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Vance Gerry

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Vance Gerry
Born
Vance Bryden Gerry

(1929-08-21)August 21, 1929
Pasadena, California, U.S.
DiedMarch 5, 2005(2005-03-05) (aged 75)
Pasadena, California, U.S.
EducationChouinard Art Institute[1]
Occupations
  • Layout artist
  • storyboard artist
  • concept artist
  • character designer
  • letterpress printmaker
Years active1955–2004
SpouseMary Palmer[1]

Vance Bryden Gerry (August 21, 1929 – March 5, 2005) was an American storyboard artist, concept artist, and character designer known for his work on One Hundred and One Dalmatians (1961), The Sword in the Stone (1963), The Jungle Book (1967), The Aristocats (1970), The Rescuers (1977), and The Lion King (1994). He also operated his own letterpress printing business called Weather Bird Press.

Biography

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Gerry was born in Pasadena, California. A self-described poor student, he attended University School in Pasadena to complete his high school studies. There, he stated, "Teachers usually liked my artwork in grammar school, watercolors and crayons and so on. So I had sort of always thought that I would be a commercial artist."[2] Gerry then enrolled in Woodbury College and attended Art Center School for less than one semester before he was drafted into the United States Army.[2] He served as a corporal during the Korean War and left in 1952.[1]

Following his military service, Gerry studied at the Chouinard Art Institute on a scholarship from the G.I. Bill.[3] One of his teachers there was Donald W. Graham, who had taught animation training and orientation classes at Walt Disney Productions during the 1930s.[4] He attended there for two and a half years. Realizing he would not make it professionally as an illustrator, Gerry was persuaded by his friend, Grant Dahlstrom, to work for him as a salesman.[5] Graham, instead, recommended that he should work for Walt Disney Productions.[6] In 1955, Gerry first worked as an assistant in-betweener. He then transitioned to being a layout artist in which he worked on One Hundred and One Dalmatians (1961) and The Sword in the Stone (1963).[7][8] During the development on The Jungle Book (1967), he began working in the story department.[9]

Meanwhile, Gerry began his printmaking career in 1963, in which he founded the Peach Pit Press. Five years later, his wife suggested changing the name to the Weather Bird Press, which he operated in Laguna Beach, California.[10] Back at Disney, Gerry returned to doing layout artwork for The Rescuers (1977) and The Fox and the Hound (1981) before leaving to continue running his letterpress printing business in 1977.[11] He briefly returned to Disney for The Black Cauldron (1985) where he created early designs for the Horned King. Gerry envisioned him as a big-bellied Viking who had a red beard, fiery temper, and wore a steel helmet with two large horns.[12] He left the studio again, but returned to work on The Great Mouse Detective (1986).[11] By the 1990s, Gerry worked one day a week on the studio's in-development projects,[13] in which he contributed visual development and character design artwork on The Lion King (1994), Pocahontas (1995), The Hunchback of Notre Dame (1996), Tarzan (1999), and Home on the Range (2004).[9][14]

Describing his working method, Gerry stated, "It doesn't take much to get started. I'd just as soon start with a title of a picture and just start dreaming into it. A script is restricting because it tells you too much. I'd rather start earlier than that and look for possibilities for animation and entertainment, rather than story elements or structure."[13] Towards the end of his career, he worked closely with fellow storyboard artists Joe Grant and Burny Mattinson.[9] Gerry retired from Disney to continue working at Weather Bird Press with his longtime friend Patrick Roeh.[15]

Death and legacy

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On March 5, 2005, Gerry died at the age of 75 from complications of cancer in Pasadena, California.[8][16]

Commemorating his passing, Don Hahn stated: "He was a writer's writer and his sense of storytelling and influence on all of us was profound."[9] Floyd Norman, who had worked alongside Gerry during the 1950s and 1960s, wrote the following: "His whole approach to Disney story telling was so uncomplicated. In an era when young story artists pontificate endlessly about their story telling prowess, Vance was an intuitive story teller who seem to allow the story to flow out of him."[15]

