User:JohnDVandevert
General
[edit]![](http://upload.wikimedia.org/wikipedia/commons/thumb/c/cb/Uppsala_universitet_logo.jpg/220px-Uppsala_universitet_logo.jpg)
Hello, I am John David Vandevert, a doctoral student at Uppsala University studying musicology. My research theme is 1990s rap in Russia and the aestheticization of the Russian identity and the concept of "Russianness." I have written previously on the censorship of rap in Russia with The Conversation and write regularly for the publication OperaWire. Normally, I edit articles and create articles related to my research, opera, and an eclectic array of musical topics and concepts. I had my first article published with the Journal of Popular Music (2024) and you are more than welcome to email me for a copy if you'd like!
My main goal is rennovate the Russian hip hop article in order to incorporate more of the history, as the concept of Hip Hop culture in Russia is more than the essential four elements but rather: Breaking, Mcing, Djing, skateboarding, breaking, and graffiti. I also am invested in translating articles from Russian to English based on topics connected to Hip Hop in Russia (e.g., Slovetsky, Husky, and Oxxxymiron). I am also invested in translating articles on Russian composers and musicians into English.
Previous Education
[edit]I gained my B.A. in Vocal Performance from Westminster Choir College of Rider University. Following my graduation, I pursued a M.A. in musicology from the University of Bristol, gaining a merit for my thesis, "A Contemporary Analysis of “Musical Russianness" as evidenced in Husky’s Album “Hoshkhonog” (2020)." I am now pursuing my doctoral degree from Uppsala University and will be completed in 2027 (2028 if I begin teaching). I plan to pursue a second Ph.D. and postdoctoral studies.
Links for Research
[edit]- Rhyme scheme
- An Introduction to Rhyme
- https://www.loske.org/html/school/english/rhyme.pdf
- http://trobar.org/prosody/prhy.php
- https://helda.helsinki.fi/server/api/core/bitstreams/c90511d5-44e4-40e1-8605-eceaf5e5df9c/content
Favorite Books, Plays, Monographs, etc.
[edit]Date | Title | Author | Theme | Read
Watched |
---|---|---|---|---|
1968 | The Visible and Invisible | Merleau-Ponty | Phenomenology | |
1927 | Steppenwolf (novel) | Herman Hesse | Philosophical Fiction | ✔️ |
1941 | The Stranger | Alfred Camus | Philosophical Fiction | ✔️ |
2001 | Towards a Theory of Musical Reproduction | T. Adorno | Musical reproduction | |
1991 | What Is Philosophy | Deleuze and Guattari | Philosophy | |
340 BC | Nicomachean Ethics | Aristotle | Ethics | |
1854 | Walden | Henry David Thorbeau | Self-Investigation | |
2010 | After Pluralism: Reimagining Religious Engagement | Bender and Klassen, eds. | Religion | |
2020 | Late Stalinism: The Aesthetics of Politics | Evgeny Dobrenko | Late Soviet Russia | |
2006 | A Companion To Kant | Graham Bird et al. | Kantian Philosophy | |
2003 | Prokofiev: from Russia to the West, 1891-1935 | David Nice | Soviet Music | |
1873 | A Season in Hell | Arthur Rimbaud | French Prose | |
2015 | Transformations of Musical Modernism | Erling E. Guldbrandsen and Julian Johnson | Musical Modernism | |
2015 | Like a Bomb Going Off: Leonid Yakobson and Ballet as Resistance in Soviet Russia | Janice Ross | Soviet Ballet | |
2023 | On Minimalism: Documenting a Musical Movement | William Robin and Kerry O'Brien | Minimalism | |
2024 | (Counter-)Archive: Memorial Practices of the Soviet Underground | Smola et al. | Soviet Underground | |
1923 | The Prophet (book) | Kahil Gibran | Religious Fiction | |
2021 | Chronicling Stankonia: The Rise of the Hip-Hop South | Regina Bradely | Hip Hop | |
2017 | Break Beats in the Bronx: Rediscovering Hip-Hop's Early Years | Joseph Ewoodzie Jr. | Hip Hop | |
1962 | Expositions and Developments | Stravinsky and Craft | Russian Music | |
2004 | Making beats: The art of sample-based hip-hop | Joseph Schloss | Hip Hop studies | ✔️ |
1935 | The Trojan War Will Not Take Place | Jean Giradoux | French play | |
1997 | Gay Science | Timothy Murphy | Philosophy | |
1988 | Homosexuality: A Philosophical Inquiry | Michael Ruse | Philosophy | |
1995 | Women in Ancient Greece | Sue Blundell | Greek Life | |
1913 | Euripides and His Age | Gilbert Murray | Greek Theatre | |
2010 | The Art of Ancient Greek Theater | Hart and Walton | Greek Theatre | |
2014 | After the Rite: Stravinsky's Path to Neoclassicism (1914-1925) | Maureen Car | Russian Music | |
1961 | The Wretched of the Earth | Frantz Fanon | Postcolonial Studies | |
1998 | Вам что,наша власть не нравится | Anatoli Bobrovsky | Russian Film | |
2025 | Wittgenstein and Classical German Philosophy | Berg and Kaidalov | Philosophy | |
2024 | Representing Hip Hop Histories, Politics and Practices in Australia | Sudiipta Dowset et al., eds. | Hip Hop Studies | |
2021 | Analytical Approaches to 20th-Century Russian Music | I. Bazayev et al, eds. | Music Theory | |
2023 | A Gift of Geology: Ancient Egyptian Landscapes and Monuments | Colin Reader | Egyptology | |
2019 | A War of Songs: Popular Music and Recent Russia-Ukraine Relations | Y. Steinholt et al. | Russian Studies | |
1725 | Gradus ad Parnassum | Johann J. Fux | Music Theory | |
2017 | Rethinking Mahler | Jeremy Barham | Musicology | |
1978 | Myth and Music | Eero Tarasti | Musicology | |
2000
2009 |
Mind Manipulation
Mind Manipulation 2 |
Sergey Kara-Murza | Sociology | |
2024 | The Oxford Handbook of Soviet Underground Culture | Mark Lipovetsky et al., ed. | Soviet Studies | |
2008 | On Russian Music | Richard Taruskin | Russian Musicology | ✔️ |
2016 | Russian Music at Home and Abroad | Richard Taruskin | Russian Musicology | ✔️ |
2011 | Before the Pyramids: The Origins of Egyptian Civilization | Emily Teeter, ed. | Egyptology | |
1986 | Misunderstanding Media | Brian Winston | Media Studies | |
2003 | Philosophical Foundations for a Christian Worldview | William Craig | Theological Philosophy | |
1994 | Black Noise | Tricia Rose | Hip Hop Studies | ✔️ |
1948 | The White Goddess | Robert Graves | Literary Criticism | ✔️ |
2023 | Global Hiphopography | Quentin Williams
Jaspal Singh |
Hip Hop Studies | ✔️ |
2002 | The Hood Comes First | Murray Forman | Hip Hop Studies | ✔️ |
2014 | Not Russian Enough?: Nationalism and Cosmopolitanism in
Nineteenth-Century Russian Opera |
Rutger Helmers | Russian musicology | ✔️ |
2018 | Hip Hop and Hegel | Jim Vernon | Hip Hop Studies | ✔️ |
1986 | Musical Aesthetics: A Historical Reader | Edward Lippman | Musical Aesthetics | |
2008 | The Gospel of Hip Hop | KRS-One | N.A. | ✔️ |
1975 | Against Method | Paul Feyerabend | Epistemology | |
1807 | The Phenomenology of Spirit | George Hegel | Philosophy | ✔️ |
2024 | A New Imperial History of Northern Eurasia, 600-1700 | Ilya Gerasimov et al. | Global History | ✔️ |
