User:Arjutt12/sandbox/jewelery
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Jewellery or jewelry consists of decorative items worn for personal adornment, such as brooches, rings, necklaces, earrings, pendants, bracelets, and cufflinks. Jewellery may be attached to the body or the clothes. From a western perspective, the term is restricted to durable ornaments, excluding flowers for example. For many centuries metal such as gold used in different carats from 21, 18, 12, 9 or even lower, often combined with gemstones, has been the normal material for jewellery, but other materials such as shells and other plant materials may be used.
Jewellery is one of the oldest types of archaeological artefact – with 100,000-year-old beads made from Nassarius shells thought to be the oldest known jewellery.[1] The basic forms of jewellery vary between cultures but are often extremely long-lived; in European cultures the most common forms of jewellery listed above have persisted since ancient times, while other forms such as adornments for the nose or ankle, important in other cultures, are much less common.
Jewellery may be made from a wide range of materials. Gemstones and similar materials such as amber and coral, precious metals, beads, and shells have been widely used, and enamel has often been important. In most cultures jewellery can be understood as a status symbol, for its material properties, its patterns, or for meaningful symbols. Jewellery has been made to adorn nearly every body part, from hairpins to toe rings, and even genital jewellery. In modern European culture the amount worn by adult males is relatively low compared with other cultures and other periods in European culture.
The word jewellery itself is derived from the word jewel, which was anglicised from the Old French "jouel",[2] and beyond that, to the Latin word "jocale", meaning plaything. In British English, Indian English, New Zealand English, Hiberno-English, Australian English, and South African English it is spelled jewellery, while the spelling is jewelry in American English.[3] Both are used in Canadian English, though jewelry prevails by a two to one margin. In French and a few other European languages the equivalent term, joaillerie, may also cover decorated metalwork in precious metal such as objets d'art and church items, not just objects worn on the person.
Form and function
[edit]Humans have used jewellery for a number of different reasons:
- functional, generally to fix clothing or hair in place
- as a marker of social status and personal status, as with a wedding ring
- as a signifier of some form of affiliation, whether ethnic, religious or social
- to provide talismanic protection (in the form of amulets)[4]
- as an artistic display
- as a carrier or symbol of personal meaning – such as love, mourning, a personal milestone or even luck
- superstition[5]
Most[quantify] cultures at some point have had a practice of keeping large amounts of wealth stored in the form of jewellery. Numerous cultures store wedding dowries in the form of jewellery or make jewellery as a means to store or display coins. Alternatively, jewellery has been used[by whom?] as a currency or trade good;[6] an example being the use of slave beads.[7]
Many items of jewellery, such as brooches and buckles, originated as purely functional items, but evolved into decorative items as their functional requirement diminished.[8]
Jewellery can symbolise group membership (as in the case, of the Christian crucifix or the Jewish Star of David) or status (as in the case of chains of office, or the Western practice of married people wearing wedding rings).
Wearing of amulets and devotional medals to provide protection or to ward off evil is common in some cultures. These may take the form of symbols (such as the ankh), stones, plants, animals, body parts (such as the Khamsa), or glyphs (such as stylised versions of the Throne Verse in Islamic art).[9]
Materials and methods
[edit]![](http://upload.wikimedia.org/wikipedia/commons/thumb/8/8b/Ren%C3%A9_lalique%2C_pettine_in_corno%2C_oro%2C_smalti_e_brillanti%2C_1902_ca-V2.jpg/220px-Ren%C3%A9_lalique%2C_pettine_in_corno%2C_oro%2C_smalti_e_brillanti%2C_1902_ca-V2.jpg)
In creating jewellery, gemstones, coins, or other precious items are often used, and they are typically set into precious metals. Platinum alloys range from 900 (90% pure) to 950 (95.0% pure). The silver used in jewellery is usually sterling silver, or 92.5% fine silver. In costume jewellery, stainless steel findings are sometimes used.
