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Talk:It Was Hot, We Stayed in the Water/GA1

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GA Review

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Article (edit | visual edit | history) · Article talk (edit | history) · Watch

Reviewer: Realmaxxver (talk · contribs) 17:47, 11 October 2022 (UTC)[reply]


Adding comments soon. Realmaxxver (talk) 17:47, 11 October 2022 (UTC)[reply]

@Realmaxxver: Hey. Just letting you know it's been a month. — PerfectSoundWhatever (t; c) 17:52, 10 November 2022 (UTC)[reply]
  • "Since the album was recorded on analogue tape, technical imperfections were embraced." → "Technical imperfections were embraced, due to the album being recorded on analogue tape." — Preceding unsigned comment added by Realmaxxver (talkcontribs) 18:02, 16 November 2022 (UTC)[reply]
  • "The 11-minute track "The Glow" acts as the album's climax and introduces the concept of the "glow" which is later continued on 2001's The Glow Pt. 2." → "The 11-minute track "The Glow" acts as the album's climax and introduces the concept of the "glow", which would be later continued on their next studio album The Glow Pt. 2." — Preceding unsigned comment added by Realmaxxver (talkcontribs) 18:04, 16 November 2022 (UTC)[reply]

Status query

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Realmaxxver, PerfectSoundWhatever, what is the current status of this review? As far as I can tell, in two and a half months, Realmaxxver has only posted two minor points, and hasn't edited Wikipedia at all since that day. PerfectSoundWhatever, if you want, we can call for a second opinion in the hopes of finding someone to take over and do the complete review you've been hoping for. BlueMoonset (talk) 20:16, 27 December 2022 (UTC)[reply]

@BlueMoonset: Yes, I'd like a second reviewer, thank you. I had put up a message here but no one saw. I've seen this reviewers other slow reviews, so I wasn't surprised by this. — PerfectSoundWhatever (t; c) 20:50, 27 December 2022 (UTC)[reply]
@BlueMoonset: @PerfectSoundWhatever: I'll do it. This is a short and easy one that doesn't look hard to unpack, unlike my last one...yikes. dannymusiceditor oops 23:34, 11 January 2023 (UTC)[reply]
Thanks a lot! — PerfectSoundWhatever (t; c) 23:38, 11 January 2023 (UTC)[reply]

Lead

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  • Upon a cursory glance, I only see one source use the shortened name. I generally think this kind of thing is exceptional to the "no sources in the lead" rule unless you find a suitable place to cover it elsewhere in the article, and recommend at least two but no more than three.
  • There appears to be a slight contradiction toward the end of the first paragraph. I recognize that there is a difference between the album's whole theme and specifically a lyrical theme, but it might take an average reader a second to realize the difference you're making. I'd prefer if you described the album genre wise, and then stated the album's inspiration about the ocean, full stop there, then proceed to clarify that while the album as a whole is centered on the theme of water, while the lyricism focuses on nature in general.
  • (keep note of this one - this might become irrelevant as my review progresses) Of all the choices of sources you could have highlighted for reviews of this album, I don't think Sputnikmusic is the call. While it is perfectly fine to use as a review in general in most cases, including this one, I think NME is a much better choice to highlight the acclaim of this record if you had to choose three. The due weight of Sputnik has been called into question on I believe more than one, but at least one, occasion in the past year, with one of its former editors coming to Wikipedia themselves to talk about it in Wikiproject discussions.
  • You linked Pitchfork twice.

Background

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  • As it is, section is too small. I recommend merging it with recording.
  • Can you expand slightly on what "modest studio equipment" means in this context?
    • Changed to "low-fidelity"
  • No mention of the apparently existing Window (2000), which would be between this album and Don't Wake Me Up (1999).

Recording

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  • As it is, section is too small. I recommend merging it with background.
  • Good thing to note, I suppose, but I do have a question. Why is the little use of reverb effects significant? Is this as opposed to previous work?
    • The Treblezine source uses this to convey that Elverum's production is unique: For the Microphones’ only consistent member to consign an epic compositional scope to a dry, starkly intimate production averting the lure of drenching it in canyons of echo, would probably make digital audio engineers in Hollywood shudder and That’s why the sudden swings in sound on this album work, and why shifting instrumentation and imperfection succeed where reverberation would have been overkill. I think this is unnecessary detail for the Recording section, and just adding the fact as is is good enough. — PerfectSoundWhatever (t; c) 02:49, 12 January 2023 (UTC)[reply]
  • Interesting that you have Khaela Maricich's writing credit included here, but not below in the tracklist. Is this a case where not all of the credits can be known? If so, maybe we should think of using footnotes to help remedy this. Let me know and I'll have something for you. Mention something to the effect of "though individual contributions were not recognized in the credits" with a citation to the booklet here.

Music and themes

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  • Recommend, but not required: Critics described It Was Hot, We Stayed in the Water as...
  • Seeing it now, you should add in the tracklist that "Sand" is an Eric's Trip cover.
  • Instead of simply "building layers", I would say "multiple layers" which build on each other.
  • I think a better choice is "softly" instead of "softer" for the ending of "The Glow".

Critical reception

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  • I like your use of the footnote here.
  • You linked Sputnikmusic twice in the prose, and named the reviewer twice, both of which are only needed once.
  • You don't have to specify KEXP (or link it) twice.
  • You have Sputnik's reviewer written as a full name in its reference definition, when in fact it is a screen name. I'd suggest you use |author= instead.

Track listing

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Personnel

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Fine

Release History

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Notes

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Fine

References

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Overall

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