1970 | Guidelines For Style Analysis | Jan La Rue | Music Analysis | ✔️ |
1852 | A Sportsman's Sketches | Ivan Turgenev | Russian short story | ✔️ |
2023 | Samuel Barber: His Life and Legacy | Howard Pollack | Musicology | ✔️ |
2020 | Samuel Barber: The Composer and His Music, 2nd Ed. | Barbara Herman | Musicology | ✔️ |
2019 | Russian Opera and the Symbolist Movement | Simon Morrison | Russian Musicology | ✔️ |
1973 | The Gulag Archipelago | Aleksandr Solzhenitsyn | Nonfiction | ✔️ |
1958 | Mikhailovsky and Russian Populism | James H. Billington | Russian Political History | |
1869 | War and Peace | Leo Tolstoy | Russian fiction | ✔️ |
1957 | Atlas Shrugged | Ayn Rand | Philosophical fiction | ✔️ |
1997 | Describing Russia Musically | Richard Taruskin | Russian musicology | ✔️ |
1983 | Analysis And Value Judgment | Carl Dahlhaus | Musical Aesthetics | |
1999 | The Last Ringbearer | Kirill Eskov | Russian fiction | |
2022 | Not Once Inch | M. E. Sarotte | Russian Politics | ✔️ |
1919 | Ten Days That Shook The World | John Reed (journalist) | Russian Politics | ✔️ |
1988 | The Satanic Verses | Salman Rushdie | Philosophical fiction | ✔️ |
2018 | 12 Rules for Life | Jordan Peterson | Self-Help Philosophy | ✔️ |
1935 (Posth.) | Free Composition | Heinrich Schenker | Music Theory | |
2020 | Cursed Questions: On Music and Its Social Practices | Richard Taruskin | Musicology | |
1915 | The Interpretation of The Music From
The 17th and 18th Centuries |
Arnold Dolmetsch | Musical Interpretation | ✔️ |
1949 | The Second Sex | Simone de Beauvoir | Feminist Theory | ✔️ |
2006 | The Death of Postmodernism and Beyond | Alan Kirby | Philosophy | |
2007 | Russian Music and Nationalism: From Glinka to Stalin | Marina Frolova-Walker | Russian musicology | ✔️ |
2014 | Philosophy and Hip-Hop Ruminations on Postmodern Cultural Form | Julius Baily | Hip Hop Studies | |
1866 | Crime and Punishment | Fyodor Dostoevsky | Russian fiction | ✔️ |
1907 | Creative Evolution (book) | Henri Bergson | Metaphysics | ✔️ |
2021 | Sampling, Biting, and the Postmodern Subversion of Hip Hop | Jim Vernon | Hip Hop Studies | |
1984 | The assault on truth: Freud's suppression of the seduction theory | Jeffrey Moussaieff | Psychoanalysis | ✔️ |
2023 | The Callas Imprint: A Centennial Biography | Sophia Lambton | Music History | ✔️ |
1997 | The Rebirth of Politics in Russia | MIchael Urban | Russian Politics | ✔️ |
1981
1991 |
Simulacra and simulation | Jean Baudrillard | Social Philosophy | |
2023 | Z Generation: Into the Heart of Russia's Fascist Youth | Ian Garner | Nonfiction | ✔️ |
2024 | After Disruptio: A Future for Cultural Memory | Trevor Owens | Cultural-Media Studies | |
2024 | From Pushkin to Popular Culture: Essays by Catharine Theimer Nepomnyashchy | Catharine Theimer Nepomnyashchy | Russian Studies | |
408 BC
415 BCE 424 BCE 431 BC |
The Phoenician Women
The Trojan Women |
Euripides | Greek tragedy | ✔️ |
1989 | No Respect: Intellectuals and Popular Culture | Andrew Ross | Media/Cultural Studies | ✔️ |
1854 | On The Musically Beautiful | Eduard Hanslick | Music Philosophy | ✔️ |
161-180 AD | Meditations | Marcus Aurelius | Philosophy | ✔️ |
2024 | Creating the Post-Soviet Russian Market Economy: Through American Eye | Daniel M. Satinsky | Economic Science | |
1934 | ABC of Reading | Ezra Pound | Literary Criticism | ✔️ |
1954 | The destruction of reason | György Lukács | Post-Marxian Philosophy | |
1950 | Style and Idea | Arnold Schoenberg | Music Theory | |
5th Century | Oresteia | Aeschlyus | Greek Theatre | ✔️ |
1st century | Thyestes (Seneca) | Seneca | Greek Theatre | ✔️ |
1945
1949 |
Animal Farm
1984 |
George Orwell | Fiction | ✔️ |
1773-1793 | Beaumarchais's Figaro plays | Pierre Beaumarchais | French plays | ✔️ |
1996 | Thought Styles: Critical Essays on Good Taste | Mary Douglas | Social Science | |
1980 | A Thousand Plateaus | Gilles Deleuze
Félix Guattari |
Philosophy | |
1714 | Monadology | Gottfried Leibniz | Metaphysics | |
2024 | Gadamer, Music, and Philosophical Hermeneutics | Sam McAuliffe | Hermeneutics | |
1964 | Understanding Media: The Extensions of Man | Marshall McLuhann | Media Studies | |
467 BC | Seven Against Thebes (play) | Aeschlyus | Greek tragedy | |
411 BCE | Lysistrata | Aristophanes | Greek comedy | |
62 AD | Octavia (play) | Unknown | Roman tragedy | |
2017 | From Bacteria to Bach and Back | Daniel Dennett | Philosophy | |
2024 | The End of Race Politics: Arguments for a Colorblind America | Coleman Hughes | Political Sociology | |
2001 | Approach to Aesthetics: Collected Papers on Philosophical Aesthetics | Frank Sibley et al. | Aesthetics | |
1992 | The total art of Stalinism: avant-garde, aesthetic dictatorship, and beyond | Boris Groys | Russian Culture Studies | |
2008 | Suicide of Reason: Radical Islam's Threat to the West | Lee Harris | Political Science | |
2023 | Islam: Threat to West, Capitalism and Corporations | Ahmed ElObeidy | Political Science | |
2011 | Radical Islam in the West: Ideology and Challenge | Brian Farmer | Political Science | |
2012 | Song Means: Analysing and Interpreting Recorded Popular Song | Allan Moore | Popular Music Studies | ✔️ |
2023 | Quartet: How Four Women Changed the Musical World | Leah Broad | Music History | |
1908 | The Structure of Musical Speech[1] | Boleslav Yavorksy | Music Theory | |
2018 | The Global Encyclopaedia of Informality | Alena Ledeneva | Cultural/Sociology | |
2023 | One Nation Under Blackmail. Vol. 1 | Whitney Web | American Politics | |
2018 | Multimodality and Aesthetics[2] | Tonnessen and Forgsen | Aesthetics | |
1997 | Beyond All Reason: The Radical Assault on Truth in American Law | Daniel Farber and Susanna Sherry | Political Science | |
2023 | Wagner in Context | David Trippett, ed. | Music History | |
2015 | Must We Mean What We Say? | Stanley Cavell | Philosophy | |
2006 | Folk Music: The Basics | Ronald Cohen | Ethnomusicology | |
1983 | The Invention of Tradition | Eric Hobsbawm and Terence Ranger, ed. | Culture Studies | |
1964 | On Music and Drama | Goldman and Sprinhorn | Music History | |
1851 | Opera and Drama | Richard Wagner | Musical Aesthetics | |
2018 | Music Glocalization: Heritage and Innovation in a Digital Age | David Hebert and Mikolaj Rykowski, eds. | Cultural Studies | |
2024 | (An)Archive: Childhood, Memory, and the Cold War | Zsuzsa Millei et al. | Post-Socialist Studies | |
2010 | The Anthology of Rap | Adam Bradley and Andrew Dubois | Hip Hop Studies | |
1998 | Classical Form | William Caplin | Music Theory | |
2017 | Posthuman Rap | Justin Burton | Hip Hop Studies | |
2000 | Music in Everyday Life | Tia DeNora | Ethnomusicology | |
1978 | Guide to the Concert: Dictionary of the Most Important Terms and Concepts | Boris Asafiev | Musicology | |
479-424 BC | Prometheus Bound | Aeschlyus | Greek tragedy | ✔️ |