Other commonly used materials include glass, such as fused-glass or enamel; wood, often carved or turned; shells and other natural animal substances such as bone and ivory; natural clay; polymer clay; Hemp and other twines have been used as well to create jewellery that has more of a natural feel. However, any inclusion of lead or lead solder will give a British Assay office (the body which gives U.K. jewellery its stamp of approval, the Hallmark) the right to destroy the piece, however it is very rare for the assay office to do so.
Beads are frequently used in jewellery. These may be made of glass, gemstones, metal, wood, shells, clay and polymer clay. Beaded jewellery commonly encompasses necklaces, bracelets, earrings, belts and rings. Beads may be large or small; the smallest type of beads used are known as seed beads, these are the beads used for the "woven" style of beaded jewellery. Seed beads are also used in an embroidery technique where they are sewn onto fabric backings to create broad collar neck pieces and beaded bracelets. Bead embroidery, a popular type of handwork during the Victorian era, is enjoying a renaissance in modern jewellery making. Beading, or beadwork, is also very popular in many African and indigenous North American cultures.
Silversmiths, goldsmiths, and lapidaries use methods including forging, casting, soldering or welding, cutting, carving and "cold-joining" (using adhesives, staples and rivets to assemble parts).[10]
Diamonds
[edit]![](http://upload.wikimedia.org/wikipedia/commons/thumb/f/f2/Diamonds.jpg/220px-Diamonds.jpg)
Diamonds were first mined in India.[11] Pliny may have mentioned them, although there is some debate as to the exact nature of the stone he referred to as Adamas.[12] In 2005, Australia, Botswana, Russia and Canada ranked among the primary sources of gemstone diamond production.[13] There are negative consequences of the diamond trade in certain areas. Diamonds mined during the recent civil wars in Angola, Ivory Coast, Sierra Leone, and other nations have been labelled as blood diamonds when they are mined in a war zone and sold to finance an insurgency.[citation needed]
The British crown jewels contain the Cullinan Diamond, part of the largest gem-quality rough diamond ever found (1905), at 3,106.75 carats (621.35 g).
![](http://upload.wikimedia.org/wikipedia/commons/thumb/1/19/Wedding_and_Engagement_Rings_2151px.jpg/220px-Wedding_and_Engagement_Rings_2151px.jpg)
Now popular in engagement rings, this usage dates back to the marriage of Maximilian I to Mary of Burgundy in 1477.[14]
A popular style is the diamond solitaire, which features a single large diamond mounted prominently.[15] Within solitaire, there are 3 categories in which a ring can be classified into: prong, bezel and tension setting.[16]
Other gemstones
[edit]Many precious and semiprecious stones are used for jewellery. Among them are:
- Amber
- Amber, an ancient organic gemstone, is composed of tree resin that has hardened over time. The stone must be at least one million years old to be classified as amber, and some amber can be up to 120 million years old.
- Amethyst
- Amethyst has historically been the most prized gemstone in the quartz family. It is treasured for its purple hue, which can range in tone from light to dark.
- Emerald
- Emeralds are one of the three main precious gemstones (along with rubies and sapphires) and are known for their fine green to bluish green colour. They have been treasured throughout history, and some historians report that the Egyptians mined emerald as early as 3500 BC.
- Jade
- Jade is most commonly associated with the colour green but can come in a number of other colours as well. Jade is closely linked to Asian culture, history, and tradition, and is sometimes referred to as the stone of heaven.
- Jasper
- Jasper is a gemstone of the chalcedony family that comes in a variety of colours. Often, jasper will feature unique and interesting patterns within the coloured stone. Picture jasper is a type of jasper known for the colours (often beiges and browns) and swirls in the stone's pattern.
- Quartz
- Quartz refers to a family of crystalline gemstones of various colours and sizes. Among the well-known types of quartz are rose quartz (which has a delicate pink colour), and smoky quartz (which comes in a variety of shades of translucent brown). A number of other gemstones, such as Amethyst and Citrine, are also part of the quartz family. Rutilated quartz is a popular type of quartz containing needle-like inclusions.
