The Keeping Room
The Keeping Room | |
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![]() Theatrical release poster | |
Directed by | Daniel Barber |
Written by | Julia Hart |
Produced by |
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Starring | |
Cinematography | Martin Ruhe |
Edited by | Álex Rodríguez |
Music by | Martin Phipps |
Production companies |
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Distributed by | |
Release dates |
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Running time | 95 minutes[1] |
Country | United States |
Language | English |
Box office | $31,168[2] |
The Keeping Room is a 2014 American Western film directed by Daniel Barber and written by Julia Hart. The film stars Brit Marling, Hailee Steinfeld, Muna Otaru, Sam Worthington, Amy Nuttall, and Ned Dennehy. It was screened in the Special Presentations section of the 2014 Toronto International Film Festival.[3] The film was given a limited release in the United States on September 25, 2015, by Drafthouse Films.[2] The film was made available on Netflix US on May 4, 2016.[4]
Plot
[edit]Left without men in the dying days of the American Civil War, three Southern women - two white sisters, Augusta and Louise, and one African-American slave, Mad - must fight to defend their home and themselves from two rogue soldiers who have broken off from the fast-approaching Union Army. Augusta, the elder sister goes in search of medicine for her sister, Louise; who has been bitten by a raccoon. She stops off at a neighbor's house but finds the neighbor dead, having drunk a bottle of poison. She then goes to a bar, where she is told to leave by the barman. It is there that Augusta encounters Moses and Henry, soldiers from the army.
Late that night, Augusta, Louise and Mad hear noises from outside. It is revealed to be Moses and Henry and an intense shootout ensues. Henry rapes Louise and is shot dead by Mad, and Augusta injures Moses, but does not kill him. The three girls then go back to the kitchen and Mad reveals how she was raped often as a child.
A clatter outside makes Augusta and Mad investigate with guns; the culprit is found to be Bill, Mad's lover, who is then accidentally shot dead by Augusta. Before dying, he tells Mad "they're coming". In the morning, the girls realize that Moses is still alive and search the house. When they eventually find him, he tells Augusta he is a "bummer" (soldiers sent in advance to forage for food and find any deserters or survivors) for the army. Seriously wounded, Moses warns Augusta that "Billy's coming, burning down everything in his path. Rest assured, it will be cruel". Augusta shoots him dead. The girls bury the bodies and debate whether they will stay and fight for their house. They eventually decide they will dress up as men, using the clothing from the dead soldiers. They set the house on fire and the last shot shows the girls walking into the distance, the army just catching up to their house.
Cast
[edit]- Brit Marling as Augusta
- Hailee Steinfeld as Louise
- Muna Otaru as Mad
- Sam Worthington as Moses
- Kyle Soller as Henry
- Ned Dennehy as Caleb
- Amy Nuttall as Moll
- Nicholas Pinnock as Bill
Production
[edit]The film was first announced in October 2012.[5] Hart's script was inspired by her learning that her friends had two skeletons dating from the Civil War in their backyards and wondering how they got there.[6] Initially the film was to star Olivia Wilde;[7] she later left and was replaced by Brit Marling.[8] Sam Worthington rounded out the cast in April 2013.[9]
Filming
[edit]Principal photography began in June 2013 in Bucharest, Romania, and ended on July 18, 2013.[10]
Reception
[edit]The Keeping Room received mixed to positive reviews. As of June 2020[update], the film holds a 75% approval rating on Rotten Tomatoes, based on 83 reviews with an average rating of 6.45/10. The website's critics consensus states: "Aided by its spare setting and committed performances, The Keeping Room is just fascinatingly off-kilter enough to overcome its frustrating stumbles."[11] On Metacritic, it has a score of 58 out of 100, based on 21 critics' reviews, indicating "mixed or average reviews".[12]
See also
[edit]References
[edit]- ^ "The Keeping Room (15)". British Board of Film Classification. February 23, 2016. Retrieved February 23, 2016.
- ^ a b "The Keeping Room (2015) – International Box Office Results". Box Office Mojo. Internet Movie Database. December 6, 2015. Retrieved February 23, 2016.
- ^ Punter, Jennie (July 22, 2014). "Toronto Film Festival Lineup Includes Denzel Washington's 'Equalizer,' Kate Winslet's 'A Little Chaos'". Variety. Retrieved July 22, 2014.
- ^ Pease, Jasmin. "New Releases on Netflix US (May 4, 2016)". Archived from the original on May 5, 2016. Retrieved May 4, 2016.
- ^ The Deadline Team (October 30, 2013). "AFM: Wind Dancer Films to Finance, Produce 'The Keeping Room', Daniel Barber Will Direct". Deadline Hollywood. Retrieved July 27, 2013.
- ^ Bahr, Lindsey (September 25, 2015). "'The Keeping Room' shows violence, feminism in Civil War". Associated Press. Archived from the original on February 5, 2016. Retrieved January 26, 2016.
- ^ Armitage, Hugh (October 31, 2013). "Olivia Wilde, Hailee Steinfeld star in 'The Keeping Room'". Digital Spy. Retrieved July 27, 2013.
- ^ Hofmann, Tess (April 25, 2013). "Olivia Wilde Out, Brit Marling In For 'The Keeping Room' With Hailee Steinfeld". Indiewire. The Playlist (blog). Retrieved July 27, 2013.
- ^ Fleming, Mike Jr (April 29, 2013). "Sam Worthington to Star in 'The Keeping Room'". Deadline Hollywood. Retrieved July 27, 2013.
- ^ Blaga, Iulia (July 16, 2013). "The Keeping Room About to Wrap Shooting in Romania". Film New Europe. Retrieved May 24, 2015.
- ^ "The Keeping Room (2015)". Rotten Tomatoes. Fandango Media. Retrieved June 20, 2020.
- ^ "The Keeping Room". Metacritic. Retrieved September 26, 2015.
External links
[edit]- 2014 films
- 2014 independent films
- 2014 action drama films
- 2014 Western (genre) films
- American Civil War films
- American Western (genre) films
- American action drama films
- American war drama films
- 2010s English-language films
- Films about war crimes
- Films directed by Daniel Barber
- Films shot in Romania
- Films about home invasion
- 2010s feminist films
- 2010s American films
- Films scored by Martin Phipps