2003 | Death-Devoted Heart: Sex and the Sacred in Wagner's Tristan and Isolde | Roger Scruton | Philosophy | |
1986 | Sexual Desire: A Moral Philosophy of the Erotic | Roger Scruton | Philosophy | |
1962 | Eroticism: Death and Sensuality | Georges Bataille | Philosophy | |
2022 | Dictionary of [Russian] Culture of the 21st Century | - | Social Linguistics | |
2023 | The Russia That We Have Lost: Pre-Soviet Past as Anti-Soviet Discourse | Pavel Khazanov | Russian Studies | |
1893 | Salome | Oscar Wilde | English Play | ✔️ |
1959 | The Possessed | Albert Camus | French Play | |
8 CE | Metamorphoses | Ovid | Roman poem | |
1996 | Metamorphoses | Mary Zimmerman | American play | |
1902 | At The Depths (На Дне) | Maxim Gorky | Russian play | |
1677 | Phèdre | Jean Racine | French play | |
2021 | The Philosopher's Toothache: Embodied Stoicism in Early Modern English Drama | Donovan Sherman | Literary Studies | |
1903 | The Cherry Orchard | Anton Chekhov | Russian play | |
1689 | The Massacre of Paris | Nathaniel Lee | English play | |
1966 | Der Meteor | Friedrich Dürrenmatt | German play | |
1961 | The Physicists | Friedrich Dürrenmatt | German play | |
1997 | Cybertext: Perspectives on Ergodic Literature | Espen J. Aarseth | Literary Studies | |
1979 | What is a Masterpiece? | Kenneth Clark | Aesthetics | |
1592/93 | Doctor Faustus | Christoper Marlow | English play | |
1593 | The Massacre at Paris | Christoper Marlow | English play | ✔️ |
2005 | Critical minded: New approaches to hip hop studies | Ellie M. Hisama (ed) | Hip Hop Studies | |
1996 | Mimesis: Culture Art Society | Gunter Gebauer et al. | Aesthetics | |
1949 | The Hero with a Thousand Faces | Jeffrey Campbell | Cultural Anthropology | |
2001 | Social Outsiders in Nazi Germany | Robert Gellately and Nathan Stoltzfus | Social Historiography | |
2006 | Sankya | Zakhar Prileypin | Russian fiction | ✔️ |
2024 | To the Success of Our Hopeless Cause: The Many Lives of the Soviet Dissident Movement | Benjamin Nathans | Soviet History | |
2013 | The Philosophy of Tragedy: From Plato to Žižek | Julian Young | Philosophy | |
2023 | NEW BRUTALISM: The invention of a style | Silvia Groaz | Architecture | |
2019 | Bach and Mozart: Essays on the Enigma of Genius | Robert Marshall | Musicology | |
2023 | Rhythmicity and Deleuze: Practice as Research in the Musical-Philosophical | Steve Tromans | Musicology | |
2005 | Puccini: His Life and Works | Julian Budden | Musicology | |
2019 | Performing Tsarist Russia in New York: Music, Émigrés, and the American Imagination | Natalie Zelensky | Musicology | |
2022 | Singing Soviet Stagnation: Vocal Cycles from the USSR, 1964–1985 | Richard Gillies | Musicology | |
2017 | Music of the Soviet Era: 1917-1991, Ed.2 | Levon Hakobian | Musicology | |
2015 | Critical Lives: Stravinsky | Jonathan Cross | Musicology | |
1817 | Encyclopedia of the Philosophical Sciences | G. W. F. Hegel | Philosophy | |
1812-1816 | Science of Logic | G. W. F. Hegel | Philosophy | |
2024 | Post graffiti – Simply delivered | Petrograff | Photography | |
2007 | Burnt Cork and Tambourines: A Source Book for Negro Minstrelsy | William Slout | Music History | |
2003 | Khrushchev: The man and his era | William Taubman | Soviet History | |
2010 | Musical Rhythm in the Age of Digital Reproduction | Anna Danielsen | Music Theory | |
2016 | Music Through Fourier Space: Discrete Fourier Transform in Music Theory | Emmanuel Amiot | Music Theory | |
2024 | Political Jouissance | Slavoj Žižek and Nicol A. Barria-Asenjo, ed. | Political Science | |
2012 | Towards a global music theory: Practical concepts and methods for
the analysis of music across human cultures |
Mark Hijleh | Musicology | |
1818 | De l'expression en musique, et de l'imitation dans les arts | Andre Morellet | Aesthetics | |
2005 | Expressive Forms in Brahms's Instrumental Music:
Structure and Meaning in His Werther Quartet |
Peter Smith | Musicology | |
1998 | Analyzing Fugue: A Schenkerian Approach | William Renwick | Music Theory | |
2010 | The Languages of Global Hip Hop | Marina Terkourafi, ed. | Hip Hop Studies | ✔️ |
2005 | Explaining Tonality: Schenkerian Theory and Beyond | Matthew Brown | Music Theory | |
1989 | Afternoon of a Faun: Mallarme, Debussy, Nijinsky | Ann Hutchinson et al. | Musicology | |
2022 | Nothing But Noise: Timbre and Musical Meaning at the Edge | Zachary Wallmark | Music Theory | |
1976 | A history of Uppsala university 1477-1977 | Sten Lindroth | History | |
1967 | Fundamentals of Music Composition | Arnold Schoenberg | Music Theory | |
430 BC | Histories (Herodotus) | Herodotus | Historiography | |
1995 | The Music of the Spheres: Music, Science, and the Natural Order of the Universe | Jamie James | Philosophy | |
2002 | Contemporary Music Notation. Semiotic and Aesthetic Aspects | Andrea Valle | Musicology | |
2010 | When Opera Meets Film | Marcia Citron | Cinema Studies | |
2024 | God After Deconstruction | Thomas Jay Oord, and Tripp Fuller | Theology | |
(BC) 2100-1200 | Epic of Gilgamesh | - | Sumerian mythology | |
1806 | Ideen zu einer Ästhetik der Tonkunst[3] | Christian Schubart | Music Theory | |
2002 | A History of Key Characteristics in the Eighteenth and Early Nineteenth Centuries | Rita Steblin | Music Theory | |
2020 | Routledge Handbook of Conspiracy Theories | Michael Butter, Peter Knight, ed. | Cultural Studies | |
2022 | Stalin Era Intellectuals: Culture and Stalinism | E. Viljanen & V. Oittinen, eds. | Soviet Culture | |
2020 | The Palgrave Hegel Handbook | Marina F. Bykova, Kenneth R. Westphal, eds. | Philosophy | |
2024 | Artificial Intelligence – Intelligent Art? Human-Machine Interaction and Creative Practice | Eckart Voigts et al., eds. | Musicology | |
1976 | Structural Functions in Music | Wallace Berry | Music Theory | |
1995 | Music and Conceptualization | Mark DeBellis | Musicology | |
1994 | Musical Meaning and Expression | Stephen Davies | Philosophy | |
2017 | Alfred Hitchcock's Vertigo and the Hermeneutic Spiral | Robert Belton | Philosophy | |
1999 | Disagreement: Politics and Philosophy | Jacques Ranciere | Political Philosophy | |
2018 | Musical Aesthetics: An Introduction to Concepts, Theories, and Function | Jonathan L. Friedmann | Musicology | |
2004 | Bad Music: The Music We Love To Hate | Washenburne, C. and M. Derno | Popular Music Studies | |
2006 | The Dawn of Indian Music in the West | Peter Lavezzoli | Musicology | |
1957 | Problems of Art | Susanne Langer | Aesthetics | ✔️ |
1909 | Manifesto of Futurism | Filippo T. Marinetti | Futurism | |
1913 | The Art of Noises | Luigi Russolo | Futurism | |
1915 | The Non-Objective World: The Manifesto of Suprematism | Kazmir Malevich | Suprematism | |
1957 | Man and His Music: Romanticism and the 20th Cneutry | Wilfrid Mellers | Music History | ✔️ |