- Ruby
- Rubies are known for their intense red colour and are among the most highly valued precious gemstones. Rubies have been treasured for millennia. In Sanskrit, the word for ruby is ratnaraj, meaning king of precious stones.
- Sapphire
- The most popular form of sapphire is blue sapphire, which is known for its medium to deep blue colour and strong saturation. Fancy sapphires of various colours are also available. In the United States, blue sapphire tends to be the most popular and most affordable of the three major precious gemstones (emerald, ruby, and sapphire).
- Turquoise
- Turquoise is found in only a few places on earth, and the world's largest turquoise-producing region is the southwest United States. Turquoise is prized for its attractive colour, most often an intense medium blue or a greenish blue, and its ancient heritage. Turquoise is used in a great variety of jewellery styles. It is perhaps most closely associated with southwest and Native American jewellery, but it is also used in many sleek, modern styles. Some turquoise contains a matrix of dark brown markings, which provides an interesting contrast to the gemstone's bright blue colour.
Some gemstones (like pearls, coral, and amber) are classified as organic, meaning that they are produced by living organisms. Others are inorganic, meaning that they are generally composed of and arise from minerals.
Some gems, for example, amethyst, have become less valued as methods of extracting and importing them have progressed. Some man-made gems can serve in place of natural gems, such as cubic zirconia, which can be used in place of diamond.[17]
Metal finishes
[edit]![](http://upload.wikimedia.org/wikipedia/commons/thumb/2/2c/A002.jpg/220px-A002.jpg)
For platinum, gold, and silver jewellery, there are many techniques to create finishes. The most common are high-polish, satin/matte, brushed, and hammered. High-polished jewellery is the most common and gives the metal a highly reflective, shiny look. Satin, or matte finish reduces the shine and reflection of the jewellery, and this is commonly used to accentuate gemstones such as diamonds. Brushed finishes give the jewellery a textured look and are created by brushing a material (similar to sandpaper) against the metal, leaving "brush strokes". Hammered finishes are typically created by using a rounded steel hammer and hammering the jewellery to give it a wavy texture.
Some jewellery is plated to give it a shiny, reflective look or to achieve a desired colour. Sterling silver jewellery may be plated with a thin layer of 0.999 fine silver (a process known as flashing) or may be plated with rhodium or gold. Base metal costume jewellery may also be plated with silver, gold, or rhodium for a more attractive finish.
Impact on society
[edit]Jewellery has been used to denote status. In ancient Rome, only certain ranks could wear rings;[18] later, sumptuary laws dictated who could wear what type of jewellery. This was also based on rank of the citizens of that time.
Cultural dictates have also played a significant role. For example, the wearing of earrings by Western men was considered effeminate in the 19th century and early 20th century. More recently, the display of body jewellery, such as piercings, has become a mark of acceptance or seen as a badge of courage within some groups but is completely rejected in others. Likewise, hip hop culture has popularised the slang term bling-bling, which refers to ostentatious display of jewellery by men or women.
Conversely, the jewellery industry in the early 20th century launched a campaign to popularise wedding rings for men, which caught on, as well as engagement rings for men, which did not, going so far as to create a false history and claim that the practice had medieval roots. By the mid-1940s, 85% of weddings in the U.S. featured a double-ring ceremony, up from 15% in the 1920s.[19]
Some religions have specific rules or traditions surrounding jewellery (or even prohibiting it) and many religions have edicts against excessive display. Islam, for instance, considers the wearing of gold by men as Haraam.[20] The majority of Islamic jewellery was in the form of bridal dowries, and traditionally was not handed down from generation to generation; instead, on a woman's death it was sold at the souk and recycled or sold to passers-by. Islamic jewellery from before the 19th century is thus exceedingly rare.[21]
Some Christian denominations forbid the use of jewellery by both men and women, including Amish-Mennonites and Holiness churches. The New Testament of the Bible gives injunctions against the wearing of gold, in the writings of the apostles Paul and Peter, and Revelations, describes "the great whore", or false religious system, as being "decked with gold and precious stones and pearls, having a golden cup in her hand." (Rev. 17:4)
History
[edit]The history of jewellery is long and goes back many years, with many different uses among different cultures. It has endured for thousands of years and has provided various insights into how ancient cultures worked.