Filmography

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Year Film Position Notes
1955–1957 Walt Disney's Disneyland Layout artist 4 episodes
1957 The Truth About Mother Goose (Short) Layout artist
1959 Donald in Mathmagic Land (Short) Layout artist
1960 Goliath II (Short) Layout artist
1961 Aquamania (Short) Story
One Hundred and One Dalmatians Layout artist
1963 The Sword in the Stone Layout artist
1966 Winnie the Pooh and the Honey Tree (Short) Story
1967 The Jungle Book Story
1968 Winnie the Pooh and the Blustery Day (Short) Story
1970 The Aristocats Story
1971 Bedknobs and Broomsticks Animation story Uncredited
1973 Robin Hood Story sequences
1977 The Many Adventures of Winnie the Pooh Story
The Rescuers Story
1978 The Small One (Short) Story
1981 The Fox and the Hound Story
1985 The Black Cauldron Story
1986 Disney Family Album Himself Episode: "The Storymen"
The Great Mouse Detective Story adapted by
1988 Oliver & Company Story
1990 The Prince and the Pauper (Short) Storyboard artist
1990 The Rescuers Down Under Storyboard artist
1991 Beauty and the Beast Special thanks
1994 The Lion King Visual development artist
Character designer 		Uncredited
1995 Pocahontas Visual development artist
Character designer
1996 The Hunchback of Notre Dame Visual development artist
Character designer
1997 Hercules Story
1999 Tarzan Visual development artist
Character designer
Fantasia 2000 Conceptual storyboard artist – (segment "The Carnival of the Animals")
2004 Home on the Range Additional visual development artist

References

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  1. ^ a b c Ziegler 1992, p. vi.
  2. ^ a b Ziegler 1992, pp. 1–2.
  3. ^ Ziegler 1992, p. 21.
  4. ^ Barrier, Michael (1999). Hollywood Cartoons: American Animation in Its Golden Age. Oxford University Press. p. 84. ISBN 978-0-198-02079-0.
  5. ^ Ziegler 1992, pp. 21–22.
  6. ^ Ziegler 1992, pp. 22–23.
  7. ^ Grove, Chris (March 9, 2005). "Disney 2D Vet Vance Gerry Dead at 75". Animation Magazine. Retrieved February 21, 2020.
  8. ^ a b Solomon, Charles (March 11, 2005). "Vance Gerry; 75; Disney Artist Helped Shape Popular Disney Films". Los Angeles Times. Retrieved February 21, 2020.
  9. ^ a b c d "Vance Gerry". Variety. March 8, 2005. Retrieved February 21, 2020.
  10. ^ Ziegler 1992, p. 31.
  11. ^ a b Ziegler 1992, p. 238.
  12. ^ Hulett, Steve (2014). Mouse In Transition: An Insider's Look at Disney Feature Animation. Theme Park Press. p. 46. ISBN 978-1-941500-24-8.
  13. ^ a b Canemaker, John (1996). Before the Animation Begins: The Art and Lives of Disney Inspirational Sketch Artists. Hyperion Books. pp. 192–194. ISBN 978-0-786-86152-1.
  14. ^ Solomon, Charles (1993). "Vance Gerry (1929–2005)". In Ghez, Didier (ed.). Walt's People: Volume 5—Talking Disney with the Artists Who Knew Him. Theme Park Press. p. 331. ISBN 978-1-683-90011-5.
  15. ^ a b Norman, Floyd (June 18, 2007). "Toon Tuesday: Remembering Vance Gerry of WDAS's Story Department (1929 - 2005)". Jim Hill Media. Archived from the original on March 9, 2013. Retrieved February 21, 2020.
  16. ^ "Disney Animator Vance Gerry Dead at 75". Animation World Network. Retrieved 2024-11-23.

Further reading

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