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User:Dmmaus/sandbox/Bop City

Coordinates: 37°47′09″N 122°25′46″W / 37.7857°N 122.4294°W / 37.7857; -122.4294
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Bop City
The house formerly occupied by Bop City, now located at 1712 Fillmore Street.
Map
Location1690 Post Street
San Francisco, California, United States
Coordinates37°47′09″N 122°25′46″W / 37.7857°N 122.4294°W / 37.7857; -122.4294
OwnerJim "Jimbo" Edwards
TypeNightclub
Genre(s)Jazz, Bebop
Opened1949
Closed1965
Post Street in 1942, showing the house later occupied by Bop City (with sign "Nippon Drug Co."). Photo: Dorothea Lange

Bop City (also known as Jimbo's Bop City) was a jazz club in San Francisco from 1949 to 1965, situated at 1690 Post Street. It was known for live performances of artists such as Billie Holiday, Louis Armstrong, Chet Baker, and Charlie Parker, being one of the most famous jazz clubs of its time.[1]

History

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The Bop City jazz club was one of the best-known jazz venues in San Francisco in the 1950s. It was located at 1690 Post Street in the Fillmore/Western Addition district between Laguna Street and Buchanan Street, a heavily African-American neighborhood after the internment of Japanese Americans during the World War II.[2]

Sarah Vaughan, ca. 1946.
Photo: William P. Gottlieb

While modern jazz, whether in the form of swing or bebop, was popular on Los Angeles' Central Avenue, San Francisco was at the time a haven of traditional jazz (also known as Dixieland). In the 1940s and early 1950s, the Bay Area scene was dominated by Dixieland revival bands such as Lu Watters' Yerba Buena Jazz Band.[3] In the late 1940s, however, new clubs emerged in the Tenderloin and North Beach districts, which changed the music scene in the city.[4]

Bop City emerged from the short-lived club Vout City, run by Slim Gaillard on the same premises. Gaillard moved to Los Angeles, leaving the venue to Charles Sullivan, an African-American entrepreneur. Sullivan acquired the building and rented it to John "Jimbo" Edwards (1913-2000)[5], who initially only wanted to open a cafe called Jimbo's Waffle Shop. At the insistence of musicians, Edwards created a function room with a stage in a larger back room, which soon became popular as Bop City. The name was adopted after the closure of a club of the same name in New York City.

The San Francisco club opened in late March, 1949, with a concert by the Dizzy Gillespie Orchestra and Sarah Vaughan.[6] Bop City was best known for its nocturnal jam sessions and parties, as the club only opened at 2:00 am and stayed open until 6:00 am, when all other restaurants and clubs were closed.

Pony Poindexter described the scene:

One night, or should I say one morning, Art Tatum was honored with a special party at Bop City. There was lots of food... Up on the piano were cases of liquor. After everyone had stuffed himself or herself, we all settled back to look and listen to some real piano playing. Still, several hours went by and no one moved. It was daybreak. No one moved. Finally it came to an end. When I left there, I was spent -- both from playing and listening…The very next weekend we had at Bop City the big three trumpet players of the bop style: Dizzy Gillespie, Miles Davis, and Kenny Dorham. Dexter [Gordon] was also there. The session went on til early noon the next day. Jimbo honored them all with a special dinner. The next week the Woody Herman band came to into town, and there was another party for them. That night we heard Stan Getz and Zoot Sims stretch out.[7]

Artists who played at Bop City include: Duke Ellington, Ben Webster, Billy Eckstine, Miles Davis, Count Basie, Billie Holiday, Dinah Washington, John Coltrane (in October 1950[8]) and Dewey Redman.[9] The saxophonist John Handy, who later played with Charles Mingus, began here his career as a house musician and jammed with Benny Bailey, Kenny Dorham and Paul Gonsalves.[7][10] Other house musicians were the bassists Terry Hilliard and Teddy Edwards.[11] The first musicians to play at Bop City included Jimmy Heath, Milt Jackson, Roy Porter, Howard Jeffries, Sonny Criss, and Hampton Hawes.[12][13]