Prehistory
[edit]The earliest known Jewellery was actually created not by humans (Homo sapiens) but by Neanderthal living in Europe. Specifically, perforated beads made from small sea shells have been found dating to 115,000 years ago in the Cueva de los Aviones, a cave along the southeast coast of Spain. Later in Kenya, at Enkapune Ya Muto, beads made from perforated ostrich egg shells have been dated to more than 40,000 years ago. In Russia, a stone bracelet and marble ring are attributed to a similar age.[22]
Later, the European early modern humans had crude necklaces and bracelets of bone, teeth, berries, and stone hung on pieces of string or animal sinew, or pieces of carved bone used to secure clothing together. In some cases, jewellery had shell or mother-of-pearl pieces. A decorated engraved pendant (the Star Carr Pendant) dating to around 11,000 BC, and thought to be the oldest Mesolithic art in Britain, was found at the site of Star Carr in North Yorkshire in 2015.[23] In southern Russia, carved bracelets made of mammoth tusk have been found. The Venus of Hohle Fels features a perforation at the top, showing that it was intended to be worn as a pendant.
Around seven-thousand years ago, the first sign of copper jewellery was seen.[8] In October 2012 the Museum of Ancient History in Lower Austria revealed that they had found a grave of a female jewellery worker – forcing archaeologists to take a fresh look at prehistoric gender roles after it appeared to be that of a female fine metal worker – a profession that was previously thought to have been carried out exclusively by men.[24]
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String of beads; 3650-3100 BC; lapis lazuli (the blue beads) and travertine (the white beads) (Egyptian alabaster); length: 4.5 cm; by Naqada II or Naqada III cultures; Metropolitan Museum of Art (New York City)
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String of beads; 3300-3100 BC; carnelian, garnet, quartz and glazed steatite; length: 20.5 cm; by Naqada III culture Metropolitan Museum of Art
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Armlet with sun symbol; 16th-13th century BC (late Bronze Age); bronze; German National Museum (Nürnberg)
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Necklace; probably 2600-1300 BC; carnelian, bone and stone; from Saruq Al Hadid (the United Arab Emirates)
Egypt
[edit]The first signs of established jewellery making in Ancient Egypt was around 3,000–5,000 years ago.[25] The Egyptians preferred the luxury, rarity, and workability of gold over other metals. In Predynastic Egypt jewellery soon began to symbolise political and religious power in the community. Although it was worn by wealthy Egyptians in life, it was also worn by them in death, with jewellery commonly placed among grave goods.
In conjunction with gold jewellery, Egyptians used coloured glass, along with semi-precious gems. The colour of the jewellery had significance. Green, for example, symbolised fertility. Lapis lazuli and silver had to be imported from beyond the country's borders.