2003 | Homosexuality in Greece and Rome: A Sourcebook of Basic Documents | Thomas Hubbard | Greek History | |
1882 | Oahspe: A New Bible | John Ballou Newbrough | ||
1924/5 | The Urantia Book | - | ||
2024 | The Blind Spot: Why Science Cannot Ignore Human Experience | Frank et al. | Philosophy | |
2006 | Eighteenth-Century Russian Music | Marina Ritzarev | Russian Music | |
2017 | The Rite At 100 | Neff et al. | Russian Music | |
1991 | Modernism as a Philosophical Problem On the Dissatisfactions of European High Culture | Robert Pippin | Postmodernism | |
2024 | Academic Freedom in Higher Education: Core Value or Elite Privilege? | Maria Slowly and Richard Taylor | Academic Freedom | |
1990 | Music and discourse: Toward a semiology of music | Jean-Jacques Nattiez | Musical Semiology | |
2009 | The Beauty of Belaieff: An Annotated Pictorial History of a 19th Century Russian Music Publisher and His Era | Richard Beattie Davis | Russian Music Publishing | |
1979 | Testimony (Volkov book) | Solomon Volkov | Russian Music | |
2000 | Pragmatist Aesthetics: Living Beauty, Rethinking. Art | Richard Shusterman | Aesthetics | |
2017 | Contemporary Music and Spirituality | Sholl and Maas | Musicology | |
2023 | Handbook of Post-Western Sociology: From East Asia to Europe | Roulleau-Berger et al. | Sociology | |
1967 | Modern Russian composers | Leonid Sabaneyev | Russian Music | |
2010 | Dissensus: on politics and aesthetics | Jacques Ranciere | Aesthetics |
Favorite Pieces of Music
[edit]Composer | Composition | Date | Location (Premiere) | Notes |
---|---|---|---|---|
Erik Gustaf Geijer | Songs (from cycles) | 1834-1836 | Sweden | Quite prolific song composer, nine song cycles! |
Louis-Claude Daquin | Livre de Noëls, Op. 2 | 1757 | France | Comparable to Mozart in his early prodigiousness |
Johann Sigismund Kusser | Apollon enjoue | 1700 | Student of Lully and incorporated the French style into his writing. | |
Robert Fuchs | Serenades No. 1/2/3
Quartets (String and Piano) Seven Fantasy Pieces for cello and piano (Op. 78) |
19th cenutry | Austria | Very much the presiding lord over chamber music of the 19th century Viennese world. |
Stepan Degtyarev | Minin and Pozharsky - or the Liberation of Moscow | 1811 | Russian Empre | |
Johann J. Fux | Sifonia in Bb Major K. 353
La Corona d'Arianna |
1701
1726 |
||
Giovanni Battista Sammartini | Cello Sonatas (No. 1-6) Op. 4
6 Sonatas, Op.9 |
18th century | Italy | |
Francesco Canova da Milano | Fantasies[4] | 16th century | Italy | |
Vladimir Vavilov | Ave Maria | 1950s | ||
Anton Rubenstein | Piano Concerto No. 1-5
Piano Trios (No. 1-5) Cello Sonata (No. 1-2) The Demon |
1850-1874
1851-1883 1855-57 1871 |
Russia | Not very well-received at the time but now it's quite popular. |
Artemy Vedel | Choral concertos | (Late) 18th century | Ukraine | One of 'Golden Three' of Ukrainian classical music, along with Dmitry Bortyansky and Maxim Berezovsky. |
Charles Dieupart | Six Harpischord Suites | 1701 | France | Such work was the inspiration for Bach's English Suites (BWV 806-811) |
John Field | Nocturnes | 1812-36 | The creator of the nocturne form, popularized by Chopin, Liszt, and others. | |
Charles Ives | Sets for Chamber Orchestra | 1906-1918
1916 |
New York, NY | Poster child for American WWI modernist, consonant with the musical zeitgeist. |
Aaron Copeland | Billy the Kid (ballet)
Sonata for Violin and Piano Duo for Flute and Piano |
1938
1943/4 1944 1950 1954 1971 |
||
Alexander Tansman | Le tour du monde en miniature (piano)
11 Interludes |
1933
1955 |
This resulted from his year of travel from 1922 to 1923. | |
Dmitry Shostakovich | The Nose (opera) Op. 15
Piano Concerto No. 1 (Op. 35) and No. 2 (Op. 102) Cello Concerto No. 1 and No. 2 (Op. 107, 126) |
1928
1933/1957 1951 1959/1966 |
USSR | Premiered by Tatiana Nikolevna, critiqued for its excessive formalism. |
Britta Byström | Persuasion | 2004 | Sweden | Quintessential contemporary composer, using quite a lot of late-20th century contemporary soundworld techniques and constantly developing harmonies. |
Lili Boulanger | Trois morceaux pour piano | 1914 | ||
Amanda Röntgen-Maier | Piano Quartet in E m | 1891 | Sweden | The first woman to study at the Royal Conservatory in Stockholm and a personal friend of British composer Ethel Smyth. |
Alexander Goedicke | Violin Sonata No.1 "Spring" (Op. 10)
Violin Sonata No. 2 (Op. 83) |
1899
1950s? |
Russia | First cousin to Alexander Medtner and author of a robust amoun of piano works |
Ester Mägi | Piano Concerto
Symphony 1 |
1953
1968 |
Estonia | |
Helena Munktell | Bränningar (Symphonic Poem) | 1890s | Sweden | |
Jan Dismas Zelenka | Trio Sonatas | 1710s-1720s | ||
Felix Mendelssohn | Songs Without Words | 1829-1845 | Leipzig, Germany | Eight books spanning across his lifetime and past his death |
Johannes Brahms | 5 Songs (Op. 71)
Four Songs (Op. 70) 7 Lieder (Op. 95) |
1875
1877 1884 |
Germany | His art songs are some of the most passionate in the repertoire. In 1865, Brahms' mother died and one can hear this in his musical thinking. |
Dora Bright | Piano Concerto No. 1 | 1888 | ||
Caroline Boissier-Butini | Piano Concerto No. 6 | 1820s | Geneva, Switzerland | |
Marianna Martines | Psalms and Symphonies | 19th century | ||
Anna Bon | Flute Sonatas | 18th century | ||
Benedetto Marcello | Cello Suites and Cantatas | 18th century | ||
Mily Balakirev | Piano Sonata No. 1 (Op.5)
Nocturnes and Waltzes (Piano) |
1856-57
1882 1869 1898-1906 |
||
Friedrich Nietzsche | Im Mondschein auf der Puszta (piano) | 1862 | ||
Agostini Steffani | Orlando generoso | 1691 | Germany | |
Huang Ruo | M. Butterfly (opera) | 2022 | Santa Fe, CA, USA | |
Sergei Lyapunov | 7 Preludes (Op. 6)
12 Transcendental Études (Op. 11) Variations and Fugue on a Russian Theme (Op.49) Three Pieces (Op. 57) Six Easy Pieces (Op. 59) |
1896
1897-1905 1912 1913 (after 1913) |
||
Arthur Honeggar | Pacific 231 | 1923 | ||
Lera Auerbach | Twenty-Four Preludes for Piano | 1999 | New York, USA | |
Gavril Popov | Symphony No. 1 | 1935 | Leningrad, USSR | |
Svetlana Nesterova | In The World of High Technology (Fantasy for Violin and Orchestra) | 2007 | ||
Viktor Ullmann | Der Kaiser von Atlantis | 1975 | Amsterdam, The Netherlands | |
Samuel Barber | Violin Concerto Op.13
Souvenirs Op. 28 Despite and Still (Op.41) |
1934
1955 1968-69 |
||
Samuel Feinberg | Piano Sonata No.6 | 1925 | Venice, Italy | |
Borys Lyatoshynsky | Symphony No. 1 | 1918-1919 | Kiev, Ukraine | |
Mikhail Ippolitov-Ivanov | Caucasian Sketches | 1894-96 | ||
Igor Stravinsky | Rite of Spring | 1913
1918 1910 1951 |
Paris, France
Geneva, Switzerland Paris, France Venice, Italy |
|
Krzysztof Penderecki | Threnody to the Victims of Hiroshima | 1961 | Warsaw, Poland | |
Clara Schumann | Piano Sonata in G minor | 1841-1842 | ||
