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From today's featured article
[[File:|180px|Ceilings of the Central Hall at the Natural History Museum, London ]]
The decorated ceilings of the Natural History Museum in South Kensington, London, were designed by the museum's architect Alfred Waterhouse, and were unveiled at the building's opening in 1881. The ceiling of the large Central Hall (pictured) consists of 162 panels, 108 of which depict plants considered significant to the history of the museum, to the British Empire or to the museum's visitors. The remaining 54 are highly stylised decorative botanical paintings. The ceiling of the smaller North Hall consists of 36 panels, 18 of which depict plants growing in the British Isles. Both ceilings make extensive use of gilding for visual effect. Built of lath and plaster to save costs, the ceilings are unusually fragile and require extensive maintenance and restoration. Since 2016 the skeleton of a blue whale has been suspended from the ceiling of the Central Hall. (Full article...)
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On this daySeptember 19: International Talk Like a Pirate Day
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W. S. Gilbert (1836–1911) was an English dramatist, librettist and illustrator best known for his fourteen comic operas produced in collaboration with the composer Arthur Sullivan. The most popular Gilbert and Sullivan collaborations include H.M.S. Pinafore, The Pirates of Penzance and The Mikado, one of the most frequently performed works in the history of musical theatre. These Savoy operas continue to be performed regularly today throughout the English-speaking world and beyond. Gilbert's creative output included more than 75 plays and libretti, numerous stories, poems, lyrics and various other comic and serious pieces. His plays and realistic style of stage direction inspired other dramatists, including Oscar Wilde and George Bernard Shaw, and his comic operas inspired the development of American musical theatre, especially influencing Broadway writers. The journalist Frank M. Boyd wrote of Gilbert: "Till one actually came to know the man, one shared the opinion ... that he was a gruff, disagreeable person; but nothing could be less true of the really great humorist. He had ... precious little use for fools ... but he was at heart as kindly and lovable a man as you could wish to meet." This cabinet card of Gilbert was produced by the photographic studio Elliott & Fry around 1882–1883. Photograph credit: Elliott & Fry; restored by Adam Cuerden
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