Egyptian designs were most common in Phoenician jewellery. Also, ancient Turkish designs found in Persian jewellery suggest that trade between the Middle East and Europe was not uncommon. Women wore elaborate gold and silver pieces that were used in ceremonies.[25]
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Pectoral (chest jewellery) of Tutankhamun; 1336–1327 BC (Reign of Tutankhamun); gold, silver and meteoric glass; height: 14.9 cm (5.9 in); Egyptian Museum (Cairo)
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Pendant; circa 1069 BC; gold and turquoise; overall: 5.1 x 2.3 cm; Cleveland Museum of Art (Cleveland, USA)
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Signet ring; 664–525 BC; gold; diameter: 3 × 3.4 cm; British Museum (London)
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Pectoral and necklace of Princess Sithathoriunet; 1887–1813 BC; gold, carnelian, lapis lazuli, turquoise, garnet & feldspar; height of the pectoral: 4.5 cm (1.8 in); Metropolitan Museum of Art (New York City)
Europe and the Middle East
[edit]Mesopotamia
[edit]![](http://upload.wikimedia.org/wikipedia/commons/thumb/6/6a/Headdress_MET_DP226592_%28cropped%29.jpg/220px-Headdress_MET_DP226592_%28cropped%29.jpg)
By approximately 5,000 years ago, jewellery-making had become a significant craft in the cities of Mesopotamia. The most significant archaeological evidence comes from the Royal Cemetery of Ur, where hundreds of burials dating 2900–2300 BC were unearthed; tombs such as that of Puabi contained a multitude of artefacts in gold, silver, and semi-precious stones, such as lapis lazuli crowns embellished with gold figurines, close-fitting collar necklaces, and jewel-headed pins. In Assyria, men and women both wore extensive amounts of jewellery, including amulets, ankle bracelets, heavy multi-strand necklaces, and cylinder seals.[26]
Jewellery in Mesopotamia tended to be manufactured from thin metal leaf and was set with large numbers of brightly coloured stones (chiefly agate, lapis, carnelian, and jasper). Favoured shapes included leaves, spirals, cones, and bunches of grapes. Jewellers created works both for human use and for adorning statues and idols. They employed a wide variety of sophisticated metalworking techniques, such as cloisonné, engraving, fine granulation, and filigree.[27]
Extensive and meticulously maintained records pertaining to the trade and manufacture of jewellery have also been unearthed throughout Mesopotamian archaeological sites. One record in the Mari royal archives, for example, gives the composition of various items of jewellery:
* 1 necklace of flat speckled chalcedony beads including: 34 flat speckled chalcedony bead, [and] 35 gold fluted beads, in groups of five.
- 1 necklace of flat speckled chalcedony beads including: 39 flat speckled chalcedony beads, [with] 41 fluted beads in a group that make up the hanging device.
- 1 necklace with rounded lapis lazuli beads including: 28 rounded lapis lazuli beads, [and] 29 fluted beads for its clasp.[28]
Greece
[edit]![](http://upload.wikimedia.org/wikipedia/commons/thumb/e/eb/Archaeological_museum%2C_Athens_%284976534238%29.jpg/220px-Archaeological_museum%2C_Athens_%284976534238%29.jpg)
The Greeks started using gold and gems in jewellery in 1600 BC, although beads shaped as shells and animals were produced widely in earlier times. Around 1500 BC, the main techniques of working gold in Greece included casting, twisting bars, and making wire.[30] Many of these sophisticated techniques were popular in the Mycenaean period, but unfortunately this skill was lost at the end of the Bronze Age. The forms and shapes of jewellery in ancient Greece such as the armring (13th century BC), brooch (10th century BC) and pins (7th century BC), have varied widely since the Bronze Age as well. Other forms of jewellery include wreaths, earrings, necklace and bracelets. A good example of the high quality that gold working techniques could achieve in Greece is the 'Gold Olive Wreath' (4th century BC), which is modeled on the type of wreath given as a prize for winners in athletic competitions like the Olympic Games. Jewellery dating from 600 to 475 BC is not well represented in the archaeological record, but after the Persian wars the quantity of jewellery again became more plentiful.[31] One particularly popular type of design at this time was a bracelet decorated with snake and animal-heads Because these bracelets used considerably more metal, many examples were made from bronze. By 300 BC, the Greeks had mastered making coloured jewellery and using amethysts, pearl, and emeralds. Also, the first signs of cameos appeared, with the Greeks creating them from Indian Sardonyx, a striped brown pink and cream agate stone. Greek jewellery was often simpler than in other cultures, with simple designs and workmanship. However, as time progressed, the designs grew in complexity and different materials were soon used.
Jewellery in Greece was hardly worn and was mostly used for public appearances or on special occasions. It was frequently given as a gift and was predominantly worn by women to show their wealth, social status, and beauty. The jewellery was often supposed to give the wearer protection from the "Evil Eye" or endowed the owner with supernatural powers, while others had a religious symbolism. Older pieces of jewellery that have been found were dedicated to the Gods.