Bop City was the site of the only meeting between Louis Armstrong and Charlie Parker. The trumpeter had come to the club after a concert of his own, to find that Parker was playing.[14] The club's clientele also included the young Clint Eastwood as well as celebrities and Hollywood stars such as Joe Louis, Marilyn Monroe, Kim Novak, and Sammy Davis Jr.[15][16]

Art Tatum, Vogue Room, NYC, 1948.
Photo: William P. Gottlieb

The club also attracted writers such as Jack Kerouac, and artists. The painter and film maker Harry Everett Smith painted the walls with abstract motifs and created a light show that ran to the music of Dizzy Gillespie and Thelonious Monk.[17] Admission was only $1, and musicians came in for free, but Jimbo Edwards always chose who he let in and who he did not:

We don't allow no squares in Bop City. If you don't understand what we doin', then leave and don't come back.[5]

The singer Mary Stallings commented on the atmosphere from the African-American perspective:

It's such a spiritual music, it really binds people together. And for that time, people that had any kind of prejudice or any kind of hang-ups, they don't even feel it. They'll sit next to each other, drink out of the same glass and won't feel a thing. I mean, that's from the heart.[18]

Closure and legacy

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In 1965 Jimbo Edwards had to close the club, shortly after other well-known jazz clubs like the Black Hawk and Say When had ceased their activities.[18]

As part of the urban renewal work in the district during the mid-1970s, the Victorian house that housed Jimbo's Waffle Shop was moved two blocks west to 1712 Fillmore Street[19]; however the back room where Bop City was located fell victim to the demolition.[20] The house was occupied by Marcus Books, the oldest African-American bookseller in the US, from 1980 to 2014.[21]

Carol P. Chamberland filmed the 1998 documentary The Legend of Bop City, about the club, starring Dick Berk, Jimbo Edwards, and Teddy Edwards.[22] John "Jimbo" Edwards died in April 2000 at the age of 87.[23]

On 13 February, 2014, the city of San Francisco designated the house at 1712 Fillmore Street as a San Francisco Designated Landmark, for being the site of both Bop City and Marcus Books.[21]

References

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  1. ^ Don Alberts: The Rushing from Google Books
  2. ^ Guidespot: Finding Chet Baker In San Francisco (2009)
  3. ^ Dirk Sutro: Jazz for Dummies
  4. ^ Carol P. Chamberland: The House That Bop Built
  5. ^ a b Carol Chamberland: Jimbo Edwards - In Remembrance
  6. ^ Billboard Apr 2, 1949
  7. ^ a b Music of the Fillmore - Scene
  8. ^ Lewis Porter: John Coltrane: his life and music
  9. ^ Alan B. Govenar: Texas blues: the rise of a contemporary sound
  10. ^ Texas Monthly Jul 1983 - Jazz in Camouflage - John Handy-Porträt von Doug Ramsey
  11. ^ Playing On the Streets to a Different Tune - The Forgotten Street (Mai 2011)
  12. ^ Roy Porter, David Keller: There and Back
  13. ^ Jimmy Heath, Joseph McLaren: I walked with giants: the autobiography of Jimmy Heath
  14. ^ Rand Richards: Historic Walks in San Francisco: 18 Trails Through the City's Past
  15. ^ Joel Selvin: The Chronicle's Bay Area Musical History Tour (2009) in SFGate
  16. ^ The Fillmore Museum
  17. ^ Paul J. Karlstrom, Archives of American Art, Smithsonian Institution, Fine Arts Museums of San Francisco: On the edge of America: California modernist art, 1900-1950
  18. ^ a b Carol Chamberland: Jimbo's Bop City in The House That Bop Built, California History Magazine, Spring 1997
  19. ^ see Reflecting on the Past, Embracing the Future Heritage News 39 (3) (PDF; 9.9 MB) as well as Landmark Designation Work Program
  20. ^ Rand Richards: Historic Walks in San Francisco: 18 Trails Through the City's Past in Google Books
  21. ^ a b "Marcus Books/Jimbo's Bop City Landmark Designation Report" (PDF). San Francisco Planning Department. Retrieved 8 February 2018.
  22. ^ The Legend of Bop City at IMDb
  23. ^ Obituary, San Francisco Gate
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Work in progress, translating from German Wikipedia article with help from Google Translate