Talk:Fugitive pigment
 | This article is rated Start-class on Wikipedia's content assessment scale. It is of interest to the following WikiProjects: | ||||||||||
| |||||||||||
Copy violation
[edit]The section Why pigments fade in sunlight was a direct cut-and-paste copy from the URL that was credited as the source. Since crediting the source is not sufficient to legally copy the work verbatim, I have removed it. An editor is welcome to consult the source and write a section on why pigments fade in original language, of course. — Paopa ✎ 2021 10 October3021 (UTC)
A definitional consideration
[edit]In Garth Lewis's book "2000 Color Combinations" an alternative definition is given for 'fugitive colors' as those which are non-primary mixed colors and more susceptible to simultaneous contrast than the more vibrant primary colors. He mentions the phrase as being originated by Josef Albers (1888-1976). Also described on page 224 of this book is the work by the French chemist Michel Chevreul working for a tapestry maker Gobelin and discovered that the appearance of fading of some colors in tapestries was in fact a powerful optical effect (simultaneous contrast) caused by juxtaposition of colors and founded much of the work by subsequent artists and designers. Tredigar (talk) —Preceding undated comment added 22:43, 8 August 2009 (UTC).