They worked two styles of pieces: cast pieces and pieces hammered out of sheet metal. Fewer pieces of cast jewellery have been recovered. It was made by casting the metal onto two stone or clay moulds. The two halves were then joined together, and wax, followed by molten metal, was placed in the centre. This technique had been practised since the late Bronze Age. The more common form of jewellery was the hammered sheet type. Sheets of metal would be hammered to thickness and then soldered together. The inside of the two sheets would be filled with wax or another liquid to preserve the metal work. Different techniques, such as using a stamp or engraving, were then used to create motifs on the jewellery. Jewels may then be added to hollows or glass poured into special cavities on the surface.
The Greeks took much of their designs from outer origins, such as Asia, when Alexander the Great conquered part of it. In earlier designs, other European influences can also be detected. When Roman rule came to Greece, no change in jewellery designs was detected. However, by 27 BC, Greek designs were heavily influenced by the Roman culture. That is not to say that indigenous design did not thrive. Numerous polychrome butterfly pendants on silver foxtail chains, dating from the 1st century, have been found near Olbia, with only one example ever found anywhere else.[32]
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The Bee Pendant, an iconic Minoan jewel; 1700-1600 BC; gold; width: 4.6 cm; from Chrysolakkos (gold pit) complex at Malia; Archaeological Museum of Heraklion (Heraklion, Greece)[33][34]
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Mycenaean necklace; 1400-1050 BC; gilded terracotta; diameter of the rosettes: 2.7 cm, with variations of circa 0.1 cm, length of the pendant 3.7 cm; Metropolitan Museum of Art (New York City)
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The Ganymede Jewellery; circa 300 BC; gold; various dimensions; provenance unknown (said to have been found near Thessaloniki (Greece)); Metropolitan Museum of Art
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Necklace; circa 200 BC; gold, moonstone, garnet, emerald, cornelian, baroque pearl and banded agate; overall: 39.4 cm; Cleveland Museum of Art (Cleveland, USA)
Etruscan
[edit]References
[edit]- ^ Study reveals 'oldest jewellery', BBC News, June 22, 2006.
- ^ jewel. (n.d.). Dictionary.com Unabridged (v 1.1). Retrieved on August 7, 2007, from the Dictionary.com website.
- ^ see American and British spelling differences
- ^ Kunz, PhD, DSc, George Frederick (1917). Magic of Jewels and Charms. John Lippincott Co.
{{cite book}}
: CS1 maint: multiple names: authors list (link) URL: Magic Of jewels: Chapter VII Amulets George Frederick Kunz, a gemmologist for Tiffany's, built the collections of banker J.P. Morgan and of the American Natural History Museum in New York City. This chapter deals entirely with using jewels and gemstones in jewellery for talismanic purposes in Western cultures. - ^ Manutchehr-Danai, Mohsen, ed. (2009). "magical jewelry". Dictionary of Gems and Gemology. Berlin: Springer. doi:10.1007/978-3-540-72816-0. ISBN 978-3-540-72795-8.
magical jewelry [...] articles of jewelry worn for their magical belief, medicinal powers, or superstitions reasons.
- ^ "BBC - History - Ancient History in depth: Viking Money". Retrieved 2017-11-10.
- ^ Web Team, Victoria and Albert Museum, Online Museum (2011-01-13). "Trade Beads". www.vam.ac.uk. Retrieved 2017-11-10.
{{cite web}}
: CS1 maint: multiple names: authors list (link) - ^ a b Holland, J. 1999. The Kingfisher History Encyclopedia. Kingfisher books.
- ^ Morris, Desmond. Body Guards: Protective Amulets and Charms. Element, 1999, ISBN 1-86204-572-0.
- ^ McCreight, Tim. Jewelry: Fundamentals of Metalsmithing. Design Books International, 1997 ISBN 1-880140-29-2
- ^ "Home – GIA.edu" (PDF). gia.edu. Archived from the original (PDF) on 2007-09-26.
- ^ Pliny. Natural History XXXVI, 15
- ^ "Natural Diamond: World Production, By Country And Type". indexmundi.com.