Georg Philipp Telemann | Oboe Sonatas
Darmstadt Overtures[5] Overture in E minor (TWV 55:E1) Quintet in D Major (TWV 44:1) |
1739-1740
1712ish 1733 |
Hamburg, Germany | |
Gustav Mahler | Kindertotenlieder
Des Knaben Wunderhorn Rückert-Lieder |
1904
1905 1905 1911 |
||
Richard Strauss | Salome (opera) | 1905 | Dresden, Germany | |
Louis Couperin | Harpischord suites | 1713-1730 | ||
Olivier Messiaen | Quatuor pour la fin du temps | 1941 | Stalag Camp, Germany | |
Anatoly Lyadov | Preludes (piano)
Biryulki (Op.2) Variations on a Theme by Glinka Op. 35 |
1876-1905
1876 1894 |
Russia | My specifically favorite prelude is Op.11 while Op.2 is Lyadov's first piano work, reflecting his attachment to short-form works and miniatures. |
Boris Asafyev | Flames of Paris (ballet) | 1932 | Leningrad, USSR | |
G. F. Handel | Trio Sonatas
Oboe Concertos (No. 1-3) Suite de pièce Vol. 1/Vo.2 Alcina (opera) Samons Water Music Suite No. 1-3 |
1699-1738
- 1720-1733 1735 1741 1788 |
London, UK | |
Hildegard of Bingen | Ordo Virtutum | 12th century | Rupertsberg, Germany | |
Sergei Rachmaninoff | Aleko (Rachmaninoff)
14 Romances (Op. 34) |
1892
1901 1915 |
Moscow, Russia | The 'Vocalise' of Op. 34 is popular and for good reason. |
Frederic Chopin | Nocturnes (Piano) | 19th century | ||
Dmitry Bortniansky | Sacred Cantatas | 18th century | Ukraine | One of the 'Golden Three' of Ukrainian classical music. |
Antonio Vivaldi | Stabat Mater (Vivaldi)
Six Violin Concertos, Op. 11/12 (Vivaldi) |
1712
1718-1719 1729 |
||
Ludwig von Beethoven | Cello Sonatas
Violin Sonatas (Op. 12)
|
1796 - 1815
1798 1813 |
Berlin, Germany
Leipzig, Germany Bonn, Germany Vienna, Austria |
|
Modest Mussorgsky | Pictures at an Exhibition | 1870-1874 | ||
Mikhail Matyushin | Victory over The Sun | 1913 | St. Petersburg, USSR | |
Alexander Mosolov | The Iron Foundry | 1927 | Moscow, USSR | |
Alexander Borodin | Prince Igor
String Quartet No. 1 in A In the Steppes of Central Asia |
1869
1874 1879 1880 |
Moscow, Russia | |
Élisabeth Jacquet de La Guerre | Les pièces de clavessin
Pièces de clavecin qui peuvent se jouer sur le violon Sonatas (1-6) |
1687
1701 1707 |
Paris, France | |
Marianna Bottini | Piano Concerto | 19th century | Italy | |
Poldowski | Caledonian Market Suite | 1880s | London, England | |
Kaija Saariaho | Émilie (opera) | 2010 | Lyon, France | |
Camilla de Rossi | Sant'Alessio (cantata) | 1710 | Vienna, Austria | |
Fanny Mendelssohn | Piano Quartet in Ab Major | 1822 | ||
Alfred Schnittke | Nagasaki | 2006 | Cape Town, South Africa | |
Karol Symanowski | 9 Preludes (Op.1) | 1899-1900 | Poland | |
J. S. Bach | BWV 208: Hunting Cantata
Ich hatte viel Bekummernis (BWV 21) Wachet Auf (BWV 140) BWV 155 (Mein Gott, wie lang, ach lange?) Erwünschtes Freudenlicht, BWV 184 BWV 68 (Also hat Gott die Welt geliebt) Wer mich liebet, der wird mein Wort halten (BWV 75) Viol de Gamba Sonatas (1027-29) Partitas Notebook for Anna Magdalena Bach The Musical Offering BWV 69 (Lobe den Herrn, meine Seele) |
1713
1714 1715 1724 1725 1725 Late-1730s-early 1740s 1731 1722/1725 1747 1748 |
Leipzig, Germany | |
Rudolf Tobias | String Quartets
Kleine Choralvorspiele |
1890s-early 1990s
1892 |
Estonia | |
Pancho Vladigerov | Lyulin Impressions | 1986 | Bulgaria | |
Joséphine Boulay | Trois Pièces pour Orgue | 1898 | Paris, France | |
Isabella Leonarda | 12 Sonatas | 1686 | Novara, Italy | |
Vittoria Aleotti | Ghirlanda de madrigali a quatro voci | 1593 | Ferrara, Italy | |
Oskar Merikanto | Berceuse Op. 65 (Piano)
Melancholic Waltz For 4 Hands Impromptus" (Op. 19/44) |
1902
- - |
Finland | |
Nikolai Obukhov | Six Tableaux Psychologiques
Prieres (No. 1-6) Revelations The Book of Life |
1914
1915 1915 [unfinished] |
USSR | |
Anonymous | "Yaroslav Collection" | Late-19th-20th centuries | Yaroslav, Russia | |
Alexei Stanchinsky | 12 Sketches
Piano Sonata 1 and 2 |
1911-1912 | Russia | |
Franz Anton Hoffmeister | Clarinet Quartets | Late-18th century to early-19th century | Vienna, Austria | |
Lev Gumilev | Russian Dance | 18th-19th century | Imperial Russia | |
Stepan Davydov | Lesta's Aria (Lesta, A Mermaid of the Dnepr) | 1803 | St. Petersburg, Russia | Akin in many ways to the Rusalka story and a famous example of pre-Glinka opera as well |
Andrea Luchesi | Sinfonia in D Major | 1770s? | Bonn, Germany | |
Nikolay Diletsky | Three settings of the divine liturgy[6] | 17th century | Tsardom of Russia | |
Marc-Antoine Charpentier | Litanies de la Vierge
Missa Assumpta est Maria Médée |
1684
1692 1698-1702 1694 |
Paris, France | |
Robert de Visée | Livre de guitare dédié au roi | 1682 | France | |
Joseph Iosifovich Genishta | Nocturne in E Major
Sonata for Cello and Piano (Op. 13) |
1820s-1830s | Moscow, Russia | |
Catterino Cavos | Ivan Susanin (Cavos) | 1815 | Imperial Russia | |
Leo Zeitlin | Six Yiddish Songs (soprano and piano) | Early-20th century | New York, USA | |
Georgy Sviridov | Children's Album
Canticles and Prayers |
1948-1957
1988-1992 |
USSR | |
William Boyce | 8 Symphonies in 8 Parts
12 Overtures in 7, 9, 10 and 12 Parts |
1760
1770 |
London, England | |
Emil von Reznicek | Goldpirol: Idyllische Ouvertüre | 1903 | Berlin, Germany | |
Mikhail Sokolovsky | The miller who was a wizard, a cheat and a matchmaker | 1779 | Moscow, Russia | Another example of Russian opera before Glinka |
Ruth Gipps | Sonata from Double Bass and Piano
Oboe Concerto Op. 20 |
1996
1941 |
||
Nikolai Sokolov | String Trio in D Minor, Op. 45 | 1910 | Russian Empire | An example of late-Romantic string trios in Russia[7] |
Girolamo Frescobaldi | Toccate e partite d'intavolatura di cimbalo, libro primo | 1615 | Rome, Italy | |
Leo Ornstein | Poems of 1917
Piano Sonata No. 8 Arabesques |
1917
1921 1990 |
N.A. | A seminal futurist and modernist in compositional style, blending impressionism with Schoenbergian principles. |
Vladimir Rebikov | 4 Morceaux, Op.6
Feuilles d'automne Scenes bucoliques Escalavage et Liberte |
1896
1904 -- 1903 |
Russia | A forgotten face of the Russian impressionist movement |
Baltasar Jaime Martínez Compañón | Codex Martínez Compañón | 1782-1785 | Peru | A great example of Renaissance-colored songs with a folk influence from the South American region. |
Mario Castelnuovo-Tedesco | Appunti, Preludi e studi per chitarra | 1967-68
1962 |
United States | A seminal Italian-American composer who worked within the Hollywood world during WWII but is hardly known now. |
Johannes Ockeghem | Missa prolationum | 15th century | Netherlands | A seminal work in early Rrenaissance contrapunctal harmony. |
Antonio Lolli | Violin Sonatas
Sonatas for Two Violins (Op. 9) |
1760s
1785 |
Italy | |
Sergei Taneyev | String Quartets
Piano Quintet (Op.30) Violin Sonata in A Minor |
1874-1911
1910-1911 1911 |
Russia | The influence of Mendelssohn, Brahms, and Beethoven can be heard!
