Year
|
Title
|
Location
|
Curator
|
1863
|
Exposition des Ouvrages non Admis (Salon des Refusés)[1]
|
Paris
|
|
1874
|
Première Exposition de la Société Anonyme Coopérative des Artistes-Peintres, Sculpteurs, Graveurs, etc. (The first impressionist exhibition)[1]
|
Paris
|
|
1884
|
Salon d'Hiver de la Société des Artistes Indépendants (The first Salon des Indépendants)[1]
|
Paris
|
|
1905
|
Salon d'Automne[1]
|
Paris
|
|
1906
|
The first Brücke Exhibition[1]
|
Dresden-Löbyau
|
|
1910
|
Manet and the post-impressionists[1]
|
London
|
Roger Fry
|
1911
|
The first Blaue Reiter Exhibition[1]
|
Munich
|
Redaktion Der Blaue Reiter (editors of The Blaue Reiter): Wassily Kandinsky, Franz Marc
|
1912
|
Les peintres futuristes italiens[1]
|
Paris
|
Filippo Tommaso Marinetti
|
1912
|
Salon de la Section d'Or[1]
|
Paris
|
Guillaume Apollinaire, Marcel Duchamp, Raymond Duchamp-Villon, Pierre Dumont, Albert Gleizes, Jean metzinger, Francis Picabia, Jacques Villon
|
1913
|
Erster Deutscher Herbstsalon(The first German Autumn Salon)>ref name=Salontobiennial />
|
Berlin
|
Herwarth Walden
|
1913
|
The Armony Show[1]
|
New York
|
|
1915
|
The last futurist exhibition of pictures[1]
|
Petrograd
|
Ivan Puni, Xenia Boguslavskaya
|
1920
|
Erste Internationale Dada-Messe (The first international dada fair)[1]
|
Berlin
|
George Grosz, Raoul Hausmann, John Heartfield
|
1922
|
The first Russian art exhibition[1]
|
Berlin
|
|
1929
|
Film und Foto[1]
|
Stuttgart
|
|
1936
|
Cubism and Abstract Art[1]
|
New York
|
Alfred H. Barr, Jr.
|
1937
|
Degenerate Art[1]
|
Munich
|
|
1938
|
Exposition Internationale du Surréalisme[1]
|
Paris
|
André Breton, Paul Éluard
|
1942
|
First Papers of Surrealism[1]
|
New York
|
André Breton, Marcel Duchamp
|
1942
|
Art of This Century[1]
|
New York
|
Peggy Guggenheim, Frederick Kiesler
|
1951
|
Ninth Street Show[1]
|
New York
|
|
1955
|
The first Gutai Art Exhibition[1]
|
Tokyo
|
|
1956
|
This Is Tomorrow[2][1]
|
London, Whitechapel Art Gallery
|
Theo Crosby
|
1959
|
The new american painting[2][1]
|
Basel, Milan, Madrid, Berlin, Amsterdam, Bruxelles, Paris, London, New York
|
Dorothy C. Miller
|
1960
|
Monochrome Malerei[2]
|
Levenkusen, Städtisches Museum
|
Udo Kultermann
|
1961
|
Bewogen-Beweging[2]
|
Amsterdam, Stedelijk Museum
|
Pontus Hulten
|
1962
|
Dylaby[2][3]
|
Amsterdam, Stedelijk Museum
|
Williem Sandberg with Ad Petersen
|
1962
|
New Realists[3]
|
New York
|
Sidney Janis with Pierre Restany
|
1965
|
The responsive eye[2]
|
New York, Museum of Modern Art
|
William Seitz
|
1963
|
Oltre l'informale[2]
|
San Marino
|
Giulio Carlo Argan
|
1964
|
Post-painterly Abstraction[2]
|
Los Angeles, County Museum of Art
|
Clement Greenberg
|
1966
|
Systemic Paining[2]
|
New York, Guggenheim Museum
|
Lawrence Alloway
|
1966
|
Primary Structures[2]
|
New York, The Jewish Museum
|
Kynaston McShine
|
1968
|
Arte povera più azioni povere[2][3]
|
Amalfi
|
Germano Celant
|
1969
|
January 5-31, 1969[3]
|
New York
|
Seth Siegelaub
|
1969
|
When attitudes become forms[2][3]
|
Bern, Kunsthalle
|
Harald Szeemann
|
1969
|
557,087[3]
|
Seattle, Seattle Art Museum Pavilion and surrounding area
|
Lucy R. Lippard
|
1970
|
Information[2][3]
|
New York, Museum of Modern Art
|
Kynaston McShine
|
1971
|
Sonsbeek 71[3]
|
The Netherlands
|
Wim Beeren
|
1972
|
Documenta 5[3]
|
Kassel
|
Harald Szeemann (general secretary), Jean-Christophe Ammann and Bazon Brock
|
1974
|
The Bulldozer Exhibition[3]
|
Moscow, Belyayevo
|
Alexander Glezer and Oscar Rabin
|
1974
|
The Shaped Canvas[2]
|
New York, Guggenheim Museum
|
Lawrence Alloway
|
1974