- ^ "Diamonds Are a Girl's Worst Friend: The trouble with engagement rings." by Meghan O'Rourke at Slate.com on June 11, 2007
- ^ "What is a Solitaire Setting". GIA.edu. Gemological Institute of America. 6 June 2012. Retrieved 21 December 2019.
- ^ "What does solitaire ring look like?". TIDAN. tidanapp.com. Retrieved 6 May 2020.
- ^ Nassau, K. (1980).Gems made by man. ISBN 0-8019-6773-2
- ^ Pliny the Elder. The Natural History. ed. John Bostock, Henry Thomas Riley, Book XXXIII The Natural History of Metals Online at the Perseus Project Chapter 4. Accessed July 2006
- ^ Howard, Vicky. "A real Man's Ring: Gender and the Invention of Tradition." Journal of Social History, Summer 2003, pp 837–856.
- ^ Yusuf al-Qaradawi. The Lawful and Prohibited in Islam (online)
- ^ Greenbaum, Toni. "SILVER SPEAKS: TRADITIONAL JEWELRY FROM THE MIDDLE EAST". Metalsmith, Winter2004, Vol. 24, Issue 1, p.56. Greenbaum provides the explanation for the lack of historical examples
- ^ "Stone Bracelet May Have Been Made by Denisovans". 2015.
A stone bracelet unearthed in Denisova Cave in the Altai Mountains of Siberia in 2008 is being called the oldest-known jewelry of its kind. Anatoly Derevyanko, director of the Russian Academy of Sciences' Institute of Archaeology and Ethnography, and the research team believe that the cave's Denisovan layers were uncontaminated by human activity from a later period. The soil around the two fragments of the jewelry piece was dated with oxygen isotopic analysis to 40,000 years ago. "In the same layer, where we found a Denisovan bone, were found interesting things; until then it was believed these were the hallmark of the emergence of Homo sapiens. First of all, there were symbolic items, such as jewelry, including the stone bracelet as well as a ring, carved out of marble," Derevyanko told The Siberian Times
- ^ Milner, Nicky (2016). "A Unique Engraved Shale Pendant from the Site of Star Carr: the oldest Mesolithic art in Britain" (PDF). Internet Archaeology (40). doi:10.11141/ia.40.8.
- ^ The Austrian Independent News and Pictures. "Cavewoman jeweller rewrites gender history". austrianindependent.com. Archived from the original on 2012-10-07. Retrieved 2012-10-05.
- ^ a b Reader's Digest Association. 1986. The last 2 million years. Reader's Digest. ISBN 0-86438-007-0
- ^ Nemet-Nejat, Daily Life, 155–157.
- ^ Nemet-Nejat, Daily Life, 295–297.
- ^ Nemet-Nejat, Daily Life, 297.
- ^ Smith, David Michael (2017). Ancient Greece Pocket Museum. Thames and Hudson. p. 251. ISBN 978-0-500-51958-5.
- ^ Jewellery Through 7000 Years. British Museum Publications. 1976. pp. 65–86. ISBN 978-0-7141-0054-8.
- ^ Deppert-Lippitz, Barbara; Bromberg, Anne R.; Dennis, John (1996). "Ch. 4 Europe and Western". Ancient Gold Jewelry at the Dallas Museum of Art. Dallas Museum of Art. pp. 88–89. ISBN 978-0-936227-19-1.
- ^ Treister, Mikhail (2004). "Polychrome Necklaces from the Late Hellenistic Period". Ancient Civilizations from Scythia to Siberia. 10 (3): 199–257. doi:10.1163/1570057042596388.
- ^ Smith, David Michael (2017). Ancient Greece Pocket Museum. Thames and Hudson. p. 79. ISBN 978-0-500-51958-5.
- ^ Nelson, E. C., Mavrofridis, G., & Anagnostopoulos, I. T. (2020). NATURAL HISTORY OF A BRONZE AGE JEWEL FOUND IN CRETE: THE MALIA PENDANT. The Antiquaries Journal, 1–12. http://doi.org/10.1017/S0003581520000475
External links
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