Portal:Phoenicia
THE PHOENICIA PORTAL
Phoenicia (/fəˈnɪʃə, fəˈniːʃə/), or Phœnicia, or the Phoenician city-states, were an ancient Semitic maritime civilization originating in the coastal strip of the Levant region of the eastern Mediterranean, primarily located in modern Lebanon. The territory of the Phoenicians expanded and contracted throughout history, with the core of their culture stretching from Arwad in modern Syria to Mount Carmel. The Phoenicians extended their cultural influence through trade and colonization throughout the Mediterranean, from Cyprus to the Iberian Peninsula.
The Phoenicians directly succeeded the Bronze Age Canaanites, continuing their cultural traditions following the decline of most major cultures in the Late Bronze Age collapse and into the Iron Age without interruption. It is believed that they self-identified as Canaanites and referred to their land as Canaan, indicating a continuous cultural and geographical association. The name Phoenicia is an ancient Greek exonym that did not correspond precisely to a cohesive culture or society as it would have been understood natively. Therefore, the division between Canaanites and Phoenicians around 1200 BC is regarded as a modern and artificial division.
The Phoenicians, known for their prowess in trade, seafaring and navigation, dominated commerce across classical antiquity and developed an expansive maritime trade network lasting over a millennium. This network facilitated cultural exchanges among major cradles of civilization, such as Greece, Egypt, and Mesopotamia. The Phoenicians established colonies and trading posts across the Mediterranean; Carthage, a settlement in northwest Africa, became a major civilization in its own right in the seventh century BC.
The Phoenicians were organized in city-states, similar to those of ancient Greece, of which the most notable were Tyre, Sidon, and Byblos. Each city-state was politically independent, and there is no evidence the Phoenicians viewed themselves as a single nationality. While most city-states were governed by some form of kingship, merchant families probably exercised influence through oligarchies. After reaching its zenith in the ninth century BC, the Phoenician civilization in the eastern Mediterranean gradually declined due to external influences and conquests. Yet, their presence persisted in the central and western Mediterranean until the destruction of Carthage in the mid-second century BC. — Read more about Phoenicia, its mythology and language
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The Temple of Eshmun (Arabic: معبد أشمون) is an ancient place of worship dedicated to Eshmun, the Phoenician god of healing. It is located near the Awali river, 2 kilometres (1.2 mi) northeast of Sidon in southwestern Lebanon. The site was occupied from the 7th century BC to the 8th century AD, suggesting an integrated relationship with the nearby city of Sidon. Although originally constructed by Sidonian king Eshmunazar II in the Achaemenid era (c. 529–333 BC) to celebrate the city's recovered wealth and stature, the temple complex was greatly expanded by Bodashtart, Yatonmilk and later monarchs. Because the continued expansion spanned many centuries of alternating independence and foreign hegemony, the sanctuary features a wealth of different architectural and decorative styles and influences.
The sanctuary consists of an esplanade and a grand court limited by a huge limestone terrace wall that supports a monumental podium which was once topped by Eshmun's Greco-Persian style marble temple. The sanctuary features a series of ritual ablution basins fed by canals channeling water from the Asclepius river (modern Awali) and from the sacred "YDLL" spring; these installations were used for therapeutic and purificatory purposes that characterize the cult of Eshmun. The sanctuary site has yielded many artifacts of value, especially those inscribed with Phoenician texts, such as the Bodashtart inscriptions and the Eshmun inscription, providing valuable insight into the site's history and that of ancient Sidon. (Full article...)
Phoenician mythology •
Dumuzid or Dumuzi or Tammuz (Sumerian: 𒌉𒍣, romanized: Dumuzid; Akkadian: Duʾūzu, Dûzu; Hebrew: תַּמּוּז, romanized: Tammūz), known to the Sumerians as Dumuzid the Shepherd (Sumerian: 𒌉𒍣𒉺𒇻, romanized: Dumuzid sipad) and to the Canaanites as Adon (Phoenician: 𐤀𐤃𐤍; Proto-Hebrew: 𐤀𐤃𐤍), is an ancient Mesopotamian and associated with agriculture and shepherds, who was also the first and primary consort of the goddess Inanna (later known as Ishtar). In Sumerian mythology, Dumuzid's sister was Geshtinanna, the goddess of agriculture, fertility, and dream interpretation. In the Sumerian King List, Dumuzid is listed as an antediluvian king of the city of Bad-tibira and also an early king of the city of Uruk.
In Inanna's Descent into the Underworld, Inanna perceives that Dumuzid has failed to properly mourn her death and, when she returns from the Underworld, allows the galla demons to drag him down to the Underworld as her replacement. Inanna later regrets this decision and decrees that Dumuzid will spend half of the year in the Underworld, but the other half of the year with her, while his sister Geshtinanna stays in the Underworld in his place, thus resulting in the cycle of the seasons. In the Sumerian poem Inanna Prefers the Farmer, Dumuzid competes against the farmer Enkimdu for Inanna's hand in marriage. (Full article...)
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Le Dernier Combat (French: [lə dɛʁnje kɔ̃ba]; English: The Last Battle) is a 1983 French post-apocalyptic film. It was the first feature film to be directed by Luc Besson, and also features Jean Reno's first prominent role. Music for the film was composed by Éric Serra. The film was the first of many collaborations between Besson, Reno and Serra. A dark vision of post-apocalyptic survival, the film was shot in black and white and contains only two words of dialogue. It depicts a world where people have been rendered mute by some unknown incident. (Full article...)
Phoenician inscriptions & language •
The Canaanite and Aramaic inscriptions, also known as Northwest Semitic inscriptions, are the primary extra-Biblical source for understanding of the society and history of the ancient Phoenicians, Hebrews and Arameans. Semitic inscriptions may occur on stone slabs, pottery ostraca, ornaments, and range from simple names to full texts. The older inscriptions form a Canaanite–Aramaic dialect continuum, exemplified by writings which scholars have struggled to fit into either category, such as the Stele of Zakkur and the Deir Alla Inscription.
The Northwest Semitic languages are a language group that contains the Aramaic language, as well as the Canaanite languages including Phoenician and Hebrew. (Full article...)
Did you know (auto-generated) •
- ... that the earliest-known Phoenician inscriptions were found near Bethlehem?
- ... that according to second-century AD Greek rhetorician Athenaeus, the Phoenicians played a flute-like instrument called the gingras in their mourning rituals?
- ... that alongside a 7th-century BC Phoenician shipwreck, two additional wrecks from various historical periods were unearthed in Bajo de la Campana, situated off the coast of Cartagena, Spain?
- ... that the discovery of Phoenician metal bowls in 1849 created the entire concept of Phoenician art?
- ... that the deity of the Phoenician sanctuary of Kharayeb remains unidentified due to the absence of names of specific gods in unearthed inscriptions?
- ... that Bochart's 1646 Geographia Sacra seu Phaleg et Canaan was the first full-length book devoted to the Phoenicians?
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