|
Transformer. Aspekte der Travestie[2]
|
Lucern, Kunstmuseum
|
Jean-Christophe Ammann
|
1977
|
Pictures[2]
|
Artists Space, New York
|
Douglas Crimp
|
1980
|
The Time Square Show[3]
|
New York, 41st Street and 7th Avenue
|
Collaborative Projects Inc. (COLAB) and Fashion Moda
|
1981
|
A New Spirit in Painting[3]
|
London, Royal Academy of Arts
|
Christps M. Joachimides, Norman Rosenthal, Nicholas Serota
|
1982
|
Zeitgeist[2]
|
Berlin, Martin-Gropius Bau
|
Christos Joachimides, Norman Rosenthal
|
1984
|
Primitivism in 20th Century Art[4]
|
New York, Museum of Modern Art; Detroit, Dallas
|
William Rubin
|
1985
|
Les Immatériaux[3]
|
Paris, Centre de Création Industrielle, Centre Georges Pompidou
|
Jean-Françios Lyotard and Thierry Chaput with exhibition design by Philippe Délis
|
1986
|
Chambres d'amis[2][3]
|
Ghent, private homes
|
Jean Hoet
|
1986
|
Second Havana Biennial[3][4]
|
Havana, Wifredo Lam Center and other venues
|
Staff of the WifredoLam Center, notably Gerardo Mosquera and Llilian Lkanes Godoy
|
1988
|
Freeze[3]
|
London, PLA Building, Docklands
|
Damien Hirst
|
1989
|
China/Svant-Garde[3]
|
Beijing, National Art Gallery
|
|
1989
|
Les Magiciens de la Terre[2][3][4]
|
Paris, Centre Georges Pompidou, Grande Halle de la Villette
|
Jean-Hubert Martin
|
1989
|
The Other Story: Afro-Asian Artist in Post-War Britain[4]
|
London, Hayward Gallery
|
Rasheed Araeen
|
1991
|
Places with a Past[3]
|
Charleston, Sites around Charleston in North Carolina
|
Mary Jane Jacob
|
1992
|
Posthuman[2]
|
Losanna, Chicago
|
Jeffrey Deitch
|
1992
|
Helter Skelter: LA Art in the 1990s[2]
|
Los Angeles, Museum of Contemporary Art
|
Paul Schimmel
|
1992
|
Molteplici culture[4]
|
Rome, Museo del Folklore
|
Carolyn Christov-Bagargiev and Ludovico Pratesi
|
1993
|
Whitney Biennial[3]
|
New York, Whitney Museum of American Art
|
Elisabeth Sussman with Thelma Golden, John G. Hanhardt and Lisa Phillips
|
1993
|
XLV Biennale di Venezia: Punti cardinali dell'arte, Aperto 93, Passaggio a Oriente, Slittamenti Cage&Company, La coesistenza dell'arte[4]
|
Venice
|
Achille Bonito Oliva
|
1994
|
Black Male: Representations of Masculinity in Contemporary American Art[4]
|
[New York, [Whitney Museum of American Art]]
|
Thelma Golden
|
1994
|
Cicido y Crudo[4]
|
Madrid, Museo Nacional Centro de Arte Reina Sofía
|
Dan Cameron]
|
1995
|
Gwangju Biennale: Beyond the Borders[4]
|
Gwangju
|
Yongwoo Lee with Kathy Halbreich, Jean de Loisy, Anda Rottenburg, Wan-jyung Sung, Kwang-su Oh, Hong-joon Yu, Clive Adams
|
1995
|
Transculture at 46th Venice Biennale[4]
|
Venice
|
Fumio Nanjo and Dana Friis-Hansen
|
1996
|
Traffic[3]
|
Bordeaux, CAPC Musée d'Art Contemporain de Bordeaux
|
Nicolas Bourriaud
|
1997
|
Cities on the Move[3][4]
|
Vienna, Secession
|
Hou Hanru with Hans Ulrich Obrist
|
1997
|
Sensation[2]
|
London, Royal Academy
|
Norman Rosenthal
|
1997
|
Documenta X[4]
|
Kassel
|
Catherine David
|
1997
|
Second Johannesburg Biennale[4]
|
Johannesburg
|
Okwui Enwezor with Octavio Zaya, Colin Richards, Gerardo Mosquera, Kellie Jones, Hou Hanru and Yu Yeon Kim
|
1998
|
24th Sao Paolo Biennial[3][4]
|
Sao Paolo
|
Paulo Herkenhoff (chief curator) and Adriano Pedrosa
|
2002
|
Documenta 11[3][4]
|
Kassel
|
Okwui Enwezor with co-curators Sarat Maharaj, Octavio Zaya, Carlos Basualdo, Ute Meta Bauer, Susanne Ghez and Mark Nash
|
2003
|
How Latitudes Become Forms: Art in a Global Age[4]
|
Minneapolis, Walker Art Center; Fondazione Sandretto Re Rebaudengo Torino; Contemporary Arts Museum n Houston.
|
Philippe Vergne with Douglas Fodle and Olukemi Ilesanmi
|