Isolde at Kungliga Operan 1909 - SMV - GL164
Marcel Jambon - Giuseppe Verdi - Otello Act I set design model
Maria Carrara Verdi, Barberina Strepponi, Giuseppe Verdi, Giuditta Ricordi, Teresa Stolz, Umberto Campanari, Giulio Ricordi, Leopoldo Metlicovitz (1900) - Archivio storico Ricordi FOTO003107 - Restoration
Marian Anderson
Maritana - Nov 22 1845 Illustrated London News
Max Brückner - Otto Henning - Richard Wagner - Final scene of Götterdämmerung
Meyerbeer - Les Huguenots - Décor Acte II
Michael William Balfe - Atelier Nadar
Napoli, strada Acquaquilia, bozzetto di Riccardo Salvadori per A Basso Porto (1894) - Archivio Storico Ricordi ICON002556
Nelly Martyl by Jean Reutlinger (Image 10715)
Paul Maurou - Poster for Edmond Audran's Gillette de Narbonne
Percy Anderson - Poster for The Duchess of Dantzic
Philippe Chaperon - Meyerbeer - Les Huguenots Act I (1896)
Philippe Chaperon - Rigoletto
Philippe Chaperon by Atelier Nadar
Pierre Gaveaux by Edmé Quenedey (1821)
Pierre-Auguste Lamy (?) - Les contes d'Hoffmann by Jacques Offenbach, Giulietta act
Pierre-Auguste Lamy (?) - Les contes d'Hoffmann by Jacques Offenbach, Olympia act
Pierre-Auguste Lamy (?) - Les contes d'Hoffmann by Jacques Offenbach, prologue
Pierre-Luc-Charles Cicéri - Eugène Cicéri - Philippe Benoist - Adolphe Jean Baptiste Bayot - Décorations de théâtre, Robert le diable, 3e act
PikiWiki Israel 13773 AIDA AT MASADA 2011
Portrait of Madame Dugazon (Louise Rosalie Lefèvre), in the title rôle of Nina (Scene V)
Poster for Burnand and Sullivan's Cox and Box - Royal Gallery of Illustration
Poster for Gilbert and Clay's Ages Ago at the Royal Gallery of Illustration
Poster for Jules Massenet's La Navarraise with Emma Calvé in the rôle of Anita
Poster for Le pardon de Ploërmel 1859
Prokofieff (i.e. Prokofiev) LCCN2014708419 Crop 2
Prudent-Louis Leray - Poster for the première of Georges Bizet's Carmen
Robert Jacob Hamerton - Poster for A Sensation Novel
Robert Jacob Hamerton - Poster for F. C. Burnand and Arthur Sullivan's The Contrabandista
Rosa Raisa (1917) - Archivio Storico Ricordi FOTO002701 - Restoration
Set design by Philippe Chaperon for Act1 sc2 of Aida by Verdi 1871 Cairo - Gallica - Restored
Set design by Philippe Chaperon for Act4 sc2 of Aida by Verdi 1880 Paris
Strauss, Richard - Ariadne auf Naxos - Restoration
Tavola 5, bozzetto di Gebrüder Brückner per Tannhäuser (s.d.) - Archivio Storico Ricordi ICON011721 - Restoration, crop
Teatro Municipal de São Paulo 8
The Mikado Chappell Vocal Score cover (c.1895)
Thespis - Illustrated London News Jan 6 1872
Trial by Jury - Chaos in the Courtroom
Utopia Limited Poster
Vasta spianata presso Courtray, bozzetto di Giuseppe Palanti per Edgar (s.d.) - Archivio Storico Ricordi ICON000128 B
Verdi conducting Aida in Paris 1880 - Gallica - Restoration
Wally (soprano), figurino di Adolf Hohenstein per La Wally (1892) - Archivio Storico Ricordi ICON004639 - Restoration
Wilhelm - Costume design for Arac, Gunon, and Scynthius (Princess Ida, 1884)
Édouard de Reszke by Nadar (BPL Hale Coll)
Émile Bertrand - Jules Massenet - Cendrillon poster