Op.30 is dedicated to French-Russianc omposer Georgy Catoire. |
Edvin Kallstenius | Cello Sonata in D Major (Op.6)
Violin Sonata in E Minor |
1907 | Sweden | A seminal composer in Swedish history, responsible for the national anthem! |
Ottorino Respighi | Ancient Airs and Dances
Violin Sonata in D Minor Six Pieces for Violin and Piano |
1917-1931
1897 1901-6 |
Italy | An emulation of musicological study of Renaissance modalities. |
Tomaso Albinoni | "Concerto a cinque" for two oboes and basso continuo (Op.7) | 1710s | Italy | |
Alexander Alyabyev | Piano Trio in Eb Major
Sonata for Violin and Piano in E minor Piano Quintet in E-flat major |
1815
1826 - |
Russia | One of the most famous Russian art songs of the 19th century |
Johann Jakob Froberger | Harpsichord suites | 18th century | Germany | Extremely important on the influence of his contemporaries and future generations of Baroque and early Classical composers due to his progressiveness |
Leonid Sabaneyev | Passacaglia & Fugue "On the Apocalypse Themes" | 1920s (or later) | USA | The grand-scale cantata "Apocalypse" was only begun in 1927 and in other works the cantata's influence can be found (source) |
Ingeborg Bronsart von Schellendorf | Six Lieder by Mirza Schaffy, op. 8 | 1879 | Finland | Perfect example of late-Romanticism artsong |
P. Tchaikovsky | The Seasons, Op. 35a
Swan Lake (Ballet) Souvenir d'un lieu cher (Op. 42) Violin Concerto (Op. 35) All-Night Vigil Sleeping Beauty (ballet) Eugene Onegin (opera) String Quartets |
1875
1877 1878 1881 1881-1882 1889 1879 1870s |
Moscow, Russia
St. Petersburg, Russia Moscow, Russia |
|
Vicente Lusitano | Motets | 1550- | Olivenza, Portugual | One of most popular names of the Portuguese Renaissance and one of the first 'Black' composers known to music history to receive popularity. |
Carl Orff | Carmina Burana (Orff) | 1937 | Frankfurt, Germany | The ineffable work itself. |
Franz Schreker | Chamber Symphony | 1916 | Vienna, Austria | |
Antonio Salieri | Concerto for Oboe, Violin, and Cello
Concerto for Flute and Oboe in C M |
1770
1771 1774 1786 |
Vienna, Austria | His body of work is extensive and wide, with his operas incredibly popular although now less performed and overshadowed by his contemporary Mozart. |
Alice Mary Smith | Sonata for Clarinet and Piano | 1870 | England | |
Joseph Canteloube | Chants d'Auvergne | 1923-30 | France | A Romantic orchestration of folk songs from Auvergne |
Leopold Godowsky | Triakontameron (piano) | 1910-1920 | ||
Ethel Smyth | Sonata for cello and piano in C minor
String quartets and quintets |
1880
1878-1912 |
England | Inarguably one of the most important British female composers of the late-19th centuries to early-20th century. |
Yevstigney Fomin | The Coachmen at the Relay Station | 1787 | St. Petersburg | A famous pre-Glinka opera which featured folk culture in a positive, albeit cultivated, light |
Giacomo Puccini | La Boheme (Opera) | 1896
1917 |
Turin, Italy
Monte Carlo, Monaco |
|
Jonathan Dove | Flight (Opera) | 1999 | East Sussex, UK | |
Wolfgang Mozart | Bastien und Bastienne
Church Sonatas Viennese Quartets Piano Sonatas Serenade K. 250 "Haffner" Serenade K. 320 "Posthorn" Eine kleine Nachtmusik (Serenade K. 525) Requiem in D Minor |
1768
1773-1790 1773 1774-1789 1776 1779 1787 1791 |
||
Sergei Prokofiev | Alexander Nevtsky | 1938 | Moscow, USSR | |
Joseph Haydn | String Quartets
Symphonies (1-104) "Eine Abendmusik" II: 21 Divertimento Piano Trios (1-45) |
18th century
1754-1792 1763 1780s-1790s 1791 |
||
Maurice Ravel | Miroirs (piano) | 1906 | Paris, France | |
Amy Beach | Songs of the Sea (Op. 10) | 1890 | ||
Arnold Schoenberg | Verklärte Nacht
The Book of the Hanging Gardens Moses und Aron |
1899
1908-1909 [Unfinished] |
||
Alexander Scriabin | 24 Preludes for Piano (Op. 11)
Piano Sonata No.3 (States of the Soul) Piano Sonata No.4 (Self-of-Light) Piano Sonata No. 7 (White Mass) Piano Sonata No. 9 (Black Mass) Mysterium |
1888-1896
1897-1898 1903-1904 1911 1911 1912-1913 Unfinished |
Moscow, Russia | |
Richard Wagner | The Ring Cycle (WWV 86)
Tristan Und Isolde Wesendonck Lieder |
1857
1857-1859 1857-1858 |
Bayreuth, Germany
Munich, Germany [Posthumous] |
|
Richard Strauss | Piano Trio No. 1, No. 2
Salome Elektra An Alpine Symphony (Op. 64) Daphne Vier Letze Lieder |
1877-78
1905 1909 1911-15 1938 1948 |
||
Robert Schumann | Fantasiestucke (Op.12)
Frauen-Liebe und Leben (Op. 42) Dichterliebe (Op. 48) Piano Quintet in E-flat Major Piano Trios No. 1, 2, 3 (63, 80, 110) Three Romances for Oboe and Piano (Op. 94) Symphony No.3, "Rhenish" |
1837
1840 _ 1842 1847-1851 1849 1850 |
||
Dietrich Buxtehude | Organ Preludes (BuxWV (136–176)) and Harpischord Suites (BuxWV (226–244)) | 17th-18th century | ||
Mikhail Glinka | French Quadrille in D major
Trio pathétique Farewell to St. Petersburg (voice and piano) A Greeting to My Native Land (piano) |
1826
1832 1840 1847 |
||
Fritz Kreisler | 3 Old Viennese Dances | 1910 | ||
Mauel de Falla | La vida breve (opera) | 1904-1905 | ||
Anton Arensky | String Quartet No.1 and 2 (Op. 11, 35)
Piano Trio No. 1 and 2 (Op. 32, 73) Variations on a Theme by Tchaikovsky |
1888/1894
1894/1905 1894 |
||
Vladimir Shcherbachov | Symphony No. 2 (Bloch symphony) | 1925 | USSR | |
Lev Knipper | Violin Concerto No. 1 | 1942-44 | USSR | He wrote 21 symphonies, all of which have been generally ignored in the West. |
Franz Liszt | Tasso: lamento e trionfo
Liebesträume Mazeppa (symphonic poem) Grandes études de Paganini Hungarian Fantasy 6 Polish Songs Weihnachtsbaum Lieder von Robert und Clara Schumann |
1849
1850 1851-1854 1851 1852 1857 1873-76 1874 |
||
Luigi Cherubini | Medee
String Quartets (No. 1 - 6) |
1797
1814-1837 |
||
Franz Schubert | String Quartets
Piano Sonatas Die schöne Müllerin |
1811-1826
1815-1825 1823 |
||
Jean-Philippe Rameau | Pièces de Clavecin | 1706
1741 1745 1760s |
||
Francis Pilkington | Les Oeuvres de Pierre Gaultier | 1638 | Rome | The only French lute book to be published outside of France which is extant. |
Ennemond Gaultier | Lute pieces | 16th - 17th century | France | |
Giovanni Paisiello | String Quartets No. 1-9 (R 8.01-9)
Keyboard Concertos (No. 1-8) |
18th century | He wrote 96 operas and yet not one is within the canon today. | |
Francois Couperin | Concerts royaux
Pièces de Viole |
1714-1724
1728 |
||
C.P.E. Bach | Cello Concertos
Sonaten für Kenner und Liebhaber Wq.55-59, 61 |
1750-53
1779-1787 |
At the time of writing the cello concertos, it was still a novel form.[8] | |
J. C. Bach | 6 Quartets, Op.8
Six Sonatas for the Harpsichord or Piano-Forte |
1770
1779 |
||
Józef Wieniawski | 4 Klavierstücke, Op.51
4 Pièces romantiques (Op. 39) |
1898
1905 (published) |
Seminal early-20th century composer, now overlooked. | |
Johann Mattheson | 2 Suites for Harpsichord / as Pièces de Clavecin en Deux Volumes | 1714 | Germany | Quite an overlooked figure given his style being unfitting in the public's eye. |
John Dowland | The First Book of Songs (1597) | 1597
1600 1604 |
England | |
Elisabetta de Gambarini | The Six Sets of Lessons for the Harpsichord | 1748 | England | |
Carl Friederich Abel | 27 Pieces for Bass Viol | Mid-17th century | England | Quite prolific, with Catalogue of Works of Carl Friedrich Abel newly published. |
Planned Articles
[edit]- Chernukha / Blackness
- Living Vnye / Living 'outside time'
- Khudozhestvennaya pravda (Художественная правда) / Artistic Truth
- Nega / "mollitude," used to define tremendous pleasure and satisfied desire
- Neo-Teleology: https://philpapers.org/rec/CUMN
- Bytovia musika / everyday music
- Dmitriy Lysenkov - Russian Actor
- Red Carnation Festival-Concert of Russian Patriotic Songs [1]
- Detroit Sound Conservancy
- 59 Theses of the Third International[9]
- Samodeyatelnost [Do it yourself/Amateurism]
- Poetry Day in Soviet Russia - Held in September of 1955 [late Stalinism]
- Vasily Yakovlev[10] - Soviet Musicologist and composer
- Mikhail L. Yakovlev[11] - 19th c. Russian Amateur composer and statesman for the Russian empire.
- "Lamm's Group" - circle of Soviet, Moscow composers with more liberal ideas of composition [one participant was Vissarion Shebalin]
- Circle of Stankevich - A group of 19th century Russian intellectuals, led by Nikolai Stankevich, responsible with creating the Russian intelligentsia
Planned Translation
[edit]- Fyodor Nikolsky - 19th-century Milan-trained Russian opera singer
- Tatyana Demyanova - 19th-century Russian gypsy singer
- Klara Milich - 1916 opera by Alexander Kastalsky
- Russian Opera and the Symbolist Movement, pg. 135-140
- Henri Peña-Ruiz - French Philosopher and Writer
Planned Editing
[edit]- The Three Alexanders: Alexander Alyabyev, Aleksander Gurilyov,
Alexander Egorovich Varlamov - Long song
- Nina Koshetz
- Boris de Schlözer
- Samuel Andreyev
- Aleksander Gurilyov
- Alexey Verstovsky
- Bulat Okudzhava
- Vasily Andreyev
- Vicente Lusitano
- Alexander Alyabyev
- Alexander Vladimirovich Varlamov
- Vyacheslav Ovchinnikov
- Pyotr Bulakhov
- Khrennikov's Seven
- Svetlana Nesterova
- Evlalia Pavlovna Kadmina
- Fartsovka
Editing
[edit]Current Project
[edit]Edited/Contributed Articles
[edit]Miscellaneous
[edit]- Uskoreniye
- ABC of Reading
- List of compositions by Giacomo Puccini
- Union of Soviet Composers
- Second Russian Avant-Garde
- Madeleine de Choiseul
- Yuri Tsiuman
- Yury Khovansky
- Free Music School
- Nikolai Mikhailovich Ladukhin
- Poet-Frontliners
- Democratic satire
- List of people banned from entering Ukraine
- Aytysh
- Lapshin, Ivan Ivanovich
- Hermann Kletke
- Forbidden Art — 2006
- Avant Festival
- 500 Days
- Lviv Organ Hall
- Kokorev's Manor House
- State Puppet Theatre of Fairy Tales
- Russian hip hop
- Patter
- Girjas case
- Davidsbündler
- Enkrateia
- Council of Liubech
Works
[edit]Ballet
[edit]- Estancia (Ginastera)
- The Ring (ballet)
Orchestral
[edit]- Flute Concerto in B-minor (Fetis)
- Symphony No. 1 (Popov)
- Iron Foundry - Mosolov
- Pacific 231 (Honeggar)
- Oedipus at Colonus (Mendelssohn)
- La Danserye (Susato)
Songs
[edit]Piano
[edit]- Triakontameron
- 12 Transcendental Études (Lyapunov)
- 14 Bagatelles
- Piano Concerto (Blitzen)
- Ten Easy Pieces
- Twenty-Four Preludes for Piano (Auerbach)
Opera Film
[edit]- Natalka Poltavka (film)
- Carmen (1984 film)
- The Glass Mountain (1949 film)
- Die Fledermaus (1972)
Opera
[edit]- L'isle déserte
- Ciro (opera)
- The Coachmen at the Relay Station
- L'anima del filosofo
- Dmitry Donskoy (opera)
- Florindo
- Ulysse (Rebel)
- Elena (Cavalli)
- Dafne
- Dafne in lauro
- Great Scott (opera)
- Nausicaa (opera)
- Kafka's Trial
- Salawat Yulayev (opera)
- Wieland der Schmied (Hitler)
- Animal Farm (opera)
- A Guest of Honor (opera)
- Klara Milich (opera)
- Sesostri re d'Egitto (opera)
- Shanewis
- Boccaccio (operetta)
- Lo schiavo
- Reuben, Reuben (opera)
- Tales of Malamud
- The Duenna (opera)
- Émilie (opera)
- Der Kaiser von Atlantis
- Denis & Katya
- The Cumnor Affair
- Iphigenia (opera)
- Anas el-Wugood
- Blenda (opera)
- The Reward (opera)
- L'Olimpiade (Galuppi)
- The Carriage (opera)
- One Night Stand (opera)
- Sonya's Story
- Margaret Garner (opera)
- Lilith (opera)
- A Marvelous Order
- Giunio Bruto
- Elektra (opera)
- Rescue opera
- Orphée et Euridice (Paer)
- Hafez (opera)
People of Interest
[edit]Composers
[edit]- List of compositions by Jean-Phillippe Rameau
- Georgi Conus
- Alexander Abramsky
- Joseph Iosifovich Genishta
- Lev Gurilyov
- Alexander Tcherepnin
- Joséphine Boulay
- Vadim Salmanov
- Dmitry Vasilievich Allemanov
- Brian Ferneyhough
- Adam Neely
- Edmond Clément
- Alexander Egorovich Varlamov
- Nikolai Titov
- Aleksey Zhilin
- Emma Roberto Steiner
- Mariya Zubova
- H. Maurice Jacquet
- Mikhail Vielgorsky
- Alexander Griboyedov
- Aleksander Gurilyov
- Livery Antonovich Sacchetti
- Elena Firsova
- Johann Gottfried Pratsch
- Dobri Hristov
- Alexander Radvilovich
- Huang Ruo
- Áine O'Dwyer
- William Mundy (composer)
- Aleksey Zhivotov
- Sergey Balasanian
- Edvard Mirzoyan
- Ledenev, Roman Semenovich
- Vilinsky, Vasily Mikhailovich
- Vladimir Kashperov
- Valentin Vikhorev
- Reinhard Gebhardt (archived on Archive.org)
- Ferdinando Paer
Russian Hip-Hop
[edit]- Hookah rap
- Jeeep (rapper)
- Husky (rapper)
- IQ (rapper)
- Pale (musician)
- Mozee Montana
- Ellipsis (rap)
- Slovetsky (rapper)
Directors
[edit]Musicologists
[edit]- Ståle Wikshåland
- Gerald Abraham
- François-Joseph Fétis
- Herman Laroche
- Ernő Lendvai
- Hugh Macdonald
- Livery Antonovich Sacchetti
Conductor
[edit]Performers
[edit]Critics
[edit]Interesting Articles
[edit]- Quarrel of the Ancients and the Moderns
- Straight-Ahead Jazz
- Five-year plans of the Soviet Union
- 12th World Festival of Youth and Students
- 1980 Summer Olympics
- 9 Evenings: Theatre and Engineering
- World Federation of Democratic Youth
- Nadryw [надрыв / Insurmountable internal strife]
- Брейк Данс / Break Dance
- Chernukha / Blackness
- Bard (Soviet Union)
- Music psychology
- Nogu Svelo!
- Intelligentsia
- Siege of Leningrad or 900 Days
- Germania (city) - Theoretical model of 'new' Berlin
- Germany's Four Year Plan
- Polity IV - anocracy
- Degenerate Art Exhibition
- Integral theory (Ken Wilber)
- Doctors Plot
- The_Great_Glinka
- Socratic_method
- Kaikhosru Shapurji Sorabji
- Twenty-one Conditions
- Virgin Lands Campaign
- Declaration of State Sovereignty of the Russian Soviet Federative Socialist Republic
- Black Hundreds
Books and Their Terms/Names
[edit]Songs to Seven Strings: G. S. Smith
[edit]- Bulat Okudzhava
- Lev Oshanin
- Vasily Lebedev-Kumach
- Alexander Galich
- Yevgeny Yevtushenko
- Yuly Kim
- Anri Volokhonsky
- Novella Matveeva
- Yaroslav Smelyakov
- Yuz Aleshkovsky
- Bertolt Brecht
- Frank Wedekind
- Konstantin Vanshenkin
- Mikhail Matusovsky
- Sergei Vasilyev
- Nikolay Dorizo
- Mikhail Isakovsky
- Nikolai Dobronravov
- Robert Rozhdestvensky
- Alexander Vertinsky
- Alexander Stein
- Yaroslav Smelyakov
- Nikolay Gumilyov
- Mikhail Tanich
- Alexander Grin
- Boris Pilnyak
- Yevgeny Zamyatin
- Andrei Sinyavsky
- Radizdat[12]
- Pyotr Leshchenko
- Alexander Zinoviev
- Yuri Kukin
- Boris Almazov
- Yuri Vizbor
- Alexander Gorodnitsky
- Evgeny Kliachkin
- Alexander Dolsky
- Joseph Brodsky
_____________
- Aleksei Khvostenko
- Vasiliy Roslyakov
- Gleb Gorbovsky
- Sergei Grigorovich Lazutin
- Akhil Grigorevich Levinton
- Lenka Panteleev
- Petr Gradov
- Lev Kuklin
- Nikolai Starshinov
- Igor Shaferan
- Sergei Grebennikov
- Aleksi Fatyanov
- Evgeny Dolmatovsky - Shostakovich's librettist on several occasions
- Vladimir Kharitonov
- Vasily Alferov
- Luka Mudishchev
- Mikhail Ancharov
- Valentin Vikhorev
Russian Music and Nationalism: M.F. Walker
[edit]1) Pytor Yakovlevich Chaadayev
- Chaadayev's Letters: Argument that Russia was not part of the West and had no culture of its own, responsible with creating the Slavophile/Westerner debate
- The dichotomous position of loathing and loving your country is natural to Russian discourse [Husky fits into this early Intelligentsia mixture]
3) 19th century "Slavophiles" : Rejected the Westernization of Russia and looked to build their own cultural identity
- Ivan Kireyevsky, Alexei Khomyakov, Alaksov Brothers, Yuri Samarin
- England was the model to which they looked for in Russia, English being far enough away from the negative vices of German and France
- Heavy influence of Germany and its quality of 'action' and 'reason' in opposition to the nascent Russian identity, whose trait was 'contemplation' and 'impulsivity'
8) Lev Shestov
- Derails against the pedanticity of the Europeans and their obsession with time-based activity and the idolization of productivity lest you waste your life [considered Philistinism]
9) Ivan Ilyin
10) Ivan Goncharov
- What is Oblomovism? (1859)
14) Vasily Rozanov
Resources
[edit]- ^ "Строение музыкальной речи". Издательство "Композитор" (in Russian). Retrieved 2024-04-24.
- ^ Forsgren, Elise Seip Tønnessen, Frida, ed. (2018-10-01). Multimodality and Aesthetics. New York: Routledge. doi:10.4324/9781315102665/multimodality-aesthetics-elise-seip-t%C3%B8nnessen-frida-forsgren. ISBN 978-1-315-10266-5.
{{cite book}}
: CS1 maint: multiple names: editors list (link) - ^ "'Christ. Fried. Dan. Schubart's Ideen zu einer Ästhetik der Tonkunst' - Digitalisat | MDZ". www.digitale-sammlungen.de. Retrieved 2024-05-14.
- ^ "Francesco Canova da Milano. The Pieces of uncertain attribution - Biblioteca de la Guitarra y Cuerda Pulsada". Francesco Canova da Milano. The Pieces of uncertain attribution - Biblioteca de la Guitarra y Cuerda Pulsada. Retrieved 2024-05-18.
- ^ "Telemann Darmstadt Overtures". Gramophone. Retrieved 2023-12-05.
- ^ Єдинородний сине (Микола Дилецький, XVII ст.), retrieved 2024-02-11
- ^ "Nikolai Sokolov String Trio in d minor, Op.45". www.editionsilvertrust.com. Retrieved 2024-07-06.
- ^ "CARL PHILIPP EMANUEL BACH The Cello Concertos. Roel Dieltiens, Orchestra of the Eighteenth Century". www.glossamusic.com. Retrieved 2024-06-01.
{{cite web}}
: no-break space character in|title=
at position 26 (help) - ^ https://www.marxists.org/history/international/comintern/documents/volume1-1919-1922.pdf
- ^ "Vasily Yakovlev - Tchaikovsky Research". en.tchaikovsky-research.net. Retrieved 2021-09-12.
- ^ "Яковлев, Михаил Лукьянович", Википедия (in Russian), 2020-04-09, retrieved 2021-09-12
- ^ "1970-й год. Самиздат и радиздат". Радио Свобода (in Russian). Retrieved 2022-01-04.
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